"The coverage is mainly of 78rpm records, however a few early 45rpm records are included. Unlike previous price guides, this book attempts to cover all 78rpm kiddie records made in the USA. The dates of coverage range from the 1890s to the 1960s with most listings from the 1940s and 1950s."--Cover back.
Young People's Records and Children's Record Guild were the first commercially significant record clubs in the world. By applying proven book club methods to the field of phonograph records, these two related companies attracted some hundred thousand subscribers at their peak and serviced perhaps a million members in their existence. Revolutionizing Children's Records: The Young People's Records and Children's Record Guild Series, 1946-1977 tells the history of YPR/CRG, explaining how these two labels intersected important developments in the histories of mass marketing, recording technology, educational philosophy, folk music, contemporary composition, and Cold War politics. David Bonner covers in detail the history of YPR/CRG, tracing its influences back to the beginnings of music education in the 19th Century and incorporating the impact of the American folk music revival on music educators. The narrative follows the career paths of the company principals, such as its progressive founder Horace Grenell; the musicians who recorded for him, like American folk music revival pioneer Tom Glazer; and the record industry offshoots they created in the process. Bonner considers advances the club made in recording technology as the first record label devoted exclusively to "unbreakable" vinyl discs and provides a comprehensive summary of record club marketing, including the application of "music appreciation" to phonograph records. He also charts the commercial, critical, and political response to these endeavors, including an historical footnote to the "Red Scare" unavailable in existing Cold War literature. A complete and detailed discography listing every YPR and CRG recording, including all known writers and performers, concludes this excellent reference for scholars, nostalgists, and phonographic fanatics.
Spinning the Child examines music for children on records, radio and television by assessing how ideals of entertainment, education, ‘the child’ and ‘the family’ have been communicated through folk music, the BBC’s children’s radio broadcasting, the children’s songs of Woody Guthrie, Sesame Street, The Muppet Show and Bagpuss, the contemporary children’s music industry and other case studies. The book provides the first sustained critical overview of recorded music for children, its production and dissemination. The music, lyrics and sonics of hundreds of recorded songs are analysed with reference to their specific social, historical and technological contexts. The chapters expose the attitudes, morals and desires that adults have communicated both to and about the child through the music that has been created and compiled for children. The musical representations of age, race, class and gender reveal how recordings have both reflected and shaped transformations in discourses of childhood. This book is recommended for scholars in the sociology of childhood, the sociology of music, ethnomusicology, music education, popular musicology, children’s media and related fields. Spinning the Child’s emphasis on the analysis of musical, lyrical and sonic texts in specific contexts suggests its value as both a teaching and research resource.
This detailed reference (written with the collaboration of William R. Moran & Kurt Nauck) traces the history of Victor's 78-rpm records from 1892 through 1958. Nearly 300 photographs, with over 100 in full color, illustrate all known label varieties, & charts provide a guide to determine the pressing & recording date of Victor records. A must for Sound Archives, Music Libraries or institutions with 78-rpm record collections. To order: Monarch Record Enterprises, 100 Highland Park Village, Suite 200, Dallas, Texas 75205-2788. Telephone: 1-800-872-6467.
Covering every genre of music, this guide is indexed by artist and organized by label, format, and date of record issue. This fully updated edition includes prices for over one million records, listings for 45,000 artists, a color eight-page insert of record cover art, and a buyer-seller directory.
From Carolina Soul Records, one of the world's largest online record sellers, comes the definitive guide to every aspect of record collecting in the digital era. Any music fan knows that there's nothing like the tactile pleasure of a record. Even with access to a variety of streaming services, digital technology has paved the way for the analog revival; from multiplatinum megahits to ultra-obscure private presses, millions of records are available for purchase from all over the world. Vinyl Age is the ultimate post-internet guide to record collecting. Written by Max Brzezinski of Carolina Soul Records, one of the world's largest high-end record dealers, Vinyl Age combines an engaging narrative and incisive analysis to reveal the joys and explain the complexities of the contemporary vinyl scene. Brzezinski demystifies the record game and imparts the skills essential to modern record digging -- how to research, find, buy, evaluate, and understand vinyl in the twenty-first century.
Rudolph, Frosty, and Captain Kangaroo is a memoir by Judy Gail Krasnow about her father, Hecky Krasnow, the producer of such classic children’s records and holiday tunes as “Rudolph, the Red-Nosed Reindeer,” “Frosty the Snowman,” “I’m Gettin’ Nuttin’ for Christmas,” “Peter Cottontail,” “Suzy Snowflake,” “I Saw Mommy Kissing Santa Claus,” “The Captain Kangaroo March,” “Smokey the Bear,” “Davy Crockett,” “Little Red Monkey,” and “The Little Engine That Could.” The book includes remembrances of Hecky Krasnow’s working relationships with such legendary artists as Gene Autry, Rosemary Clooney, Dinah Shore, Nina Simone, Art Carney, José Ferrer, Burl Ives, Arthur Godfrey, and Captain Kangaroo. In addition to his profound influence on the children’s record industry—an enormous business during the mid-twentieth century—Hecky also produced, wrote, or engineered such adult fare as Rosemary Clooney’s “Come On-a My House” and “Me and My Teddy Bear”; Nina Simone’s classic album The Amazing Nina Simone; and the landmark Chad Mitchell Trio debut, The Chad Mitchell Trio Arrives! Set against the dramatic backdrop of McCarthyism, the Cold War, the Civil Rights Movement, and the birth of television and rock and roll, Rudolph, Frosty, and Captain Kangaroo is rich in anecdotes about the politics and history of the era, the stars Hecky produced, and an array of talented composers and conductors with whom Hecky collaborated, including Mitch Miller, Johnny Marks, Percy Faith, J. Fred Coots, Tommy Johnson, Sir Thomas Beecham, Rudolph Goehr, André Kostelanetz, and Arthur Fiedler.
Audiobooks are now a staple in most public and school libraries, and with good reason, since they have a clear role in the education of today's "born digital" generation. Burkey, who has been following their rise in popularity for years, combines a fascinating history of the medium and practical tips for using them in a readable guide applicable to school and public librarians as well as classroom teachers. Enriched with reflections and comments from authors, audiobook narrators, producers, reviewers, and librarians, this book Shows how audiobooks not only benefit struggling readers and bring families together but also fit neatly within newly accepted standards for early literacy education Demonstrates how to use audiobooks as classroom and library tools for learning Identifies how to locate “must-have” audiobooks and offers advice for maintaining a collection Including an overview of the major audiobook awards and lists of additional resources, Burkey’s guide will help librarians and educators unlock the educational potential of audiobooks for youth.
Not too far away from the flea markets, dusty attics, cluttered used record stores and Ebay is the world of the vinyl junkies. Brett Milano dives deep into the piles of old vinyl to uncover the subculture of record collecting. A vinyl junkie is not the person who has a few old 45s shoved in the cuboard from their days in high school. Vinyl Junkies are the people who will travel over 3,000 miles to hear a rare b-side by a German band that has only recorded two songs since 1962, vinyl junkies are the people who own every copy of every record produced by the favorite artist from every pressing and printing in existance, vinyl junkies are the people who may just love that black plastic more than anything else in their lives. Brett Milano traveled the U.S. seeking out the most die-hard and fanatical collectors to capture all that it means to be a vinyl junkie. Includes interviews with Thurston Moore of Sonic Youth, Peter Buck from R.E.M and Robert Crumb, creator of Fritz the cat and many more underground comics.