The Compendium of Tachygraphy

The Compendium of Tachygraphy

Author: HardPress

Publisher: Hardpress Publishing

Published: 2013-06

Total Pages: 84

ISBN-13: 9781314510669

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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.


The Compendium of Tachygraphy

The Compendium of Tachygraphy

Author: David Philip Lindsley

Publisher: Nabu Press

Published: 2013-12

Total Pages: 80

ISBN-13: 9781295402922

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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.


The Compendium of Tachygraphy Or Lindsley's Phonetic Shorthand

The Compendium of Tachygraphy Or Lindsley's Phonetic Shorthand

Author: David Philip Lindsley

Publisher:

Published: 2015-07-22

Total Pages: 82

ISBN-13: 9781331971344

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Excerpt from The Compendium of Tachygraphy or Lindsley's Phonetic Shorthand: Laining and Illustrating the Common Style of the Art The new System of Phonetio Short-hand, which we have partially developed in the following pages, is the result of a protracted effort to conform the system of Mr. Isaac Pitman to the beauty of its theory. A few persons of peculiar genius hare mastered that system, and found its use of great service in all their literary pursuits. But while a few were able to relieve themselves of the intolerable drudgery of writing by its means, hundreds - we can say, in truth, thousands - were striving in vain to make the old system practically useful to them. We speak what we know. Nineteen twentieths of all the phonographers we have ever seen are of this number; and we are almost constantly in receipt of letters from all parts of the country which testify with emphasis to the impracticability of phonography, and express an earnest hope that some system may be found that can be applied to the common uses of writing. Besides, as a teacher of phonography for several years, we might give the result of our success, if more testimony were needed; but it is not necessary. When we awoke to the fact that we were attempting a hopeless task in trying to shove a system into favor burdened with the irregularities and complexities that characterize that system, we were surprised to find that most thinking men had arrived at the same conclusion long before us. And, when stimulated by a view of the necessity of some relief from the toil of writing, we conceived it still possible to work out the phonographic theory in a practical shape, we were more than pleased to learn that such men as the late Hon. Horace Mann had anticipated us here also, and indicated, with the usual clearness of his perceptions, the plain and practical plan on which success was certain. And others have from time to time urged the importance of a more rapid system of writing, not for the use of the verbatim reporter, but for all the ordinary purposes of writing. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


Codes of Modernity

Codes of Modernity

Author: Uluğ Kuzuoğlu

Publisher: Columbia University Press

Published: 2023-11-28

Total Pages: 221

ISBN-13: 0231557914

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In the late nineteenth century, Chinese reformers and revolutionaries believed that there was something fundamentally wrong with the Chinese writing system. The Chinese characters, they argued, were too cumbersome to learn, blocking the channels of communication, obstructing mass literacy, and impeding scientific progress. What had sustained a civilization for more than two millennia was suddenly recast as the root cause of an ongoing cultural suicide. China needed a new script to survive in the modern world. Codes of Modernity explores the global history of Chinese script reforms—efforts to alphabetize or simplify the writing system—from the 1890s to the 1980s. Examining the material conditions and political economy underlying attempts to modernize scripts, Uluğ Kuzuoğlu argues that these reforms were at the forefront of an emergent information age. Faced with new communications technologies and infrastructures as well as industrial, educational, and bureaucratic pressures for information management, reformers engineered scripts as tools to increase labor efficiency and create alternate political futures. Kuzuoğlu considers dozens of proposed scripts, including phonetic alphabets, syllabaries, character simplification schemes, latinization, and pinyin. Situating them in a transnational framework, he stretches the geographical boundaries of Chinese script reforms to include American behavioral psychologists, Soviet revolutionaries, and Central Asian typographers, who were all devising new scripts in pursuit of informational efficiency. Codes of Modernity brings these experiments together to offer new ways to understand scripts and rethink the shared experiences of a global information age.