"A can't-put-it-down modern Western." —Kirk Siegler, NPR Longlisted for the PEN/ESPN Award for Literary Sports Writing The Last Cowboys is Pulitzer Prize-winning reporter John Branch’s epic tale of one American family struggling to hold on to the fading vestiges of the Old West. For generations, the Wrights of southern Utah have raised cattle and world-champion saddle-bronc riders—many call them the most successful rodeo family in history. Now they find themselves fighting to save their land and livelihood as the West is transformed by urbanization, battered by drought, and rearranged by public-land disputes. Could rodeo, of all things, be the answer? Written with great lyricism and filled with vivid scenes of heartache and broken bones, The Last Cowboys is a powerful testament to the grit and integrity that fuel the American Dream.
Shane Marvell's career as a rodeo rider is ending far too soon. He doesn’t have a plan B, so during his last season, he’s all in, determined to win as much prize money as possible--even if it means riding injured and taking more risks than he should. Ella Etxeberri has always played it safe, so when her life still takes a bad turn despite her caution, she wonders if it isn’t time to see what she’s been missing. While researching risk behaviors in rodeo riders, she meets Shane Marvell, a cowboy who merits additional study of the personal variety. Just as Ella is hitting the point to embrace risk, Shane is pulling back. He knows Ella’s all-in approach is born of curiosity and whim. He’s not what she wants forever, and perhaps Ella is one risk he can't allow himself to take.
They ride horses, rope calves, buck broncos, ride and fight bulls, and even wrestle steers. They are Black cowboys, and the legacies of their pursuits intersect with those of America’s struggle for racial equality, human rights, and social justice. Keith Ryan Cartwright brings to life the stories of such pioneers as Cleo Hearn, the first Black cowboy to professionally rope in the Rodeo Cowboy Association; Myrtis Dightman, who became known as the Jackie Robinson of Rodeo after being the first Black cowboy to qualify for the National Finals Rodeo; and Tex Williams, the first Black cowboy to become a state high school rodeo champion in Texas. Black Cowboys of Rodeo is a collection of one hundred years of stories, told by these revolutionary Black pioneers themselves and set against the backdrop of Reconstruction, Jim Crow, segregation, the civil rights movement, and eventually the integration of a racially divided country.
In this study, historian Michael Allen examines the image of the rodeo cowboy and the role this image has played in popular culture over in the 20th century. He sees rodeo as a significant American folk festival and the rodeo cowboy as the surviving avatar of a nearly vanished authentic figure - the real cowboy, who embodies the skills and values of traditional western rural culture.
The triumphant true story of the native Hawaiian cowboys who crossed the Pacific to shock America at the 1908 world rodeo championships Oregon Book Award winner * An NPR Best Book of the Year * Pacific Northwest Book Award finalist * A Reading the West Book Awards finalist "Groundbreaking. … A must-read. ... An essential addition." —True West In August 1908, three unknown riders arrived in Cheyenne, Wyoming, their hats adorned with wildflowers, to compete in the world’s greatest rodeo. Steer-roping virtuoso Ikua Purdy and his cousins Jack Low and Archie Ka’au’a had travelled 4,200 miles from Hawaii, of all places, to test themselves against the toughest riders in the West. Dismissed by whites, who considered themselves the only true cowboys, the native Hawaiians would astonish the country, returning home champions—and American legends. An unforgettable human drama set against the rough-knuckled frontier, David Wolman and Julian Smith’s Aloha Rodeo unspools the fascinating and little-known true story of the Hawaiian cowboys, or paniolo, whose 1908 adventure upended the conventional history of the American West. What few understood when the three paniolo rode into Cheyenne is that the Hawaiians were no underdogs. They were the product of a deeply engrained cattle culture that was twice as old as that of the Great Plains, for Hawaiians had been chasing cattle over the islands’ rugged volcanic slopes and through thick tropical forests since the late 1700s. Tracing the life story of Purdy and his cousins, Wolman and Smith delve into the dual histories of ranching and cowboys in the islands, and the meteoric rise and sudden fall of Cheyenne, “Holy City of the Cow.” At the turn of the twentieth century, larger-than-life personalities like “Buffalo Bill” Cody and Theodore Roosevelt capitalized on a national obsession with the Wild West and helped transform Cheyenne’s annual Frontier Days celebration into an unparalleled rodeo spectacle, the “Daddy of ‘em All.” The hopes of all Hawaii rode on the three riders’ shoulders during those dusty days in August 1908. The U.S. had forcibly annexed the islands just a decade earlier. The young Hawaiians brought the pride of a people struggling to preserve their cultural identity and anxious about their future under the rule of overlords an ocean away. In Cheyenne, they didn’t just astound the locals; they also overturned simplistic thinking about cattle country, the binary narrative of “cowboys versus Indians,” and the very concept of the Wild West. Blending sport and history, while exploring questions of identity, imperialism, and race, Aloha Rodeo spotlights an overlooked and riveting chapter in the saga of the American West.
A fascinating account of the world of competitive steer wrestling and the talented, live-fast, bruise-hard rodeo cowboys who do it. Ty Phillips's Blacktop Cowboys chronicles the 2004 rodeo season through the eyes of several steer wrestlers trying to make it back to rodeo's version of the Super Bowl, the National Finals Rodeo (NFR) in Las Vegas. Steer wrestling is an adventure that entails riding into an arena at 25 mph, sliding off a horse while taking hold of a 500-pound steer, and then throwing the animal to the ground. The best cowboys often accomplish all this in less than four seconds. The two main characters of Blacktop Cowboys are Luke Branquinho, a young carefree cowboy on a quest for his first title, and his best friend, Travis Cadwell, a veteran trying to make the NFR one last time. Much of Blacktop Cowboys unfolds in trucks, trailers, arenas, behind the chutes, casinos, beds and everywhere else cowboys spend their time. By taking the reader deep into the cowboys' lives, Blacktop Cowboys offers a true and intimate portrait of men having the time of their lives while living on the road in pursuit of the dream to be the best.
Convict Cowboys is the first book on the nation’s first prison rodeo, which ran from 1931 to 1986. At its apogee the Texas Prison Rodeo drew 30,000 spectators on October Sundays. Mitchel P. Roth portrays the Texas Prison Rodeo against a backdrop of Texas history, covering the history of rodeo, the prison system, and convict leasing, as well as important figures in Texas penology including Marshall Lee Simmons, O.B. Ellis, and George J. Beto, and the changing prison demimonde. Over the years the rodeo arena not only boasted death-defying entertainment that would make professional cowboys think twice, but featured a virtual who’s who of American popular culture. Readers will be treated to stories about numerous American and Texas folk heroes, including Western film stars ranging from Tom Mix to John Wayne, and music legends such as Johnny Cash and Willie Nelson. Through extensive archival research Roth introduces readers to the convict cowboys in both the rodeo arena and behind prison walls, giving voice to a legion of previously forgotten inmate cowboys who risked life and limb for a few dollars and the applause of free-world crowds.
The most famous rodeo champion of all time tells his amazing true story -- and opens a fascinating window into the world of the professional cowboy. Ty Murray was born to be a rodeo star -- in fact, his first words were "I'm a bull rider." Before he was even out of diapers, he was climbing atop his mother's Singer sewing machine case, which just so happened to be the perfect mechanical bull for a 13-month-old. Before long, Ty was winning peewee events by the hatful, and his special talent was obvious...obvious even to a man called Larry Mahan. At the time the greatest living rodeo legend, six-time champion Mahan invited a teenaged Ty Murray to spend a summer on his ranch learning not just rodeoing but also some life lessons. Those lessons prepared Ty for a career that eventually surpassed even Mahan's own -- Ty's seven All-Around Championships. In King of the Cowboys, Ty Murray invites us into the daredevil world of rodeo and the life of the cowboy. Along the way, he details a life spent constantly on the road, heading to the next event; the tragic death of his friend and fellow rodeo star Lane Frost; and the years of debilitating injuries that led some to say Ty Murray was finished. He wasn't. In fact, Ty Murray has brought the world of rodeo into the twenty-first century, through his unparalleled achievements in the ring, through advancing the case for the sport as a television color-commentator, and through the Professional Bull Riders, an organization he helped to build. In the end, though, Ty Murray is first and foremost a cowboy, and now that he's retired from competition, he takes this chance to reflect on his remarkable life and career. In King of the Cowboys, Ty Murray opens up his world as never before.
The story of the cowboy strike in 1936 at the Boston rodeo is a well-known bit of rodeo history. It is also no secret that the Cowboys' Turtle Association was the forerunner of the Rodeo Cowboys Association and today's Professional Rodeo Cowboys Association. But Gail Hughbanks Woerner charts new territory by telling the whole story about how professional rodeo got it's start. From the men and women who were the pioneers to the behind the scenes struggles to keep the dream alive.
