The Song Index features over 150,000 citations that lead users to over 2,100 song books spanning more than a century, from the 1880s to the 1990s. The songs cited represent a multitude of musical practices, cultures, and traditions, ranging from ehtnic to regional, from foreign to American, representing every type of song: popular, folk, children's, political, comic, advertising, protest, patriotic, military, and classical, as well as hymns, spirituals, ballads, arias, choral symphonies, and other larger works. This comprehensive volume also includes a bibliography of the books indexed; an index of sources from which the songs originated; and an alphabetical composer index.
Presents ninety-two songs of the American West, each with lyrics, a vocal score, simple piano arrangements, and chord symbols, and includes historical notes and commentaries, and over one hundred period illustrations.
And in a series of exhaustive appendixes, he documents their contributions to each medium they worked in. Testifying to both the breadth and the longevity of their careers, the book includes radio logs, discographies, filmographies, and comicographies that will delight historians and collectors alike."--Jacket.
Over 400,000 people moved their families in search of a better life in the American West during the Westward Expansion. The pioneers made room for musical instruments with their guns, food, and tools, while taking only the minimal necessities that would fit into modest wagons. During what seemed like an interminable dusty journey, music was often the sole source of light and happiness for these exhausted travelers. This book examines the roles of music in the Westward Expansion and the diverse cultural landscape of the Old West, including northern Cheyenne courtship flute makers, fiddle-playing explorers, dancing fur trappers, hymn-singing missionaries, frontier flutists, girls with guitars, wagon-driving balladeers, poetic cowboys, singing farmers, musical miners, and preaching songsters.
Country music is the quintessential American music, with roots in the musical traditions of the earliest settlers and having grown up as an integral part of the uniquely American experience and culture. This book examines the development of country music from its beginnings in the southern Appalachian Mountains in the early 20th century to the slick sounds of modern country music superstars of the early 21st century.
Masquerade is the most comprehensive anthology yet published of poetry by American gays, lesbians, bisexuals, and transgendered persons. It includes representative poems from more than 100 writers from pre-colonial times to the end of the Second World War. The anthology begins with selections of anonymous texts from the oral traditions of Hawaii and Native America, followed by voodoo chants and cowboy songs (with a few limericks thrown in for good measure). The selections are arranged by the year of the poet's birth and include samplings of poetry by a racially and ethnically diverse group of men and women. Contemporary readers will know the work of some of these poets, such as Gertrude Stein and Walt Whitman. Other poets, such as George Santayana and Adah Isaacs Menken, will be strangers to most. In all, these poets created a rich heritage of verse that has been for the most part masked throughout the history of American literature.
(Book). An extremely gifted singer/songwriter, John Denver possessed the unique ability to marry melodic music with gentle, thought-provoking words that endeared him to his countless fans. Now, for the first time ever, John Denver's lyrics have been printed in their entirety: no other book like this exists! It contains lyrics to more than 200 songs, and includes an annotated discography (one that shows the songs), and an index of first lines. This collection also features a foreword by Tom Paxton, who was greatly influenced by Denver, and an introduction from Milt Okun, John Denver's first record producer, and the founder of Cherry Lane Music.
How did cattle drives come about—and why did the cowboy become an iconic American hero? Cattle drives were the largest, longest, and ultimately the last of the great forced animal migrations in human history. Spilling out of Texas, they spread longhorns, cowboys, and the culture that roped the two together throughout the American West. In cities like Abilene, Dodge City, and Wichita, buyers paid off ranchers, ranchers paid off wranglers, and railroad lines took the cattle east to the packing plants of St. Louis and Chicago. The cattle drives of our imagination are filled with colorful cowboys prodding and coaxing a line of bellowing animals along a dusty path through the wilderness. These sturdy cowhands always triumph over stampedes, swollen rivers, and bloodthirsty Indians to deliver their mighty-horned companions to market—but Tim Lehman’s Up the Trail reveals that the gritty reality was vastly different. Far from being rugged individualists, the actual cow herders were itinerant laborers—a proletariat on horseback who connected cattle from the remote prairies of Texas with the nation’s industrial slaughterhouses. Lehman demystifies the cowboy life by describing the origins of the cattle drive and the extensive planning, complicated logistics, great skill, and good luck essential to getting the cows to market. He reveals how drives figured into the larger story of postwar economic development and traces the complex effects the cattle business had on the environment. He also explores how the premodern cowboy became a national hero who personified the manly virtues of rugged individualism and personal independence. Grounded in primary sources, this absorbing book takes advantage of recent scholarship on labor, race, gender, and the environment. The lively narrative will appeal to students of Texas and western history as well as anyone interested in cowboy culture.
