'Speak to Me': The Legacy of Pink Floyd's The Dark Side of the Moon
'Speak to Me': The Legacy of Pink Floyd's The Dark Side of the Moon

Author: Russell Reising

Publisher: Routledge

Published: 2017-10-03

Total Pages: 253

ISBN-13: 1351218123

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The endurance of Pink Floyd's The Dark Side of the Moon on the Billboard Top 100 Chart is legendary, and its continuing sales and ongoing radio airplay ensure its inclusion on almost every conceivable list of rock's greatest albums. This collection of essays provides indispensable studies of the monumental 1973 album from a variety of musical, cultural, literary and social perspectives. The development and change of the songs is considered closely, from the earliest recordings through to the live, filmed performance at London's Earls Court in 1994. The band became almost synonymous with audio-visual innovations, and the performances of the album at live shows were spectacular moments of mass-culture although Roger Waters himself spoke out against such mass spectacles. The band's stage performances of the album serve to illustrate the multifaceted and complicated relationship between modern culture and technology. The album is therefore placed within the context of developments in late 1960s/early 1970s popular music, with particular focus on the use of a variety of segues between tracks which give the album a multidimensional unity that is lacking in Pink Floyd's later concept albums. Beginning with 'Breathe' and culminating in 'Eclipse', a tonal and motivic coherence unifies the structure of this modern song cycle. The album is also considered in the light of modern day 'tribute' bands, with a discussion of the social groups who have the strongest response to the music being elaborated alongside the status of mediated representations and their relation to the 'real' Pink Floyd.

Dark Side of the Tune: Popular Music and Violence
Dark Side of the Tune: Popular Music and Violence

Author: Professor Bruce Johnson

Publisher: Ashgate Publishing, Ltd.

Published: 2013-01-28

Total Pages: 258

ISBN-13: 140949392X

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Written against the academically dominant but simplistic romanticization of popular music as a positive force, this book focuses on the 'dark side' of the subject. It is a pioneering examination of the ways in which popular music has been deployed in association with violence, ranging from what appears to be an incidental relationship, to one in which music is explicitly applied as an instrument of violence. A preliminary overview of the physiological and cognitive foundations of sounding/hearing which are distinctive within the sensorium, discloses in particular their potential for organic and psychic violence. The study then elaborates working definitions of key terms (including the vexed idea of the 'popular') for the purposes of this investigation, and provides a historical survey of examples of the nexus between music and violence, from (pre)Biblical times to the late nineteenth century. The second half of the book concentrates on the modern era, marked in this case by the emergence of technologies by which music can be electronically augmented, generated, and disseminated, beginning with the advent of sound recording from the 1870s, and proceeding to audio-internet and other contemporary audio-technologies. Johnson and Cloonan argue that these technologies have transformed the potential of music to mediate cultural confrontations from the local to the global, particularly through violence. The authors present a taxonomy of case histories in the connection between popular music and violence, through increasingly intense forms of that relationship, culminating in the topical examples of music and torture, including those in Bosnia, Darfur, and by US forces in Iraq and Guantánamo Bay. This, however, is not simply a succession of data, but an argumentative synthesis. Thus, the final section debates the implications of this nexus both for popular music studies itself, and also in cultural policy and regulation, the ethics of citizenship, and arguments about human rights.

Dark Side of the Tune
Dark Side of the Tune

Author: Bruce Johnson

Publisher: Ashgate Publishing, Ltd.

Published: 2009

Total Pages: 258

ISBN-13: 9781409400493

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This book focuses on the 'dark side' of popular music by examining the ways in which popular music has been deployed in association with violence. Cloonan and Johnson address the physiological and cognitive foundations of sounding/hearing and provide a historical survey of examples of the nexus between music and violence, from (pre)Biblical times to the late nineteenth century. The book also concentrates on the emergence of technologies by which music can be electronically augmented, generated, and disseminated. The authors investigate the implications of this nexus both for popular music studies itself, and also in cultural policy and regulation, the ethics of citizenship, and arguments about human rights.

The Dark Side of Modernity
The Dark Side of Modernity

Author: Jeffrey C. Alexander

Publisher: John Wiley & Sons

Published: 2013-04-25

Total Pages: 184

ISBN-13: 0745665063

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In this book, one of the world’s leading social theorists presents a critical, alarmed, but also nuanced understanding of the post-traditional world we inhabit today. Jeffrey Alexander writes about modernity as historical time and social condition, but also as ideology and utopia. The idea of modernity embodies the Enlightenment’s noble hopes for progress and rationality, but its reality brings great suffering and exposes the destructive impulses that continue to motivate humankind. Alexander examines how twentieth-century theorists struggled to comprehend the Janus-faced character of modernity, which looks backward and forward at the same time. Weber linked the triumph of worldly asceticism to liberating autonomy but also ruthless domination, describing flights from rationalization as systemic and dangerous. Simmel pointed to the otherness haunting modernity, even as he normalized the stranger. Eisenstadt celebrated Axial Age transcendence, but acknowledged its increasing capacity for barbarity. Parsons heralded American community, but ignored modernity’s fragmentations. Rather than seeking to resolve modernity’s contradictions, Alexander argues that social theory should accept its Janus-faced character. It is a dangerous delusion to think that modernity can eliminate evil. Civil inclusion and anti-civil exclusion are intertwined. Alexander enumerates dangerous frictions endemic to modernity, but he also suggests new lines of social amelioration and emotional repair.

Purple Chick
Purple Chick

Author: Todd Van Buskirk

Publisher: Lulu.com

Published: 2015-08-22

Total Pages: 713

ISBN-13: 1329500687

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A fictional memoir about the infamous record collector and bootlegger. The Beach Boys appeal strikes a chord with certain personalities who can relate to them in some way beyond liking their music on the surface. There are now dozens of popular books, both non-fiction and fiction, that can help to shed light on Asperger's Syndrome, either by representing a three-dimensional character with the syndrome, by directly explaining the ins and outs of the symptoms, or by telling the true story of someone living a life on the autism spectrum.

Pink Floyd
Pink Floyd

Author: Hugh Fielder

Publisher: Race Point Publishing

Published: 2013-10-02

Total Pages: 242

ISBN-13: 1627880755

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DIVWith a music career spanning nearly half a century, Pink Floyd is one of the most successful rock bands in history. With more than 250 million album sales to their credit, the band remains hugely popular worldwide.Both Rolling Stone and VHIhave named Floyd one of “The 100 Greatest Artists of All Time,� and they continue to attract new legions of fans every single year. They were inducted in the Rock and Roll Hall of Fame in 1996 and the UK Music Hall of Fame in 2005.Their 2011 "immersion" box sets for their classic Dark Side of the Moon and Wish You Were Here albums were met with unanimous critical acclaim and prolific press.The Wall Live concert tour featuring Roger Waters was the second highest grossing concert tour in North America in 2010 (over $89.5 million dollars) and the sixth highest in the world. /divDIVIn this, the first complete illustrated history of Pink Floyd from 1965 through today, author and journalist Hugh Fielder gets “behind the wall� and recounts the band’s entire history, analyzes their recordings, and provides a complete discography. Readers will discover stories behind the band’s formation, recordings, and tours, as well as the bitter disputes, both public and private.Complemented with more than 250 images, including live performance and candid off-stage photographs, as well as rare memorabilia like gig posters, concert tees, picture sleeves, backstage passes, buttons, and ticket stubs, this is the book that every Floyd fan will want on their shelf./div

Echoes
Echoes

Author: Glenn Povey

Publisher: Mind Head Publishing

Published: 2007

Total Pages: 358

ISBN-13: 9780955462405

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From their gigs in tiny church halls to multimillion-selling albums--"The Dark Side" "of the Moon," "Wish You Were Here," and the rock opera "The Wall"--and elaborate stadium shows, this tome celebrates legendary rock band Pink Floyd. Lavishly illustrated with previously unpublished photographs and rare graphic memorabilia, including posters, advertisements, handbills, and tickets from every era of the band's remarkable history, this survey provides a comprehensive overview of the group, its members, and the times. In addition to a biographical account of the band's collective and individual careers--from their pre-Floyd times in the early 1960s to the present day and their music's evolution from psychedelic and space rock to progressive rock genres--this definitive reference presents a meticulously researched chronological listing of every Pink Floyd and solo concert with set lists, radio and television appearances, and a UK and U.S. discography.

Art of the Cut
Art of the Cut

Author: Steve Hullfish

Publisher: CRC Press

Published: 2024-07-18

Total Pages: 353

ISBN-13: 104003649X

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This is the second volume of the widely acclaimed Art of the Cut book published in 2017. This follow-up text expands on its predecessor with wisdom from more than 360 interviews with the world’s best editors (including nearly every Oscar winner from the last 30 years). Because editing is a highly subjective art form, and one that is critical to the success of motion picture storytelling, it requires side-by-side comparisons of the many techniques and solutions used by a wide range of editors from around the world. That is why this book compares and contrasts methodologies from a wide array of diverse voices and organizes that information so that it is easily digested and understood. There is no one way to approach editorial problems, so this book allows readers to see multiple solutions from multiple editors. The interviews contained within are carefully curated into topics that are most important to film editors and those who aspire to become film editors. The questions asked, and the organization of the book, are not merely an academic or theoretical view of the art of editing but rather the practical advice and methodologies of actual working film and TV editors, bringing benefits to both students and professional readers. The book is supplemented by a collection of downloadable online exclusive chapters, which cover additional topics ranging from Choosing the Project to VFX. In addition to the supplementary chapters, access to the full-color, full-resolution images printed in the book—and other exclusive images—is included.

Music Outside the Lines
Music Outside the Lines

Author: Maud Hickey

Publisher: Oxford University Press on Demand

Published: 2012-11-29

Total Pages: 179

ISBN-13: 0199826773

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Music Outside the Lines is an informative and practical resource for all who are invested in making music composition an integral part of curriculum. Author Maud Hickey addresses the practical needs of music educators by offering both a well-grounded justification for teaching music composition and also a compendium of useful instructional ideas and classroom activities. Hickey begins with a rationale for teachers to begin composition activities in their own classrooms, with a thoughtful argument that demonstrates that all music teachers possess the skills and training needed to take children along the path toward composing satisfying musical compositions even if they themselves have never taken formal composition lessons. She also addresses some of the stickier issues that plague teaching music composition in schools such as assessment, notation, and technology. Most importantly, she introduces a curricular model for teaching composition, a model which provides an array of composition activities to try in the music classrooms and studios. These activities encourage musical and creative growth through music composition; while they are organized in logical units corresponding to existing teaching modules, they also offer jumping off points for music teachers to exercise their own creative thinking and create music composition activities that are customized to their classes and needs. As a whole, Music Outside the Lines both successfully reasons that music composition should be at the core of school music curriculum and also provides inservice and pre-service educators with an essential resource and compendium of practical tips and plans for fulfilling this goal.

SPIN
SPIN

Author:

Publisher:

Published: 2005-09

Total Pages: 112

ISBN-13:

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From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.