The Opera Manual

The Opera Manual

Author: Nicholas Ivor Martin

Publisher: Scarecrow Press

Published: 2013-10-30

Total Pages: 488

ISBN-13: 0810888696

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You are getting ready for a performance of Donizetti’s L’elisir d’amore and you have a few questions. How many clarinets are in the orchestra? How many orchestra members appear onstage? How many different sets are there? How long does the opera typically run? What are the key arias? Are any special effects or ballet choreography required? Who owns the rights? Where was it premiered? What are the leading and supporting roles? The Opera Manual is the only single source for the answers to these and other important questions. It is the ultimate companion for opera lovers, professionals, scholars, and teachers, featuring comprehensive information about, and plot summaries for, more than 550 operas—including every opera that is likely to be performed today, from standard to rediscovered contemporary works. The book is invaluable, especially for opera professionals, who will find everything they need for choosing and staging operas. But it is also a treasure for listeners. Similar reference books commonly skip over scenes and supporting characters in their plot summaries, lacking even the most basic facts about staging, orchestral, and vocal requirements. The Opera Manual, based on the actual scores of the works discussed, is the only exhaustive, up-to-date opera companion—a “recipe book” that will enable its readers to explore those operas they know and discover new ones to sample and enjoy.


A Manual for the Performance Library

A Manual for the Performance Library

Author: Russ Girsberger

Publisher: Scarecrow Press

Published: 2006-10-18

Total Pages: 182

ISBN-13: 0810858711

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A Manual for the Performance Library is a guide for organizing and operating a library of music performance materials for orchestra, band, chorus, jazz ensemble, and chamber music.


The Da Capo Opera Manual

The Da Capo Opera Manual

Author: Nicholas Ivor Martin

Publisher: Da Capo Press

Published: 1997-08-21

Total Pages: 0

ISBN-13: 9780306808074

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The ultimate opera companion for opera lovers, professionals, scholars, and teachers, this book features comprehensive information about and plot summaries for more than 550 operas--including every opera that is likely to be performed today.


Douglas Moore

Douglas Moore

Author: Jerry L. McBride

Publisher: A-R Editions, Inc.

Published: 2011-01-01

Total Pages: 676

ISBN-13: 9780895796660

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MLA Index and Bibliography Series vol. 36 Additional information online at https://www.areditions.com/books/IB036.html


A Study Guide for Edna St. Vincent Millay's "Aria da capo"

A Study Guide for Edna St. Vincent Millay's

Author: Gale, Cengage Learning

Publisher: Gale, Cengage Learning

Published: 2016

Total Pages: 35

ISBN-13: 1410340295

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A Study Guide for Edna St. Vincent Millay's "Aria da capo," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.


Orchestral Music

Orchestral Music

Author: David Daniels

Publisher: Scarecrow Press

Published: 2005-10-13

Total Pages: 634

ISBN-13: 0810856743

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Also Available: Orchestral Music Online This fourth edition of the highly acclaimed, classic sourcebook for planning orchestral programs and organizing rehearsals has been expanded and revised to feature 42% more compositions over the third edition, with clearer entries and a more useful system of appendixes. Compositions cover the standard repertoire for American orchestra. Features from the previous edition that have changed and new additions include: · Larger physical format (8.5 x 11 vs. 5.5 x 8.5) · Expanded to 6400 entries and almost 900 composers (only 4200 in 3rd Ed.) · Merged with the American Symphony Orchestra League's OLIS (Orchestra Library Information Service) · Enhanced specific information on woodwind & brass doublings · Lists of required percussion equipment for many works · New, more intuitive format for instrumentation · More contents notes and durations of individual movements · Composers' citizenship, birth and death dates and places, integrated into the listings · Listings of useful websites for orchestra professionals


The Music Performance Library

The Music Performance Library

Author: Russ Girsberger

Publisher: Hal Leonard Corporation

Published: 2011-07-01

Total Pages: 204

ISBN-13: 1574631969

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(Meredith Music Resource). The music performance library is the heart of any musical ensemble, supplying music to performers and information to an entire organization. This text contains valuable information on this important topic for all musicians, including music directors, conductors, student librarians, community volunteers, professional performance librarians, and performers. This essential resource provides step-by-step directions on the librarian's responsibilities, including how to: locate and choose editions * purchase and rent music * catalog new works * store and preserve music * prepare music for performance * mark bowings * correct errata * prepare manuscripts and programs * distribute and collect parts * and communicate efficiently.


The Operagoer's Guide

The Operagoer's Guide

Author: M. Owen Lee

Publisher: Hal Leonard Corporation

Published: 2001

Total Pages: 243

ISBN-13: 1574670654

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Offers brief summaries of the plots of one hundred operas, and includes background commentary and recommendations for favorite recordings of each opera.


Operas in German

Operas in German

Author: Margaret Ross Griffel

Publisher: Rowman & Littlefield

Published: 2018-01-23

Total Pages: 1046

ISBN-13: 1442247975

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With nearly three thousand new entries, the revised edition of Operas in German: A Dictionary is the most current encyclopedic treatment of operas written specifically to a German text from the seventeenth century through 2016. Musicologist Margaret Ross Griffel details the operas’ composers, scores, librettos, first performances, and bibliographic sources. Four appendixes then list composers, librettists, authors whose works inspired or were adapted for the opera librettos, and a chronological listing of the entries in the A–Z section. The bibliography details other dictionaries and encyclopedias, performance studies, collections of plot summaries, general studies on operas, sources on locales where opera premieres took place, works on the history of operas in German, and selective volumes on individual opera composers, librettists, producers, directors, and designers. Finally, two indexes list the main characters in each opera and the names of singers, conductors, producers, composers, directors, choreographers, and arrangers. The revised edition of Operas in German provides opera historians, musicologists, performers, and opera lovers with an invaluable resource for continued study and enjoyment. As the most current encyclopedic collection of German opera from the seventeenth century through the twenty-first, Operas in German is an invaluable resource for opera historians, musicologists, performers, and opera lovers.