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Author: Claire Donovan
Publisher:
Published: 1991
Total Pages: 238
ISBN-13:
DOWNLOAD EBOOKThe de Brailes Hours is the earliest surviving independent Book of Hours, dating from about 1240. The work of William de Brailes, of Oxford, it is illustrated throughout with miniatures and historiated initials with a sequence of scenes. As the first example of this new type of text, its design and iconography have much that is experimental.
Author: Claire Donovan
Publisher: University of Toronto Press
Published: 1991-01-01
Total Pages: 244
ISBN-13: 9780802059512
DOWNLOAD EBOOKClaire Donovan provides a detailed discussion of the Hours, its iconography and its place in the thirteenth-century Oxford book trade, with five appendices, notes and bibliography.
Author: Eamon Duffy
Publisher: Yale University Press
Published: 2006-01-01
Total Pages: 228
ISBN-13: 9780300117141
DOWNLOAD EBOOKPT 3: Catholic books in a Protestant world.
Author: Simon Eliot
Publisher: John Wiley & Sons
Published: 2009-03-30
Total Pages: 617
ISBN-13: 140519278X
DOWNLOAD EBOOKA COMPANION TO THE HISTORY OF THE BOOK A COMPANION TO THE HISTORY OF THE BOOK Edited by Simon Eliot and Jonathan Rose “As a stimulating overview of the multidimensional present state of the field, the Companion has no peer.” Choice “If you want to understand how cultures come into being, endure, and change, then you need to come to terms with the rich and often surprising history Of the book ... Eliot and Rose have done a fine job. Their volume can be heartily recommended. “ Adrian Johns, Technology and Culture From the early Sumerian clay tablet through to the emergence of the electronic text, this Companion provides a continuous and coherent account of the history of the book. A team of expert contributors draws on the latest research in order to offer a cogent, transcontinental narrative. Many of them use illustrative examples and case studies of well-known texts, conveying the excitement surrounding this rapidly developing field. The Companion is organized around four distinct approaches to the history of the book. First, it introduces the variety of methods used by book historians and allied specialists, from the long-established discipline of bibliography to newer IT-based approaches. Next, it provides a broad chronological survey of the forms and content of texts. The third section situates the book in the context of text culture as a whole, while the final section addresses broader issues, such as literacy, copyright, and the future of the book. Contributors to this volume: Michael Albin, Martin Andrews, Rob Banham, Megan L Benton, Michelle P. Brown, Marie-Frangoise Cachin, Hortensia Calvo, Charles Chadwyck-Healey, M. T. Clanchy, Stephen Colclough, Patricia Crain, J. S. Edgren, Simon Eliot, John Feather, David Finkelstein, David Greetham, Robert A. Gross, Deana Heath, Lotte Hellinga, T. H. Howard-Hill, Peter Kornicki, Beth Luey, Paul Luna, Russell L. Martin Ill, Jean-Yves Mollier, Angus Phillips, Eleanor Robson, Cornelia Roemer, Jonathan Rose, Emile G. L Schrijver, David J. Shaw, Graham Shaw, Claire Squires, Rietje van Vliet, James Wald, Rowan Watson, Alexis Weedon, Adriaan van der Weel, Wayne A. Wiegand, Eva Hemmungs Wirtén.
Author: Monika E. Müller
Publisher: Cambridge Scholars Publishing
Published: 2014-06-02
Total Pages: 235
ISBN-13: 1443861030
DOWNLOAD EBOOKUntil recently, the phenomenon of copying in medieval book painting has been considered mainly in terms of the reconstruction of pictorial sources used for the composition or iconography of miniatures, initials, or decorative elements. Although historic sources only rarely mention the circumstances of manuscripts’ production, one particular widely-accepted hypothesis has prevailed until now, according to which artists used model drawings or sketch books with the aim of facilitating the production of copies and the creation of new picture cycles. However, it is no longer sufficient to regard medieval book painting in its diachronic dimension only through these lenses. Rather, one should consider Robert W. Scheller’s critique that “When using the model hypothesis one must always be mindful of other factors which are known to have played a part in the transmission of art in the Middle Ages”. The contributions of this volume deal with these issues by focusing on book painting between the 10th and 16th centuries.
Author: John Higgitt
Publisher: University of Toronto Press
Published: 2000-01-01
Total Pages: 400
ISBN-13: 9780802047595
DOWNLOAD EBOOKAccompanying CD-ROM contains digital facsimile of the Murthly Hours with commentary.
Author: Scot McKendrick
Publisher: British Library Board
Published: 2011
Total Pages: 448
ISBN-13: 9780712358163
DOWNLOAD EBOOKIlluminated manuscripts collected by successive kings and queens of England form the heart of a unique and visually stunning collection held by the British Library. A key figure in the formation of this collection was King Edward IV (1461–83), who commissioned a number of luxury manuscripts decorated with his arms. Subsequent monarchs added to this library, which was given to the nation by George II in 1757. Over 150 examples from this exceptional collection are presented in this catalog, which accompanies a major British Library exhibition of the same name. These manuscripts contain paintings produced by some of the finest artists of the Middle Ages. Highlights include the Book of Hours, made for Henry VIII's great grandmother, Margaret Beauch& Henry VIII's Psalter, commissioned and annotated by the king himself; maps of an itinerary from London to Apulia and to the Holy Land; and the Shrewsbury book, presented to Margaret of Anjou on her marriage to Henry VI in 1445. The catalog features full-page illustrations from each manuscript included in the exhibition, as well as three illustrated essays which explore the wider history and context of this unique collection. Written by the curators of the exhibition, along with contributions from several experts in the field, Royal Manuscripts will be a much-heralded event for scholars and collectors seeking to better understand the lives and aspirations of those for whom these stunning artifacts were made.
Author: Jeffrey F. Hamburger
Publisher:
Published: 2006
Total Pages: 686
ISBN-13:
DOWNLOAD EBOOKThis volume contains 50 essays by leading scholars in the fields of medieval manuscript studies and the art of the northern Renaissance.
Author:
Publisher: BRILL
Published: 2021-02-01
Total Pages: 477
ISBN-13: 9004448659
DOWNLOAD EBOOKLaw | Book | Culture in the Middle Ages takes a detailed view on the role of manuscripts and the written word in legal cultures, spanning the medieval period across western and central Europe.
Author: Stella Panayotova
Publisher: Harvey Miller
Published: 2016
Total Pages: 0
ISBN-13: 9781909400566
DOWNLOAD EBOOK"This richly illustrated catalogue accompanies the exhibition that celebrates the bicentenary of the Fitzwilliam Museum in Cambridge with a display of its finest illuminated manuscripts. Of all the medieval and Renaissance arts - from sculptures, ivories, frescoes and stained glass to easel and wall paintings - it is manuscript illuminations, protected inside volumes, that best preserve the glowing colours and precious metals that would have dazzled their original spectators. The focus of this exciting and innovative exhibition is on COLOUR: it integrates scientific and art historical analyses of painting materials and techniques with studies on the manuscripts' historic contexts of production, including the relationships between artists and patrons. Identifications of the pigments' chemical composition and methods of application are considered alongside their aesthetic impact as well as the multiple dimensions and meanings of colour appreciated by medieval and Renaissance viewers. Over 150 manuscripts are displayed in the exhibition dating from the 8th to the 19th century and all are catalogued and fully illustrated here. The manuscripts are grouped in 14 thematic sections each of which is introduced by an essay that includes further relevant illustrations and presents the scientific and art historical analyses in a broader cultural context. The majority of the exhibits are from the Museum's collection and the main focus is on Western European illumination, but examples of Byzantine, Armenian, Persian and Sanskrit manuscripts are also included. In addition there are special loans from other Cambridge, British and European collections. The catalogue entries and introductory essays are written by a team of leading manuscript scholars, scientists and conservators who offer an integrated, cross-disciplinary approach and new insights into the art of illumination."--
