The Global Indies

The Global Indies

Author: Ashley L. Cohen

Publisher: Yale University Press

Published: 2021-01-05

Total Pages: 320

ISBN-13: 0300255691

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A study of British imperialism’s imaginative geography, exploring the pairing of India and the Atlantic world from literature to colonial policyIn this lively book, Ashley Cohen weaves a complex portrait of the imaginative geography of British imperialism. Contrary to most current scholarship, eighteenth-century Britons saw the empire not as separate Atlantic and Indian spheres but as an interconnected whole: the Indies. Crisscrossing the hemispheres, Cohen traces global histories of race, slavery, and class, from Boston to Bengal. She also reveals the empire to be pervasively present at home, in metropolitan scenes of fashionable sociability. Close-reading a mixed archive of plays, poems, travel narratives, parliamentary speeches, political pamphlets, visual satires, paintings, memoirs, manuscript letters, and diaries, Cohen reveals how the pairing of the two Indies in discourse helped produce colonial policies that linked them in practice. Combining the methods of literary studies and new imperial history, Cohen demonstrates how the imaginative geography of the Indies shaped the culture of British imperialism, which in turn changed the shape of the world.


Notes and Emendations to the Text of Shakespeare's Plays

Notes and Emendations to the Text of Shakespeare's Plays

Author: John Payne Collier

Publisher:

Published: 1853

Total Pages: 580

ISBN-13:

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Supplement to Collier's 'The works of Shakespeare : the text regulated by the recently discovered folio of 1632, containing early manuscript emendations : with a history of the stage, a life of the poet, and an introduction to each play,' also known as the Perkins folio. Collier claimed to have discovered extensive new manuscript emendations to Shakespeare's folio of 1632 in a 17th-century hand, which he published in 'Notes and emendations to the text of Shakespeare's plays.' After examining the manuscript, scholars at the British Museum proclaimed it to be a 19th-century forgery.