Drama / 10m, 4f, extras This evocative play charting the rocky romance between headstrong farmgirl Laurey and cocky cowhand Curley in a tale of early America during the settlement of the midwest was the basis of the classic Rodgers and Hammerstein musical Oklahoma! Using the colorful vernacular of the period, Green Grow the Lilacs paints a picture of pioneer farmlife with colorful characters and language, presenting a dramatic challenge to professionals and amateurs alike.
From Appomattox to World War I, blacks continued their quest for a secure position in the American system. The problem was how to be both black and American -- how to find acceptance, or even toleration, in a society in which the boundaries of normative behavior, the values, and the very definition of what it meant to be an American were determined and enforced by whites. A few black leaders proposed self-segregation inside the United States within the protective confines of an all-black community as one possible solution. The black-town idea reached its peak in the fifty years after the Civil War; at least sixty black communities were settled between 1865 and 1915. Norman L. Crockett has focused on the formation, growth and failure of five such communities. These include Nicodemus, Kansas; Mound Bayou, Mississippi; Langston, Oklahoma; and Boley, Oklahoma. The last two offer opportunity to observe aspects of Indian-black relations in this area.
“How can women wear diamonds when babies cry for bread?” Kate Barnard demanded in one of the incendiary stump speeches for which she was well known. In A Life on Fire, Connie Cronley tells the story of Catherine Ann “Kate” Barnard (1875–1930), a fiery political reformer and the first woman elected to state office in Oklahoma, as commissioner of charities and corrections in 1907—almost fifteen years before women won the right to vote in the United States. Born to hardscrabble settlers on the Nebraska prairie, Barnard committed her energy, courage, and charismatic oratory to the cause of Progressive reform and became a political powerhouse and national celebrity. As a champion of the poor, workers, children, the imprisoned, and the mentally ill, Barnard advocated for compulsory education, prison reform, improved mental health treatment, and laws against child labor. Before statehood, she stumped across the Twin Territories to unite farmers and miners into a powerful political alliance. She also helped write Oklahoma’s Progressive constitution, creating what some heralded as “a new kind of state.” But then she took on the so-called “Indian Question.” Defending Native orphans against a conspiracy of graft that reached from Oklahoma to Washington, D.C., she uncovered corrupt authorities and legal guardians stealing oil, gas, and timber rights from Native Americans’ federal allotments. In retaliation, legislators and grafters closed ranks and defunded her state office. Broken in health and heart, she left public office and died a recluse. She remains, however, a riveting figure in Oklahoma history, a fearless activist on behalf of the weak and helpless.
From a city that was founded in the Land Run of 1889, to becoming the state's largest city and capitol, Historic Photos of Oklahoma City is a photographic history collected from the areas top archives. With around 200 photographs, many of which have never been published, this beautiful coffee table book shows the historical growth from the mid 1800's to the late 1900's of this scenic city in stunning black and white photography. The book follows life, government, events and people important to Oklahoma City history and the building of this unique city. Spanning over two centuries and two hundred photographs, this is a must have for any long-time resident or history lover of Oklahoma City!
"In the early twentieth century, Tulsa was the "Oil Capital of the World." The rush of roughnecks and oil barons built a culinary foundation that not only provided traditional food and diner fare but also inspired upper-class experiences and international cuisine. Tulsans could reserve a candlelit dinner at the Louisiane or cruise along the Restless Ribbon with a pit stop at Pennington s. Generations of regulars depended on family-owned establishments such as Villa Venice, The Golden Drumstick and St. Michael's Alley. Join author Rhys Martin on a gastronomic journey through time, from the Great Depression to the days of "Liquor by the Wink" and the Oil Bust of the 1980s."--Back cover.
Texas can boast of many diverse photographic collections--at least 350 in all. Held in public and private institutions, corporations, and governmental agencies, major and minor collections account for more than 100,000 photographs worldwide as well as national and regional interest. This guide to all the major and most of the minor photographic collections in Texas lists each by city; library, museum, or archive; and collection within that institution. For the major collections a statement of purpose gives the institution's nature and the types of material it collects, including nonphotographic materials. Other important information provided by the guide includes: addresses, hours, assistance available, permission fee requirements, and finding aids; statements of scope and listings of the locales represented; listings of the subjects and people pictured in the collections; a bibliography of publications that reproduce the collection's photographs; tables showing the number from each time period of each type of photograph, negative, or album; photographer's names and studios and other corporate identities responsible for the photographs; descriptions of the record groups included in the collections, including reference numbers, titles, subjects, responsible agencies, physical descriptions, and span dates; separate indexes to institutions, subjects, persons, locations, and photographers. This important reference, the only published record of photographic collections in Texas, will be a welcome tool for scholars, research librarians, collectors, and museum curators nationwide.--Cover.
Volume I. Quilts and textiles, Ceramics, Silver, Weaponry, Furniture, Vernacular architecture, Native American art -- volume II. Photography, Fine art.
