Are you ready to surrender? When Rowan Cassidy meets Christian Thorne in an exclusive club, he challenges everything she’s ever believed about herself. He then makes an outrageous proposal: give herself over to him completely for thirty days and discover her most secret fantasies and her true nature. Give in to absolute pleasure with Eden Bradley’s romantic, liberating and utterly addictive debut novel.
In 1862, having completed his medical studies in Europe, Julian Chisholm finds himself in Glasgow, penniless, but determined to return home and offer his skill as a surgeon to the cause of the Confederacy. Through a cynical, happy-go-lucky gambler he meets lovely Jane Anderson, widow of a Confederate army officer, who needs a husband badly if she is to return to Georgia to fight for her estates. She offers Julian the price of his passage if he will marry her, and he accepts, hoping that marriage will drive away his constantly recurring thoughts of beautiful, shameless Lucy Sprague who had rejected him three years before for an untrustworthy but wealthy Yankee senator. Once in the Confederacy, Julian plunges into the hazardous work of an army field surgeon as he tries to forget both Lucy and Jane, in whom his interest has deepened. On the bloody battlefields of Vicksburg and Chickamauga he performs delicate under-fire operations, oblivious of his personal safety and concerned only with the lives of the wounded under his knife. There are detailed and accurate descriptions of Julian at work, from the scene at the primitive base hospital where he saves an adolescent boy with a dangerous head injury to the night in a sumptuous mansion where he makes medical history when he removes an appendix as a cure for typhlitis. As we follow Julian through rapidly shifting scenes of action, Jane and Lucy again cross his path and disturb his loyalties. How he resolves his personal conflict and makes his final choice between love and duty is the climax of this dramatic story of a doctor in the Civil War.
One of our finest writers on one of her greatest loves. Jamaica Kincaid's first garden in Vermont was a plot in the middle of her front lawn. There, to the consternation of more experienced friends, she planted only seeds of the flowers she liked best. In My Garden (Book) she gathers all she loves about gardening and plants, and examines it generously, passionately, and with sharp, idiosyncratic discrimination. Kincaid's affections are matched in intensity only by her dislikes. She loves spring and summer but cannot bring herself to love winter, for it hides the garden. She adores the rhododendron Jane Grant, and appreciates ordinary Blue Lake string beans, but abhors the Asiatic lily. The sources of her inspiration -- seed catalogues, the gardener Gertrude Jekyll, gardens like Monet's at Giverny -- are subjected to intense scrutiny. She also examines the idea of the garden on Antigua, where she grew up. My Garden (Book) is an intimate, playful, and penetrating book on gardens, the plants that fill them, and the persons who tend them.
A sickly and depressed fourteen-year-old boy with no gleam of hope lives isolated from the outside world along with his mother and father within the walls of a frighteningly dark garden. He is the thirteenth child of the family. All of his older brothers and sisters have died and are buried in the family graveyard at the back of the manor. The day he was born coincided with the beginning of a string of deaths. His brothers and sisters began dying one every year, each under suspicious circumstances before they reached the age of fifteen. By family tradition, fifteen is considered the age of adulthood, and the age at which each child must make the momentous decision to leave the garden permanently or stay and carry on the fam¬¬¬ily name. On the threshold of the age of fifteen, this nameless boy spends his days deep in thought and fearful speculation about his own predicament. He is distrusting of his own mother and father because they demonstrate a certain animosity toward one another and blame each other for the deaths of each one of their children. Prior to the boy's fifteenth birthday, his father secretly invites him to escape together from the garden, and devises a plan in order to achieve this. But the next morning, the boy discovers that his father has disappeared without a trace. From this point on, he and his mother live alone in the manor. The threat of danger has strangely subsided and the boy reaches the age of adulthood, such that he comes to believe that the real killer of his brothers and sisters had been his father all along, since the atmosphere in the manor and garden since his escape has become calm and peaceful. Mother plans to arrange a marriage for her son with a young girl from a nearby garden similar to their own to help carry on the generations. A peculiar old man, who enters the manor through a hidden door in a closet, helps facilitate this arranged marriage. The boy gains a sense of confidence after marriage. He takes on the responsibilities of running the manor. He spends happy days with his wife Eiyla, who teaches him how to do many household tasks. One blissful year passes but Eiyla still does not conceive a child, and then she too subsequently dies. Since the boy had loved her, he becomes despondent in his grief for her. One night as he walks in the garden under the moonlight, the ghosts of his deceased brothers and sisters appear to him. They help him discover the body of his father at the bottom of the dried-up well at the back of the garden. This means his father had not escaped after all, which also means that his father could not have been the killer. The boy feels compelled to get to the bottom of all these mystifying events. His distrust for his mother is compounded by the mysterious death of his father. He must now learn to survive on his own while uncovering the evil inside the garden and find out the reason behind all these suspicious deaths. His discovery opens his eyes to the outside world and propels him forward on what becomes his life's mission.
"In Black Garden, Thomas de Waal tells the full story of this tragic quarrel and its aftermath for the first time. He travels the length and breadth of Armenia and Azerbaijan, talking to veterans, refugees and the inhabitants of ruined towns and villages. He recreates the story of the descent into conflict of two former Soviet neighbors, its disastrous consequences and the confused efforts of the "Great Powers" - Russia, France and the United states - to bring peace to the Caucasus."--BOOK JACKET.
In a time of climate change and mass extinction, how we garden matters more than ever: “An outstanding and deeply passionate book.” —Marc Bekoff, author of The Emotional Lives of Animals Plenty of books tell home gardeners and professional landscape designers how to garden sustainably, what plants to use, and what resources to explore. Yet few examine why our urban wildlife gardens matter so much—not just for ourselves, but for the larger human and animal communities. Our landscapes push aside wildlife and in turn diminish our genetically programmed love for wildness. How can we get ourselves back into balance through gardens, to speak life's language and learn from other species? Benjamin Vogt addresses why we need a new garden ethic, and why we urgently need wildness in our daily lives—lives sequestered in buildings surrounded by monocultures of lawn and concrete that significantly harm our physical and mental health. He examines the psychological issues around climate change and mass extinction as a way to understand how we are short-circuiting our response to global crises, especially by not growing native plants in our gardens. Simply put, environmentalism is not political; it's social justice for all species marginalized today and for those facing extinction tomorrow. By thinking deeply and honestly about our built landscapes, we can create a compassionate activism that connects us more profoundly to nature and to one another.
Vast legions of gods, mages, humans, dragons and all manner of creatures play out the fate of the Malazan Empire in this first book in a major epic fantasy series from Steven Erikson. The Malazan Empire simmers with discontent, bled dry by interminable warfare, bitter infighting and bloody confrontations with the formidable Anomander Rake and his Tiste Andii, ancient and implacable sorcerers. Even the imperial legions, long inured to the bloodshed, yearn for some respite. Yet Empress Laseen's rule remains absolute, enforced by her dread Claw assassins. For Sergeant Whiskeyjack and his squad of Bridgeburners, and for Tattersail, surviving cadre mage of the Second Legion, the aftermath of the siege of Pale should have been a time to mourn the many dead. But Darujhistan, last of the Free Cities of Genabackis, yet holds out. It is to this ancient citadel that Laseen turns her predatory gaze. However, it would appear that the Empire is not alone in this great game. Sinister, shadowbound forces are gathering as the gods themselves prepare to play their hand... Conceived and written on a panoramic scale, Gardens of the Moon is epic fantasy of the highest order--an enthralling adventure by an outstanding new voice. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
At the turn of the twentieth century, as he composes a treatise on melancholy, Jacov Reinhardt sets off from his small Croatian village in search of his hero and unwitting mentor, Emiliano Gomez Carrasquilla, who is rumored to have disappeared into the South American jungle—“not lost, mind you, but retired.” Jacov’s narcissistic preoccupation with melancholy consumes him, and as he desperately recounts the myth of his journey to his trusted but ailing scribe, hope for an encounter with the lost philosopher who holds the key to Jacov’s obsession seems increasingly unlikely. From Croatia to Germany, Hungary to Russia, and finally to the Americas, Jacov and his companions grapple with the limits of art, colonialism, and escapism in this antic debut where dark satire and skewed history converge.
There’s a strong biblical connection between people and trees. They both come from dirt. They’re both told to bear fruit. In fact, arboreal language is so often applied to humans that it’s easy to miss, whether we're talking about family trees, passing along our seed, cutting someone off like a branch, being rooted to a place, or bearing the fruit of the Spirit. It’s hard to deny that trees mean something, theologically speaking. This book is in many ways a memoir, but it’s also an attempt to wake up the reader to the glory of God shining through his creation. One of the first commands to Adam and Eve was to “work and keep” the garden. Award-winning author and songwriter Andrew Peterson, being as honest as possible, shares a story of childhood, grief, redemption, and peace, by walking through a forest of memories: “I trust that by telling my story, you’ll encounter yours. Hopefully, like me, you’ll see that the God of the Garden is and has always been present, working and keeping what he loves.” Sometimes he plants, sometimes he prunes, but in his goodness he intends to reap a harvest of righteousness.
Before the 1969 Stonewall Riots, LGBTQ life was dominated by the negative image of "the closet"--the metaphorical space where that which was deemed "queer" was hidden from a hostile public view. Literary studies of queer themes and characters in crime fiction have tended to focus on the more positive and explicit representations since the riots, while pre-Stonewall works are thought to reference queer only negatively or obliquely. This collection of new essays questions that view with an investigation of queer aspects in crime fiction published over eight decades, from the corseted Victorian era to the unbuttoned 1960s.
