The Conscience of James Joyce
The Conscience of James Joyce

Author: Darcy O'Brien

Publisher: Princeton University Press

Published: 2015-12-08

Total Pages: 275

ISBN-13: 1400877067

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James Joyce, the great and bold literary innovator of our time, was also a rebel in life, a self-exile from family, nation, and religion. Criticism of Joyce, when it has not been purely technical, has sought in Joyce's work ideas as radical as his techniques and as rebellious as his life. Mr. O’Brien discovers that Joyce was neither morally revolutionary nor morally neutral. Instead, Joyce emerges as an Irishman clinging to a conception of human nature largely derived from the Irish Catholic background he so vehemently denounced. In this study of Joyce’s work, from his early poems through Ulysses and Finnegans Wake, Mr. O’Brien argues that Joyce eventually achieved, in his books, a comic perspective on the follies of mankind. Originally published in 1968. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Zeno's Conscience
Zeno's Conscience

Author: Italo Svevo

Publisher: CONVIVIVM

Published: 2015

Total Pages: 344

ISBN-13:

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Zeno's Conscience (La Conscienza di Zeno), by Italo Svevo, is a masterpiece of Italian literature of the 20th century. The book is narrated by Zeno Cosini, a middle-aged man who decides to write his memories in an attempt to understand himself and his life. Through his reflections, the author explores themes such as identity, psychoanalysis, death, illness, and love. The narrative is filled with humor and irony, but it is also deeply philosophical and introspective. Zeno is a complex and contradictory character whose actions are often motivated by selfish and thoughtless impulses. The author accurately describes the human mind, with its contradictions and weaknesses. Svevo is a master in creating memorable characters, such as the sisters Ada, whom he is in love with, and Augusta, and Guido, his rival in the conquest of Ada. Svevo's language is clear, innovative, and ironic. Zeno's Conscience is a work that challenges the reader to reflect on life and human nature, and continues to be one of the most important and influential works of Italian literature.

James Joyce and the Burden of Disease
James Joyce and the Burden of Disease

Author: Kathleen Ferris

Publisher: University Press of Kentucky

Published: 2021-10-21

Total Pages: 173

ISBN-13: 0813184533

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James Joyce's near blindness, his peculiar gait, and his death from perforated ulcers are commonplace knowledge to most of his readers. But until now, most Joyce scholars have not recognized that these symptoms point to a diagnosis of syphilis. Kathleen Ferris traces Joyce's medical history as described in his correspondence, in the diaries of his brother Stanislaus, and in the memoirs of his acquaintances, to show that many of his symptoms match those of tabes dorsalis, a form of neurosyphilis which, untreated, eventually leads to paralysis. Combining literary analysis and medical detection, Ferris builds a convincing case that this dread disease is the subject of much of Joyce's autobiographical writing. Many of this characters, most notably Stephen Dedalus and Leopold Bloom, exhibit the same symptoms as their creator: stiffness of gait, digestive problems, hallucinations, and impaired vision. Ferris also demonstrates that the themes of sin, guilt, and retribution so prevalent in Joyce's works are almost certainly a consequence of his having contracted venereal disease as a young man while frequenting the brothels of Dublin and Paris. By tracing the images, puns, and metaphors in Ulysses and Finnegans Wake, and by demonstrating their relationship to Joyce's experiences, Ferris shows the extent to which, for Joyce, art did indeed mirror life.

Ulysses
Ulysses

Author: James Joyce

Publisher: A G Printing & Publishing

Published: 2024-07-03

Total Pages: 1047

ISBN-13:

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Stephen, an elbow rested on the jagged granite, leaned his palm against his brow and gazed at the fraying edge of his shiny black coat-sleeve. Pain, that was not yet the pain of love, fretted his heart. Silently, in a dream she had come to him after her death, her wasted body within its loose brown graveclothes giving off an odour of wax and rosewood, her breath, that had bent upon him, mute, reproachful, a faint odour of wetted ashes. Across the threadbare cuffedge he saw the sea hailed as a great sweet mother by the wellfed voice beside him. The ring of bay and skyline held a dull green mass of liquid. A bowl of white china had stood beside her deathbed holding the green sluggish bile which she had torn up from her rotting liver by fits of loud groaning vomiting. Buck Mulligan wiped again his razorblade. —Ah, poor dogsbody! he said in a kind voice. I must give you a shirt and a few noserags. How are the secondhand breeks? —They fit well enough, Stephen answered. Buck Mulligan attacked the hollow beneath his underlip. —The mockery of it, he said contentedly. Secondleg they should be. God knows what poxy bowsy left them off. I have a lovely pair with a hair stripe, grey. You’ll look spiffing in them. I’m not joking, Kinch. You look damn well when you’re dressed. —Thanks, Stephen said. I can’t wear them if they are grey …

A History of Ambiguity
A History of Ambiguity

Author: Anthony Ossa-Richardson

Publisher: Princeton University Press

Published: 2021-12-14

Total Pages: 488

ISBN-13: 0691228442

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Ever since it was first published in 1930, William Empson’s Seven Types of Ambiguity has been perceived as a milestone in literary criticism—far from being an impediment to communication, ambiguity now seemed an index of poetic richness and expressive power. Little, however, has been written on the broader trajectory of Western thought about ambiguity before Empson; as a result, the nature of his innovation has been poorly understood. A History of Ambiguity remedies this omission. Starting with classical grammar and rhetoric, and moving on to moral theology, law, biblical exegesis, German philosophy, and literary criticism, Anthony Ossa-Richardson explores the many ways in which readers and theorists posited, denied, conceptualised, and argued over the existence of multiple meanings in texts between antiquity and the twentieth century. This process took on a variety of interconnected forms, from the Renaissance delight in the ‘elegance’ of ambiguities in Horace, through the extraordinary Catholic claim that Scripture could contain multiple literal—and not just allegorical—senses, to the theory of dramatic irony developed in the nineteenth century, a theory intertwined with discoveries of the double meanings in Greek tragedy. Such narratives are not merely of antiquarian interest: rather, they provide an insight into the foundations of modern criticism, revealing deep resonances between acts of interpretation in disparate eras and contexts. A History of Ambiguity lays bare the long tradition of efforts to liberate language, and even a poet’s intention, from the strictures of a single meaning.