After the Nazis invaded Poland in 1939, they quickly began persecuting anyone who was Jewish. Millions were shoved into ghettos and forced to live under the swastika. Death camps were built and something called "Operation Reinhard" was set into motion. Its goal? To murder all the Jews of Poland. The Commandant of Lubizec is a harrowing account of a death camp that never actually existed but easily could have in the Nazi state. It is a sensitive, accurate retelling of a place that went about the business of genocide. Told as a historical account in a documentary style, it explores the atmosphere of a death camp. It describes what it was like to watch the trains roll in, and it probes into the mind of its commandant, Hans-Peter Guth. This is not only an unflinching portrayal of the machinery of the gas chambers, it is also the story of how prisoners burned the camp to the ground and fled into the woods. It is a story of rebellion and survival. It is a story of life amid death. With a strong eye towards the history of the Holocaust, The Commandant of Lubizec compels us to look at these extermination centers anew. It asks that we look again at "Operation Reinhard". It brings voice to the silenced. It demands that we bear witness.
After the Nazis invaded Poland in 1939, they quickly began persecuting anyone who was Jewish. Millions were shoved into ghettos and forced to live under the swastika. Death camps were built and something called "Operation Reinhard" was set into motion. Its goal? To murder all the Jews of Poland. The Commandant of Lubizec is a harrowing account of a death camp that never actually existed but easily could have in the Nazi state. It is a sensitive, accurate retelling of a place that went about the business of genocide. Told as a historical account in a documentary style, it explores the atmosphere of a death camp. It describes what it was like to watch the trains roll in, and it probes into the mind of its commandant, Hans-Peter Guth. How could he murder thousands of people each day and then go home to laugh with his children? This is not only an unflinching portrayal of the machinery of the gas chambers, it is also the story of how prisoners burned the camp to the ground and fled into the woods. It is a story of rebellion and survival. It is a story of life amid death. With a strong eye towards the history of the Holocaust, The Commandant of Lubizec compels us to look at these extermination centers anew. It disquiets us with the knowledge that similar events actually took place in camps like Bełzec, Sobibór, and Treblinka. The history of Lubizec, although a work of fiction, is a chillingly blunt distillation of real life events. It asks that we look again at "Operation Reinhard". It brings voice to the silenced. It demands that we bear witness.
In his debut short story collection, poet and novelist Patrick Hicks reminds us of one such constant in all our lives—death. In these stories, most of which are set firmly in the heart of the country, the characters, all solid, well-meaning, hardworking people, are beset by tragedies both large and small, natural and unnatural. In the opening piece, "57 Gatwick," which won the 2012 Glimmer Train Emerging Writer Fiction award, a terrorist bombing of a commercial airliner over the city of Duluth, Minnesota gives the town coroner a new task beyond the collection and identification of victims' bodies, thus restoring hope to a shattered community. In "Burn Unit," a lone, misanthropic woman who rescues stray and abused animals, in turn rescues her horribly burned niece from a neglectful family and a life of despair. An unpopular teenage girl discovers a hidden talent in the wake of a devastating storm in "Picasso and the Tornado." In the "The Lazarus Bomb," the crew of a B-17 bomber crew flying missions over Germany in WWII is suddenly imbued with the ability to give life rather than rain death. With gentle humor and deft, lyrical prose, this collection demonstrates that, despite these tragedies, unlooked-for miracles do occur.
In the Shadow of Dora spans two very different decades from the Nazi concentration camp of Dora-Mittelbau to the coast of central Florida in the late 1960s; the book tells the story of the real life intersections between the horror of the Third Reich's V-2 rocket program and the wonderment of the Apollo missions. Eli Hessel, a brilliant young Jewish mathematician, finds himself deep beneath a mountain where he is forced to build Nazi rockets. When he is finally freed from this secret underground concentration camp, he immigrates to New York, studies astrophysics, and is recruited by NASA to help build the largest rocket ever to rise above a launch pad: the Saturn V. To his shock, though, he will be under the command of former Nazi scientists Wernher von Braun and Arthur Rudolph, both of who were at Dora. As America turns to the moon and cheers for rockets that lance the sky, Eli is swallowed up by the past and must cope with memories he thought were safely buried. This is a novel that asks questions about memory, morality, technology, and how the past influences the present. If we clamp down images of horror, will they always ignite and rise up on us? "This is a harrowing journey of survival, one that traces the indomitable spirit of one lone man as he spirals deeper and deeper within the Holocaust--while also recognizing what it takes, minute by minute and day by day, to survive decades into the future. This painful yet beautifully written novel adds to the necessary literature of the Holocaust. Hicks is determined to undo the erasures of time while revealing our humanity with a clear-eyed lens. This is what the art of the novel was invented to do." --Brian Turner, author of My Life as a Foreign Country and Here, Bullet "Patrick Hicks has managed to bring two of history's greatest events down to the molecular level in the extraordinary character of Eli Hessel, a survivor of the Holocaust and a member of the vast team of scientists that put a man on the moon. This story is gripping in its tragedy, thrilling in its detail, and unforgettable for its protagonist, whose will to not only survive, but thrive, live, and love is a testament to the human spirit. In the Shadow of Dora is tenacious, just like its hero. I'll never forget it." --Peter Geye, author of Northernmost and Wintering "In the Shadow of Dora is an astonishing novel. With a poet's eye and meticulously lyric prose, Patrick Hicks unspools a harrowing tale that begins in a Nazi concentration camp and ends on the Apollo 11 launch pad. It is between these two extremes--the most base of the basest of evils and the highest of all human achievements--that Eli's story unfolds. Hicks' novel is fundamentally a narrative of inquiry and self-interrogation: Is the past what defines us? Does the future redeem us? How can you know if you're dead? This is a profoundly moving book." --Jill Alexander Essbaum, New York Times Bestselling author of Hausfrau "Spanning decades and continents, In the Shadow of Dora reveals in aching detail the heights of human ingenuity and the depths of human cruelty, and, most importantly, the ways those heights and depths are inextricably intertwined in the history of the twentieth century. This is a revelatory novel." --Joe Wilkins, author of Fall Back Down When I Die and The Mountain and the Fathers "In this compelling novel based on historical facts, Patrick Hicks places America's glittering quest to land on the moon squarely inside the dark shadow of the Holocaust. Few novels I have read so effectively and disturbingly question the relationship between the triumph of technological achievement and our willingness to ignore injustice." --Kent Meyers, author of The Work of Wolves and Twisted Tree
Written by a Mexican-American woman and her coauthor during the 1930s and 1940s, Caballero remained unprinted and unavailable to the public for over 50 years. The novel examines the impact of the 1846-48 war with Mexico on a tejano family and particularly on Mexican women. Paper edition (unseen), $19.95. Annotation copyright by Book News, Inc., Portland, OR
A wry, unvarnished chronicle of a career in the rare book trade during its last Golden Age When Gary Goodman wandered into a run-down, used-book shop that was going out of business in East St. Paul in 1982, he had no idea the visit would change his life. He walked in as a psychiatric counselor and walked out as the store’s new owner. In The Last Bookseller Goodman describes his sometimes desperate, sometimes hilarious career as a used and rare book dealer in Minnesota—the early struggles, the travels to estate sales and book fairs, the remarkable finds, and the bibliophiles, forgers, book thieves, and book hoarders he met along the way. Here we meet the infamous St. Paul Book Bandit, Stephen Blumberg, who stole 24,000 rare books worth more than fifty million dollars; John Jenkins, the Texas rare book dealer who (probably) was murdered while standing in the middle of the Colorado River; and the eccentric Melvin McCosh, who filled his dilapidated Lake Minnetonka mansion with half a million books. In 1990, with a couple of partners, Goodman opened St. Croix Antiquarian Books in Stillwater, one of the Twin Cities region’s most venerable bookshops until it closed in 2017. This store became so successful and inspired so many other booksellers to move to town that Richard Booth, founder of the “book town” movement in Hay-on-Wye in Wales, declared Stillwater the First Book Town in North America. The internet changed the book business forever, and Goodman details how, after 2000, the internet made stores like his obsolete. In the 1990s, the Twin Cities had nearly fifty secondhand bookshops; today, there are fewer than ten. As both a memoir and a history of booksellers and book scouts, criminals and collectors, The Last Bookseller offers an ultimately poignant account of the used and rare book business during its final Golden Age.
Blindsided follows Eli as she leads Carla, a local real estate agent, through an election for Key West city mayor. At first, the campaign process appears easy. Despite their differences, the two women work well together. But as time progresses, they face countless obstacles: the Bubba system in the Keys, discrimination from both supporting and opposing forces, and their rapidly intensifying relationship. While Carla starts to doubt her decisions, Eli struggles to find her place in the Keys and in Carla's budding campaign.
Mistaking an ad to join the titular The Loneliest Band in France for one to sell his blood, Migara de Silva, the novella’s narrator — a Sri Lankan student, new to Montpellier — finds himself, instead, under the sway of the band, drinking heavily and being recruited to play a battle-of-the-bands-esque concert (that night) at the local Café Bovary with its four members: Noël, Guy, Lucien, and Michel. Not only is there prize money attached to the concert, the bandmates also see this as an opportunity to debut a new song, one, they claim, that can hurt — even kill — its listeners.
The tellers of Tales of Resistance speak in voices imagined from archival material or heard in Missouri by the author, a returned native of St. Louis. They act out personal dramas set off by social forces that seem beyond their comprehension or control, but in some way or other they resist. In one an Ozark boy tells of his sexual initiation by a Normal School girl who becomes a ringleader in the pickers' strike against the strawberry growers, including his parents. In another a crippled judge tells of trying to save three slaves accused of crimes against whites from lynching by a mob, afraid their masters will run them off and sell them to avoid financial loss. Other stories take place in a lead mine, a headlamp factory, in the Bootheel cotton fields, on a Gasconade River float trip, a river bottoms tavern among the soybean fields, and in an Oto-Missouria Indian village thrown into upheaval by the visit of a Scots trader sent out by the Spaniards to find a way through the Shining Mountains to the Western Sea. Deer in June I cater to city men, but that boy...always talking about the stock car races at St. Louis. I will tell you the truth. He is in the penitentiary. He lasted about a week as kitchen help at the lodge over to Lake Ozark, and Henry had to let him go from pumping gas. His papa was Naman Ralls that fell down drunk in a charcoal rick and burned to death, and the boy the sole support for his mama and four little ones. I was naturally sorry and hired him on. His last trip with me, our sport was in advertising. Name of Sweringen, and he had brought his little girl friend. Some I care for, some I don't. either way I get my money, and now and then one like the brewing fellow will give me a nice tip. Mr. Alec Sweringen, he did not leave us a tip. I don't blame him.
Short Bus is a darkly humorous collection of linked stories set in the southern haunts of coastal Texas--near where the Rio Grande dumps its brackish water into the Gulf of Mexico. The stories in this book ponder deformity in all its forms. Fetuses twist their mustaches, feet float in jars, a special- education teacher aims to rob a bank with the aid of his students. But binding these stories is a gentle humanity. Brian Allen Carr moves his grotesque characters toward the hollows of hearts, heaving despicable actions toward tender outcomes. Short Bus is a book about understanding the worst of us, smiling at that which makes us shudder. “Brian Allen Carr’s brain must be a snarl of firing pistons, sizzling fuses, hoses leaking blood and tequila and hydraulic oil. How else can you explain the twisted machinery of his stories? Each of them is a disturbing journey that will thrill and educate you in the sunlit haze of the Texas/Mexico border—and the sometimes subterranean darkness of the human heart.”--Benjamin Percy, author of The Wilding and Refresh, Refresh “Brian Allen Carr balances the harshness of his characters’ lives with beautiful and precise language, making parched land feel lush. Carr writes the best kind of stories--stories that only he could have written.” --Mary Miller (author of Big World) "Brian Allen Carr has written a short story collection that is everything hardworking--the characters, the scenery, the sentences--all form to build a machine crafted to break hearts along the border. A ridiculously strong first collection."--Shane Jones (author of Light Boxes)
