Hans Holbein the Younger

Hans Holbein the Younger

Author: Erika Michael

Publisher: Taylor & Francis

Published: 1997

Total Pages: 778

ISBN-13: 9780815303893

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Addressing the critical reception of painter Hans Holbein the Younger (1497/98-1543), this volume consists of two parts. The first section comprises a series of short essays reflecting responses to Holbein throughout history which forged his critical and popular reputation. This section also includes overviews of the most important monographs and exhibitions, as well as a selection of research published since 1980. The second, much larger part is an annotated bibliography containing some 2,500 entries on a range of subjects including books, essays in scholarly journals, and articles published in the popular media. Annotation copyrighted by Book News, Inc., Portland, OR


Willem Drost (1633-1659)

Willem Drost (1633-1659)

Author: Jonathan Bikker

Publisher: Yale University Press

Published: 2005-01-01

Total Pages: 244

ISBN-13: 0300105819

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"The book draws on extensive research to revise what has been known about Drost's life, his stylistically diverse oeuvre, and his influences. The artist's training and his relationship to Rembrandt and other artists in the Rembrandt circle are examined, as is his Venetian period and the relation of his style to that of German-born painter Johann Carl Loth. Drost emerges as one of Rembrandt's most talented imitators and, despite his very short career, an artist with a variety of faces."--BOOK JACKET.


The Robert Lehman Collection, Volume XV: European and Asian Decorative Arts

The Robert Lehman Collection, Volume XV: European and Asian Decorative Arts

Author: Metropolitan Museum of Art (New York, N.Y.)

Publisher: Metropolitan Museum of Art

Published: 2012

Total Pages: 466

ISBN-13: 1588394506

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This volume catalogues more than 400 decorative objects in the Robert Lehman Collection at The Metropolitan Museum of Art, including painted enamels, snuffboxes, porcelain, pottery, ceramics, jewellery, furniture, cast metal, and textiles from throughout Europe and Asia, with the majority dating from the late seventh century to the 20th century.


Berlin

Berlin

Author: Ian Wallace

Publisher: Oxford, Eng. ; Santa Barbara, CA : Clio Press

Published: 1993

Total Pages: 192

ISBN-13:

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A Critical and Historical Corpus of Florentine Painting

A Critical and Historical Corpus of Florentine Painting

Author: Richard Offner

Publisher: Giunti Editore

Published: 2001

Total Pages: 646

ISBN-13:

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This new volume proposes, in similar format but with recent photographs, illustrating the painting in their present state, the new edition of the book dedicated by Richard Offner in 1947 to the workshop of Bernardo Daddi, artist very much in demand in the first half of the 14th century. To some 70 pictures catalogued by Offner with entries which are now updated with new data on state and history as well as with bibliography, ten further, hitherto unpublished or little known items are given in this edition. The survey offered here makes the circle of Daddi, where several of chief figures of the Florentine painting in the second half of the Trecento were formed, one of the better known areas of the history of Italian painting of the Middle Age and early Renaissance.


Jan Miense Molenaer

Jan Miense Molenaer

Author: Dennis P. Weller

Publisher: Hudson Hills

Published: 2002

Total Pages: 220

ISBN-13: 9780882599885

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The first comprehensive examination of the accomplishments of


Jacob Van Ruisdael

Jacob Van Ruisdael

Author: Seymour Slive

Publisher: Yale University Press

Published: 2001-01-01

Total Pages: 797

ISBN-13: 0300089724

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If you know the 26 letters of the alphabet and can count to 99 -- or are just learning -- you'll love Tana Hoban's brilliant creation. This innovative concept book is two books in one!


Europe's Rich Fabric

Europe's Rich Fabric

Author: Dr Bart Lambert

Publisher: Ashgate Publishing, Ltd.

Published: 2016-01-28

Total Pages: 430

ISBN-13: 1472406109

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Throughout human history luxury textiles have been used as a marker of importance, power and distinction. Yet, as the essays in this collection make clear, the term ‘luxury’ is one that can be fraught with difficulties for historians. Focusing upon the consumption, commercialisation and production of luxury textiles in Italy and the Low Countries during the late medieval and early modern period, this volume offers a fascinating exploration of the varied and subtle ways that luxury could be interpreted and understood in the past. Beginning with the consumption of luxury textiles, it takes the reader on a journey back from the market place, to the commercialisation of rich fabrics by an international network of traders, before arriving at the workshop to explore the Italian and Burgundian world of production of damasks, silks and tapestries. The first part of the volume deals with the consumption of luxury textiles, through an investigation of courtly purchases, as well as urban and clerical markets, before the chapters in part two move on to explore the commercialisation of luxury textiles by merchants who facilitated their trade from the cities of Lucca, Florence and Venice. The third part then focusses upon manufacture, encouraging consideration of the concept of luxury during this period through the Italian silk industry and the production of high-quality woollens in the Low Countries. Graeme Small draws the various themes of the volume together in a conclusion that suggests profitable future avenues of research into this important subject.


Hidden Faces: Covered Portraits of the Renaissance

Hidden Faces: Covered Portraits of the Renaissance

Author: Alison Manges Nogueira

Publisher: Metropolitan Museum of Art

Published: 2024-04-02

Total Pages: 235

ISBN-13: 1588397750

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Many small Renaissance portraits were richly adorned with covers or backs bearing allegorical figures, mythological scenes, or emblems that celebrated the sitter and invited the viewer to decipher their meaning. Hidden Faces includes seventy objects, ranging in format from covered paintings to miniature boxes, that illuminate the symbiotic relationship between the portrait and its pair. Texts by thirteen distinguished scholars vividly illustrate that the other “faces” of these portraits represent some of the most innovative images of the Renaissance, created by masters such as Hans Memling and Titian. Uniting works that have in some cases been separated for centuries, this fascinating volume shows how the multifaceted format unveiled the sitter’s identity, both by physically revealing the portrait and reading the significance behind its cover.