this book analyzes Q in the light of compostitional conventions of ancient wisdom genres. Genre-critical models are employed to subject the Q materials to comprehensive analysis, criticallly assess redaction-histories, and show that Q conforms to conventions of ancient paraenesis.
This volume analyzes the "Q materials" in the light of compositional conventions of ancient instructional genres. The author begins by assessing literary-critical approaches to Q which began with Harnack and have culminated in the work of Kloppenborg, Sato, and others. Next he articulates a theory of genre analysis drawn from text-linguistics, literary criticism, and rhetorical criticism. An array of ancient paraenetic texts is used to generate genre-critical models, in turn applied comprehensively to the double tradition materials. The results are used to critically assess recent redaction-history theories of Q's formation and to locate Q more securely among ancient paraenetic genres. The book will be of interest to synoptic gospels scholarship, historians of Christian origins, literary critics, and those investigating the production, social function, and performance of texts in early Christianity.
The publication of the King James version of the Bible, translated between 1603 and 1611, coincided with an extraordinary flowering of English literature and is universally acknowledged as the greatest influence on English-language literature in history. Now, world-class literary writers introduce the book of the King James Bible in a series of beautifully designed, small-format volumes. The introducers' passionate, provocative, and personal engagements with the spirituality and the language of the text make the Bible come alive as a stunning work of literature and remind us of its overwhelming contemporary relevance.
Estimated to date back to the very early Jesus movement, the lost Gospel known as Q offers a distinct and remarkable picture of Jesus and his significance--and one that differs markedly from that offered by its contemporary, the apostle Paul. Q presents Jesus as a prophetic critic of unbelief and a sage with the wisdom that can transform. In Q, the true meaning of the "kingdom of God" is the fulfillment of a just society through the transformation of the human relationships within it. Though this document has never been found, John Kloppenborg offers a succinct account of why scholars maintain it existed in the first place and demonstrates how they have been able to reconstruct its contents and wording from the two later Gospels that used it as a source: Matthew and Luke. Presented here in its entirety, as developed by the International Q Project, this Gospel reveals a very different portrait of Jesus than in much of the later canonical writings, challenging the way we think of Christian origins and the very nature and mission of Jesus Christ.
The Sayings Gospel Q in Greek and English with Parallels from the Gospels of Mark and Thomas is the outcome of a generation's work by the International Q Project, in reconstructing the collection of sayings ascribed to Jesus (and some to John) that lies behind the Gospels of Matthew and Luke. It thus makes available in a convenient form the most important source for reconstructing the message of Jesus' original Galilean followers, as they proclaimed anew after his death his message of God's reign. Q is, as a result, the most important single source for the study of the historical Jesus. It should be in the hands of every student of theology and of every layperson seriously interested in knowing more about Jesus. This small volume presents, on facing pages, the Greek and English reconstruction of the text of Q. It is in a simplified and more readable format than its original massive publication of 1990, The Critical Edition of Q: Synopsis including the Gospels of Matthew and Luke, Mark and Thomas with English, German and French Translations of Q and Thomas, edited by James M. Robinson, Paul Hoffmann, and John S. Kloppenborg, Managing Editor Milton C. Moreland, at Peeters and Fortress Press.
"Magisterial. . . . A learned, brilliant and enjoyable study."—Géza Vermès, Times Literary Supplement In this exciting book, Paula Fredriksen explains the variety of New Testament images of Jesus by exploring the ways that the new Christian communities interpreted his mission and message in light of the delay of the Kingdom he had preached. This edition includes an introduction reviews the most recent scholarship on Jesus and its implications for both history and theology. "Brilliant and lucidly written, full of original and fascinating insights."—Reginald H. Fuller, Journal of the American Academy of Religion "This is a first-rate work of a first-rate historian."—James D. Tabor, Journal of Religion "Fredriksen confronts her documents—principally the writings of the New Testament—as an archaeologist would an especially rich complex site. With great care she distinguishes the literary images from historical fact. As she does so, she explains the images of Jesus in terms of the strategies and purposes of the writers Paul, Matthew, Mark, Luke, and John."—Thomas D’Evelyn, Christian Science Monitor
The earliest of the four Gospels, the book portrays Jesus as an enigmatic figure, struggling with enemies, his inner and external demons, and with his devoted but disconcerted disciples. Unlike other gospels, his parables are obscure, to be explained secretly to his followers. With an introduction by Nick Cave