The Concerto

The Concerto

Author: Abraham Veinus

Publisher: Courier Corporation

Published: 1964-01-01

Total Pages: 337

ISBN-13: 0486211789

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The first thorough English-language exploration of the concerto as a musical form, this is an oft-quoted, authoritative survey. Examining the social, economic, and personal factors that influenced the concerto's growth, the work also summarizes the contributions of theorists, composers, and musicians and defines the genre's terms and the changing nature.


The Concerto

The Concerto

Author: Michael Steinberg

Publisher: Oxford University Press

Published: 2000-10-26

Total Pages: 523

ISBN-13: 019802634X

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Michael Steinberg's 1996 volume The Symphony: A Reader's Guide received glowing reviews across America. It was hailed as "wonderfully clear...recommended warmly to music lovers on all levels" (Washington Post), "informed and thoughtful" (Chicago Tribune), and "composed by a master stylist" (San Francisco Chronicle). Seiji Ozawa wrote that "his beautiful and effortless prose speaks from the heart." Michael Tilson Thomas called The Symphony "an essential book for any concertgoer." Now comes the companion volume--The Concerto: A Listener's Guide. In this marvelous book, Steinberg discusses over 120 works, ranging from Johann Sebastian Bach in the 1720s to John Adams in 1994. Readers will find here the heart of the standard repertory, among them Bach's Brandenburg Concertos, eighteen of Mozart's piano concertos, all the concertos of Beethoven and Brahms, and major works by Mendelssohn, Schumann, Liszt, Bruch, Dvora'k, Tchaikovsky, Grieg, Elgar, Sibelius, Strauss, and Rachmaninoff. The book also provides luminous introductions to the achievement of twentieth-century masters such as Arnold Schoenberg, Be'la Barto'k, Igor Stravinsky, Alban Berg, Paul Hindemith, Sergei Prokofiev, Aaron Copland, and Elliott Carter. Steinberg examines the work of these musical giants with unflagging enthusiasm and bright style. He is a master of capturing the expressive, dramatic, and emotional values of the music and of conveying the historical and personal context in which these wondrous works were composed. His writing blends impeccable scholarship, deeply felt love of music, and entertaining whimsy. Here then is a superb journey through one of music's richest and most diverse forms, with Michael Steinberg along as host, guide, and the best of companions.


A History of the Concerto

A History of the Concerto

Author: Michael Thomas Roeder

Publisher: Hal Leonard Corporation

Published: 1994

Total Pages: 487

ISBN-13: 0931340616

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A History of the Concerto may be read from cover to cover, but readers may also use the extensive index to focus on specific concertos and their composers. Numerous musical examples illuminate critical points. While some readers may want to study the more detailed analyses with scores in hand, this is not essential for an understanding of the text.


The Concerto

The Concerto

Author: Stephan D. Lindeman

Publisher: Taylor & Francis

Published: 2006

Total Pages: 666

ISBN-13: 0415976197

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Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.


Jean Sibelius's Violin Concerto

Jean Sibelius's Violin Concerto

Author: Tina K. Ramnarine

Publisher:

Published: 2020

Total Pages: 161

ISBN-13: 0190611537

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Jean Sibelius's Violin Concerto is the story of Sibelius as performer and composer, of violin performing traditions, of histories of musical transmission, and of virtuosity itself. It investigates the history and legacy of one of the most recorded concertos in the violin repertoire. Sibelius, a celebrated and influential composer of the late 19th and 20th centuries, was an accomplished violinist, whose enduring interest in the instrument has been paralleled by the broad success of the only concerto in his oeuvre: his violin concerto (premiered in 1904 and revised in 1905). Considering how violinists engage with the work, author Tina K. Ramnarine discusses technology's central role in the concerto's transmission from Jascha Heifetz's seminal 1935 recording to contemporary online performances, gender issues in violin solo careers, and nature-based musical aesthetics that lead to thinking about the ecology of virtuosity in an era of environmental crisis. Beginning with Sibelius's early training as a violinist and his aspirations as a performer, Ramnarine traces the dramatic historical context of the violin concerto. It was composed as Finland underwent a period of heightened self-determination, nationalism, and protest against Russian imperial policies, and it heralded intense political dynamics relating to Europe's East-West border that have extended to the present. This story of the violin concerto points to the notion of Sibelius - and the virtuoso more generally - as a political figure.


The Concerto

The Concerto

Author: Stephan D. Lindeman

Publisher: Routledge

Published: 2006-11-06

Total Pages: 666

ISBN-13: 1135922055

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Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.


Berg: Violin Concerto

Berg: Violin Concerto

Author: Anthony Pople

Publisher: Cambridge University Press

Published: 1991-06-24

Total Pages: 136

ISBN-13: 9780521399760

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Described by Aaron Copland as 'among the finest creations in the modern repertoire', Alban Berg's Violin Concerto has become a twentieth-century classic. In this authoritative and highly readable guide to the work the reader is introduced not only to the concerto itself but to all that surrounded and determined its composition. This is a book about musical culture in the 1930s, about the Second Viennese School, about tonality, atonality and serialism, about Berg's own musical development, compositional method and the private significance the Violin Concerto held for him. The book describes the genesis of the work, its performance history and critical reception and, in two detailed musical chapters, provides a section-by-section account of the book and a closer analysis of the musical language and structure. Anthony Pople's ability to combine musical anecdote with scholarly discussion makes this guide compelling reading for the amateur and the specialist alike.


Concerto

Concerto

Author: Skye Warren

Publisher: Book Beautiful

Published: 2019-05-14

Total Pages: 179

ISBN-13: 194051892X

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The spotlight lands on Samantha Brooks. Years of practice build to the opening night of a global tour. She plays her heart out, but there are darker forces underneath the stage. There are eyes watching from the wings. Liam North fights to keep her safe with every weapon he owns. She’s his greatest pride—and his greatest weakness. The danger comes from somewhere no one expected. Betrayal threatens to destroy everything he’s built. His business. His family. His life. When the curtain falls, only one of them will be left standing. “Swoon-worthy, forbidden, and sexy, Liam North is my new obsession.” – New York Times bestselling author Claire Contreras


Beethoven: Violin Concerto

Beethoven: Violin Concerto

Author: Robin Stowell

Publisher: Cambridge University Press

Published: 1998-02-12

Total Pages: 142

ISBN-13: 0521451590

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Beethoven's Violin Concerto was the only significant work of this genre to appear between Mozart's five concertos of 1775 and Mendelssohn's E minor Concerto of 1844. This handbook explores the background to Beethoven's work, its genesis, its place in the composer's oeuvre and the influences which combined in its creation. It describes contemporary reactions to the work both in the musical press and in the concert hall during its first crucial years, and explains how it was eventually accepted into the repertory, spawning numerous recordings and editions. The principal sources and many of the work's textual problems are considered, including discussion of the composer's version for piano and orchestra, Op. 61a. A detailed account of the work itself is followed by a review of the wide variety of cadenzas that have been written to complement the concerto through its performance history.