Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
It's been called ""profane,"" ""offensive,"" and deemed ""intolerable"" to consider its literal meaning part of the scriptural canon. Such is the hard-fought history of the Song of Songs: no other book has been so maligned, simply for existing in the Bible. In truth, the Song is exactly as it appears: an intensely passionate expression of romantic love, ascetic and sexual, between two lovers. The poetry is structured in two anti-symmetric halves: a chiasmus. The Song's lovers are forever imprinted as timeless emblems for this flawless - except godless - love; and the divine Hand enriches the Song symbolically, creating an allegorical overlay with spiritual instruction. The literal story-line and interwoven allegorical messages coexist effortlessly: rooting the Song on Earth does not limit it reaching to Heaven. The spiritual lessons imprinted in the Song are simple, profound and highly relevant to the 21st century disciple; and the manner in which they can be seen to emerge from the symbology, fascinating.