The Cue Sheet
Author:
Publisher:
Published: 2002
Total Pages: 250
ISBN-13:
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Author: Jeffrey Brabec
Publisher: Schirmer Trade Books
Published: 2011-07-18
Total Pages: 537
ISBN-13: 0857126466
DOWNLOAD EBOOKThe Insider's Guide to Making Money in the Music Industry. Millions dream of attaining glamour and wealth through music. This book reveals the secrets of the music business that have made fortunes for the superstars. A must-have for every songwriter, performer and musician.
Author: Steven Louis Shelley
Publisher: Taylor & Francis
Published: 2013-05-02
Total Pages: 484
ISBN-13: 1136083812
DOWNLOAD EBOOKFirst Published in 2010. Routledge is an imprint of Taylor & Francis, an informa company.
Author: John Braheny
Publisher: Writers Digest Books
Published: 1995-04-15
Total Pages: 0
ISBN-13: 9780898796537
DOWNLOAD EBOOKMusic is a universal language, and John Braheny speaks it eloquently as he helps prepare us for our big musical break--by teaching us the craft of songwriting and revealing secrets of the music business. Includes anecdotes, exercises, and examples from dozens of songwriters, such as Harry Chapin, Paul McCartney, and many others.
Author: Ron Sobel
Publisher: Routledge
Published: 2008-08-18
Total Pages: 181
ISBN-13: 1135921989
DOWNLOAD EBOOKMusic Publishing covers the basics of how a composition is copyrighted, published, and promoted. Publishing in the music business goes far beyond the physical sheet--it includes live performance and mechanical (recording) rights, and income streams from licensing deals of various kinds. A single song can generate over thirty different royalty streams, and a writer must know how these royalties are calculated and who controls the flow of the money. Taking a practical approach, the authors -- one a successful music publisher and attorney, the other a songwriter and music business professor -- explain in simple terms the basic concept of copyright law as it pertains to compositions. Throughout, they give practical examples from "real world" situations that illuminate both potential pitfalls and possible upsides for the working composers.
Author:
Publisher:
Published: 1929
Total Pages: 36
ISBN-13:
DOWNLOAD EBOOKAuthor: Deena Kaye
Publisher: Taylor & Francis
Published: 2015-09-25
Total Pages: 428
ISBN-13: 1317690583
DOWNLOAD EBOOKCovering every phase of a theatrical production, this fourth edition of Sound and Music for the Theatre traces the process of sound design from initial concept through implementation in actual performances. The book discusses the early evolution of sound design and how it supports the play, from researching sources for music and effects, to negotiating a contract. It shows you how to organize the construction of the sound design elements, how the designer functions in a rehearsal, and how to set up and train an operator to run sound equipment. This instructive information is interspersed with ‘war stores’ describing real-life problems with solutions that you can apply in your own work, whether you’re a sound designer, composer, or sound operator.
Author: Simon Frith
Publisher: Psychology Press
Published: 2004
Total Pages: 440
ISBN-13: 9780415332675
DOWNLOAD EBOOKPopular music studies is a rapidly expanding field with changing emphases and agenda. This is a multi-volume resource for this area of study
Author: James Wierzbicki
Publisher: Routledge
Published: 2009-01-21
Total Pages: 688
ISBN-13: 1135851425
DOWNLOAD EBOOKFilm Music: A History explains the development of film music by considering large-scale aesthetic trends and structural developments alongside socioeconomic, technological, cultural, and philosophical circumstances. The book’s four large parts are given over to Music and the "Silent" Film (1894--1927), Music and the Early Sound Film (1895--1933), Music in the "Classical-Style" Hollywood Film (1933--1960), and Film Music in the Post-Classic Period (1958--2008). Whereas most treatments of the subject are simply chronicles of "great film scores" and their composers, this book offers a genuine history of film music in terms of societal changes and technological and economic developments within the film industry. Instead of celebrating film-music masterpieces, it deals—logically and thoroughly—with the complex ‘machine’ whose smooth running allowed those occasional masterpieces to happen and whose periodic adjustments prompted the large-scale twists and turns in film music’s path.