Featuring 17 stories from the late 1940s, "The Perfect Host" is the fifth in a highly acclaimed series that brings together all the short stories of one of the finest science-fiction and fantasy writers of the century. Larry McCaffery writes the Foreword.
Sci-fi master Theodore Sturgeon wrote stories with power and freshness, and in telling them created a broader understanding of humanity—a legacy for readers and writers to mine for generations. Along with the title story, the collection includes stories written between 1953 and 1955, Sturgeon's greatest period, with such favorites as "Bulkhead," "The Golden Helix," and "To Here and the Easel."
Discover tales of murderous hive minds, possessed bulldozers, crash-landed aliens in this collection of classic science fiction short stories—from the Hugo and Nebula Award–winning master of the genre. Killdozer! is the third volume of a series of the complete short stories from Theodore Sturgeon’s career. It contains a few of his best and most famous short stories, including “Medusa”, “Killdozer!”, and “Mewhu's Jet”. The series editor Paul Williams has dug into the background of each story, and come up with a lot of interesting lore about Sturgeon. Especially of interest in this volume is the alternative original ending to “Mewhu's Jet.”
In addition to the title story, which was voted one of the five greatest SF stories of all time, this collection includes such Theodore Sturgeon classics as "Cargo" and "Yesterday Was Monday".
Sci-fi master Theodore Sturgeon wrote stories with power and freshness, and in telling them created a broader understanding of humanity—a legacy for readers and writers to mine for generations. Along with the title story, the collection includes stories written between 1953 and 1955, Sturgeon's greatest period, with such favorites as "Bulkhead," "The Golden Helix," and "To Here and the Easel."
The second of a planned 10 volumes that will reprint all Sturgeon's short fiction covers his prolific output during 1940 and 1941, after which he suffered five years of writer's block. Showcasing Sturgeon's early penchant for fantasy, the first six selections include whimsical ghost stories, such as "Cargo," in which a World War II munitions freighter is commandeered by invisible, peace-loving fairies. With the publication of his enduring SF classic, "Microcosmic God," Sturgeon finally found his voice, combining literate, sharp-edged prose with fascinating speculative science while recounting the power struggle between a brilliant scientist, who creates his own miniature race of gadget makers, and his greedy banker. Voice found or not, every one of the stories here is readable and entertaining today because of Sturgeon's singular gifts for clever turns of phrase and compelling narrative. As Samuel R. Delaney emphasizes in an insightful introduction, Sturgeon was the single most influential SF writer from the 1940s through the 1960s.