The Columbia Anthology of Chinese Folk and Popular Literature
The Columbia Anthology of Chinese Folk and Popular Literature

Author: Victor H. Mair

Publisher: Columbia University Press

Published: 2011

Total Pages: 662

ISBN-13: 0231153120

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In The Columbia Anthology of Chinese Folk and Popular Literature, two of the world's leading sinologists, Victor H. Mair and Mark Bender, capture the breadth of China's oral-based literary heritage. This collection presents works drawn from the large body of oral literature of many of China's recognized ethnic groups--including the Han, Yi, Miao, Tu, Daur, Tibetan, Uyghur, and Kazak--and the selections include a variety of genres. Chapters cover folk stories, songs, rituals, and drama, as well as epic traditions and professional storytelling, and feature both familiar and little-known texts, from the story of the woman warrior Hua Mulan to the love stories of urban storytellers in the Yangtze delta, the shaman rituals of the Manchu, and a trickster tale of the Daur people from the forests of the northeast. The Cannibal Grandmother of the Yi and other strange creatures and characters unsettle accepted notions of Chinese fable and literary form. Readers are introduced to antiphonal songs of the Zhuang and the Dong, who live among the fantastic limestone hills of the Guangxi Zhuang Autonomous Region; work and matchmaking songs of the mountain-dwelling She of Fujian province; and saltwater songs of the Cantonese-speaking boat people of Hong Kong. The editors feature the Mongolian epic poems of Geser Khan and Jangar; the sad tale of the Qeo family girl, from the Tu people of Gansu and Qinghai provinces; and local plays known as "rice sprouts" from Hebei province. These fascinating juxtapositions invite comparisons among cultures, styles, and genres, and expert translations preserve the individual character of each thrillingly imaginative work.

The Shorter Columbia Anthology of Traditional Chinese Literature
The Shorter Columbia Anthology of Traditional Chinese Literature

Author: Victor H. Mair

Publisher: Columbia University Press

Published: 2001-01-03

Total Pages: 902

ISBN-13: 0231505620

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With its fresh translations by newer voices in the field, its broad scope, and its flowing style, this anthology places the immense riches of Chinese literature within easy reach. Ranging from the beginnings to 1919, this abridged version of The Columbia Anthology of Traditional Chinese Literature retains all the characteristics of the original. In putting together these selections Victor H. Mair interprets "literature" very broadly to include not just literary fiction, poetry, and drama, but folk and popular literature, lyrics and arias, elegies and rhapsodies, biographies, autobiographies and memoirs, letters, criticism and theory, and travelogues and jokes.

The Columbia History of Chinese Literature
The Columbia History of Chinese Literature

Author: Victor H. Mair

Publisher: Columbia University Press

Published: 2010-03-10

Total Pages: 1369

ISBN-13: 0231528515

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The Columbia History of Chinese Literature is a comprehensive yet portable guide to China's vast literary traditions. Stretching from earliest times to the present, the text features original contributions by leading specialists working in all genres and periods. Chapters cover poetry, prose, fiction, and drama, and consider such contextual subjects as popular culture, the impact of religion, the role of women, and China's relationship with non-Sinitic languages and peoples. Opening with a major section on the linguistic and intellectual foundations of Chinese literature, the anthology traces the development of forms and movements over time, along with critical trends, and pays particular attention to the premodern canon.

The Columbia Anthology of Modern Chinese Drama
The Columbia Anthology of Modern Chinese Drama

Author: Xiaomei Chen

Publisher: Columbia University Press

Published: 2014-03-25

Total Pages: 655

ISBN-13: 0231535546

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This condensed anthology reproduces close to a dozen plays from Xiaomei Chen's well-received original collection, The Columbia Anthology of Modern Chinese Drama, along with her critical introduction to the historical, cultural, and aesthetic evolution of twentieth-century Chinese spoken drama. Comprising representative works from the Republican era to postsocialist China, the book encapsulates the revolutionary rethinking of Chinese theater and performance that began in the late Qing dynasty and vividly portrays the uncertainty and anxiety brought on by modernism, socialism, political conflict, and war. Chosen works from 1919 to 1990 also highlight the formation of national and gender identities during a period of tremendous social, cultural, and political change in China and the genesis of contemporary attitudes toward the West. PRC theater tracks the rise of communism, juxtaposing ideals of Chinese socialism against the sacrifices made for a new society. Post-Mao drama addresses the nation's socialist legacy, its attempt to reexamine its cultural roots, and postsocialist reflections on critical issues such as nation, class, gender, and collective memories. An essential, portable guide for easy reference and classroom use, this abridgment provides a concise yet well-rounded survey of China's theatricality and representation of political life. The original work not only established a canon of modern Chinese drama in the West but also made it available for the first time in English in a single volume.

Asian Highlands Perspectives 37: Centering the Local
Asian Highlands Perspectives 37: Centering the Local

Author:

Publisher: ASIAN HIGHLANDS PERSPECTIVES

Published: 2016-02-11

Total Pages: 395

ISBN-13:

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This collection of essays celebrates the life and work of Dr. Charles Kevin Stuart. For more than three decades, Kevin Stuart has quietly exerted considerable influence on scholarship on Tibet, China, and Mongolia, demonstrating a particular sensitivity to emic voices, facilitating collaborations between etic-emic viewpoints, but always striving to preserve and privilege the latter. It is possible when reading Kevin's writings, and the contributions gathered here, to 'center the local' by thinking within local horizons of meaning. Introduction by Benedict Copps An Introduction to Amdo Tibetan Love Songs, or La gzhas by Skal bzang nor bu A Bibliographic Note and Table on Mid-19th to Mid-20th Century Western Travelogues and Research Reports on Gansu and Qinghai by Bianca Horrleman The Last Outstanding Mongghul Folksong Singer by Limusishiden Slinking Between Realms: Musk Deer as Prey in Yi Oral Literature by Mark Bender Describing and Transcribing the Phonologies of the Amdo Sprachbund by Juha Janhunen Animals Good for Healing: On Experiences with Folk Healers in Inner Mongolia (China) by Peter Knecht Ethnicity and Cultural Diversity on the Northeast Tibetan Plateau: Sanchuan's Weather Management Rituals in Comparative Context by Gerald Roche Herds on the Move: Transformations in Tibetan Nomadic Pastoral Systems by Daniel Miller 'Zomia': New Constructions of the Southeast Asian Highlands and Their Tibetan Implications by Geoffrey Samuel Witness to Change: A Tibetan Woman Recalls her Life by Nangchukja A Group of Mural Paintings from the 1930s in A mdo Reb gong by Rob Linrothe Kevin Stuart among Mongolian English-learners in Huhhot in the Mid-1980s by Mandula Borjigin, Narisu Narisu, and Chuluu Ujiyediin མདོ་སྨད་ཡུལ་གྱི་བོད་དབྱིན་སློབ་གསོའི་གནས་བབ་གླེང་བ - བུན་ཁྲང་རྒྱལ

Traditional Japanese Literature
Traditional Japanese Literature

Author: Haruo Shirane

Publisher: Columbia University Press

Published: 2012

Total Pages: 601

ISBN-13: 0231157304

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Traditional Japanese Literature features a rich array of works dating from the very beginnings of the Japanese written language through the evolution of Japan's noted aristocratic court and warrior cultures. It contains stunning new translations of such canonical texts as The Tales of the Heike as well as works and genres previously ignored by scholars and unknown to general readers.

The Columbia Sourcebook of Literary Taiwan
The Columbia Sourcebook of Literary Taiwan

Author: Sung-sheng Yvonne Chang

Publisher: Columbia University Press

Published: 2014-09-02

Total Pages: 1072

ISBN-13: 0231537549

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This sourcebook contains more than 160 documents and writings that reflect the development of Taiwanese literature from the early modern period to the twenty-first century. Selections include seminal essays in literary debates, polemics, and other landmark events; interviews, diaries, and letters by major authors; critical and retrospective essays by influential writers, editors, and scholars; transcripts of historical speeches and conferences; literary-society manifestos and inaugural journal prefaces; and governmental policy pronouncements that have significantly influenced Taiwanese literature. These texts illuminate Asia's experience with modernization, colonialism, and postcolonialism; the character of Taiwan's Cold War and post–Cold War cultural production; gender and environmental issues; indigenous movements; and the changes and challenges of the digital revolution. Taiwan's complex history with Dutch, Spanish, and Japanese colonization; strategic geopolitical position vis-à-vis China, Japan, and the United States; and status as a hub for the East-bound circulation of technological and popular-culture trends make the nation an excellent case study for a richer understanding of East Asian and modern global relations.

Traditional China in Asian and World History
Traditional China in Asian and World History

Author: Tansen Sen

Publisher:

Published: 2012

Total Pages: 108

ISBN-13: 9780924304651

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Chronology -- Introduction -- Chinese perceptions of foreigners and foreign lands -- The rise of civilization in the central plains -- The formation and development of the silk routes -- China and the Buddhist world -- China in the age of commerce -- Conclusion

The Resurrected Skeleton
The Resurrected Skeleton

Author: Wilt L. Idema

Publisher: Columbia University Press

Published: 2014-07-08

Total Pages: 345

ISBN-13: 0231536518

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The early Chinese text Master Zhuang (Zhuangzi) is well known for its relativistic philosophy and colorful anecdotes. In the work, Zhuang Zhou ca. 300 B.C.E.) dreams that he is a butterfly and wonders, upon awaking, if he in fact dreamed that he was a butterfly or if the butterfly is now dreaming that it is Zhuang Zhou. The text also recounts Master Zhuang's encounter with a skull, which praises the pleasures of death over the toil of living. This anecdote became popular with Chinese poets of the second and third century C.E. and found renewed significance with the founders of Quanzhen Daoism in the twelfth century. The Quanzhen masters transformed the skull into a skeleton and treated the object as a metonym for death and a symbol of the refusal of enlightenment. Later preachers made further revisions, adding Master Zhuang's resurrection of the skeleton, a series of accusations made by the skeleton against the philosopher, and the enlightenment of the magistrate who judges their case. The legend of the skeleton was widely popular throughout the Ming dynasty (1368–1644), and the fiction writer Lu Xun (1881–1936) reimagined it in the modern era. The first book in English to trace the development of the legend and its relationship to centuries of change in Chinese philosophy and culture, The Resurrected Skeleton translates and contextualizes the story's major adaptations and draws parallels with the Muslim legend of Jesus's encounter with a skull and the European tradition of the Dance of Death. Translated works include versions of the legend in the form of popular ballads and plays, together with Lu Xun's short story of the 1930s, underlining the continuity between traditional and modern Chinese culture.

Early Modern Japanese Literature
Early Modern Japanese Literature

Author: Haruo Shirane

Publisher: Columbia University Press

Published: 2002-07-10

Total Pages: 1054

ISBN-13: 0231507437

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This is the first anthology ever devoted to early modern Japanese literature, spanning the period from 1600 to 1900, known variously as the Edo or the Tokugawa, one of the most creative epochs of Japanese culture. This anthology, which will be of vital interest to anyone involved in this era, includes not only fiction, poetry, and drama, but also essays, treatises, literary criticism, comic poetry, adaptations from Chinese, folk stories and other non-canonical works. Many of these texts have never been translated into English before, and several classics have been newly translated for this collection. Early Modern Japanese Literature introduces English readers to an unprecedented range of prose fiction genres, including dangibon (satiric sermons), kibyôshi (satiric and didactic picture books), sharebon (books of wit and fashion), yomihon (reading books), kokkeibon (books of humor), gôkan (bound books), and ninjôbon (books of romance and sentiment). The anthology also offers a rich array of poetry—waka, haiku, senryû, kyôka, kyôshi—and eleven plays, which range from contemporary domestic drama to historical plays and from early puppet theater to nineteenth century kabuki. Since much of early modern Japanese literature is highly allusive and often elliptical, this anthology features introductions and commentary that provide the critical context for appreciating this diverse and fascinating body of texts. One of the major characteristics of early modern Japanese literature is that almost all of the popular fiction was amply illustrated by wood-block prints, creating an extensive text-image phenomenon. In some genres such as kibyôshi and gôkan the text in fact appeared inside the woodblock image. Woodblock prints of actors were also an important aspect of the culture of kabuki drama. A major feature of this anthology is the inclusion of over 200 woodblock prints that accompanied the original texts and drama.