Digital technology produced astonishing advances in prepress productivity, unleashing many creative possibilities and image quality improvements. Progress in printing technologies also raised color quality and productivity. Today's subsequent availability of inexpensive, high-quality color images, has greatly enriched us all. Author Gary G. Field's account of modern color printing's evolution has four areas of emphasis: The Photomechanical Era The Electronic Imaging Upheaval Color Printing's Progress The Art-Technology Partnership Sections at the end of key chapters include image structure enlargements from representative color prints. These show how different structural elements and their configuration contributed to quality refinement over the years. Appendices explain the nature of print quality and the tradeoffs often made between one facet of quality and another. This book is intended for the technically-curious reader. Graphic arts personnel, color imaging scientists and engineers, historians of technology and amateur producers of color prints will find much to delight, entertain, and perhaps inspire. Published by The Graphic Communication Institute at Cal Poly and distributed by RIT Press.
Printing and collecting the revolution : the rise and impact of Chicano graphics, 1965 to now / E. Carmen Ramos -- Aesthetics of the message : Chicana/o posters, 1965-1987 / Terezita Romo -- War at home : conceptual iconoclasm in American printmaking / Tatiana Reinoza -- Chicanx graphics in the digital age / Claudia E. Zapata.
"In Printing-Process Control and Standardization, Robert Chung explains the process of color printing with relevant examples related to measurement, process-control, color management, and standardization. Chung provides detailed information for teaching students in print media or graphic communication, as well as for seasoned industry professionals"--
This richly illustrated publication reproduces and describes effectively every early modern German color print held at the British Museum. It is one of the world's most significant collections of these rare milestones of cultural heritage and technology. New photography reveals 150 impressions in jaw-dropping detail, most life-size. Some have never been seen in public or reproduced. It is the first major study of the first wave of German color printing. It spans medieval printing in the late 1400s through the Renaissance and Reformation of the 1500s. Early Colour Printing features masterpieces by leading figures like Erhard Ratdolt, Lucas Cranach, Hans Baldung Grien, and Hans Burgkmair, as well as unfairly overlooked entrepreneurs and innovators like Erasmus Loy (and his daughter Anna). Their breakthroughs reproduced artworks and simplified astronomical calculations. They created trends in interior design and signalled 'red-letter days'. They helped musicians sight-read and they color-coded metals for goldsmiths. These diverse new functions and markets might seem unrelated. But they are connected, and they cannot be understood in isolation. From artworks to missals, icons to wallpapers, this book breaks new ground by revealing the fascinating underlying technologies that enabled the production of these color-printed objects. The many inventions of color printing in the German-speaking lands began with medieval novel solutions. They were devised long before color printing inks could be formulated. Then, color printing techniques transformed how printed material could be used during the technological and cultural revolutions of the sixteenth century. Later designers and artists around Europe celebrated these techniques' heritage for centuries, from the 'D rer Renaissance' until chromolithography revolutionized the print market in the nineteenth century. Early Colour Printing captures this story in rich detail. It sets the stage for second wave of German color woodcut, which was triggered by the Expressionist revival at the turn of the twentieth century. Thoroughly researched and engagingly written, this collection guide will be a standard reference on German graphic art, early modern visual culture, and the history of printing itself. Early Colour Printing: German Renaissance Woodcuts at the British Museum offers significant new research, including previously unidentified examples of early modern color-printing. Some are believed to be unique in the world; others were made decades before the landmark invention of colorful chiaroscuro woodcut in Italy in 1516. By modeling a printer- and technology-based approach to the history of printing, it contributes to scholarship by pinpointing attributions to printers--not just to artists or designers. In doing so, it lays the groundwork for a new understanding of the history of print, one that encompasses all forms of printed material. This publication derives from an exhibition at the British Museum curated by Elizabeth Savage.
In Printing Colour 1400–1700, Ad Stijnman and Elizabeth Savage offer the first handbook of early modern colour printmaking before 1700 (when most such histories begin), creating a new, interdisciplinary paradigm for the history of graphic art.
For ages 8-14. Before the invention of the printing press, information was not easily accessible to the majority of people in the world. "Inventing the Printing Press" will teach young readers what life was like before the printing press was invented and how its invention transformed the lives of ordinary people. This fascinating book features full-colour photographs and illustrations that accompany the easy-to-read text. Topics include: cuneiforms, tablets, scrolls, and codices; the first presses, including Johannes Gutenberg's press and moveable type; early and present-day book making processes; print in daily life; types of presses, such as the Stanhope and Columbian; computerised printing; future printing technologies.
"A short history of the printing press" by Robert Hoe. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
