Discover six classic novels as you follow the footsteps of the trailblazers who settled the American West. As the American West opened up to settlers after the Civil War, people were eager for tales of great adventures, endless possibilities, and the pioneering spirit. Classic Westerns is a collection of six novels that captured this sense of exploration and brought the rugged landscape into the homes of readers everywhere. These novels—The Virginian by Owen Wister, O Pioneers! by Willa Cather, The Lone Star Ranger and The Mysterious Rider by Zane Grey, and Gunman’s Reckoning and The Untamed by Max Brand—tell of life on the open plains, in dusty outposts, and alongside majestic mountain ranges that rose to greet travelers who ventured forth into the unexplored country to find their destinies.
This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Owen Wister (1860-1938) was an American writer and "father" of western fiction. When he started writing, he naturally inclined towards fiction set on the western frontier. Wister's most famous work remains the novel The Virginian, set in the Wild West. It describes the life of a cowboy who is a natural aristocrat, set against a highly mythologized version of the Johnson County War and taking the side of the large land owners. The Virginian paved the way for many more westerns by such authors as Zane Grey, Louis L'Amour, and several others. It is also widely regarded as being the first cowboy novel. Table of Contents: The Dragon of Wantley Lin McLean The Virginian: A Horseman of the Plains Philosophy 4: A Story of Harvard University Lady Baltimore Padre Ignacio: or, the Song of Temptation Red Man and White Little Big Horn Medicine Specimen Jones The Serenade At Siskiyuo The General's Bluff Salvation Gap The Second Missouri Compromise La Tinaja Bonita A Pilgrim on the Gila The Jimmyjohn Boss A Kinsman of Red Cloud Sharon's Choice Napoleon Shave-Tail Twenty Minutes for Refreshments The Promised Land Hank's Woman Mother How Doth the Simple Spelling Bee Non-Fiction: Musk-Ox, Bison, Sheep and Goat The Pentecost of Calamity A Straight Deal; Or, The Ancient Grudge
Owen Wister's 'The Virginian - A Horseman of the Plains' is a quintessential Western classic that captures the essence of the American frontier with its vivid portrayal of cowboys, outlaws, and lawmen. Wister's prose style is marked by its rich descriptions and realistic dialogue, giving readers a sense of the rugged landscape and the tough characters who populate it. The novel's themes of honor, loyalty, and justice resonate throughout, making it a timeless tale of the Wild West. Set in the late 19th century, 'The Virginian' reflects the societal changes and challenges of the time, offering a glimpse into the cultural values and conflicts of the era. Wister's attention to detail and his deep understanding of Western folklore make this book a must-read for anyone interested in the genre. Owen Wister, a Harvard-educated writer and historian, drew inspiration for 'The Virginian' from his own experiences in the American West. His keen observations and personal connections to the region bring an authenticity to the story that is unmatched in Western literature. Wister's passion for the West shines through in his writing, making him a pioneer in the genre. I highly recommend 'The Virginian - A Horseman of the Plains' to readers who enjoy classic Westerns, as well as those interested in American history and literature. Wister's masterful storytelling and vivid characters will transport you to a bygone era of cowboys and shootouts, leaving you eager to explore more of his work.
Owen Wister is known to most Americans as the creator of the heroic cowboy in The Virginian (1902). Despite his success as a Western novelist, Wister's failure to write about his native city of Philadelphia has been lamented by many for the loss of a literary "might-have-been." If only, sighed Wister's contemporary Elizabeth Robins Pennell in 1914, the novelist could understand that Philadelphia was as good a subject as the Wild West. Hence the surprise when James Butler uncovered a substantial fragment of a Philadelphia novel, which Wister intended to call Romney. Here, published for the first time, is the complete fragment of Romney together with two of his other unpublished Philadelphia works. Even in its incomplete state—nearly fifty thousand words—Romney is Wister's longest piece of fiction after The Virginian and Lady Baltimore. Writing at the express command of his friend Theodore Roosevelt, Wister set Romney in Philadelphia (called Monopolis in the novel) during the 1880s, when, as he saw it, the city was passing from the old to a new order. The hero of the story, Romney, is a man of "no social position" who nonetheless rises to the top because he has superior ability. It is thus a novel about the possibilities for meaningful social change in a democracy. Although, alas, the story breaks off before the birth of Romney, Wister gives us much to savor in the existing thirteen chapters. We are treated to delightful scenes at the Bryn Mawr train station, the Bellevue Hotel, and Independence Square, which yield brilliant insights into life on the Main Line, the power of the Pennsylvania Railroad, and the insidious effects of political corruption. Wister's acute analysis in Romney of what differentiates Philadelphia and Boston upper classes is remarkably similar to, but anticipates by more than half a century, the classic study by E. Digby Baltzell in Puritan Boston and Quaker Philadelphia (1979). Like Baltzell, Wister analyzes the urban aristocracy of Boston and Philadelphia, finding in Boston a Puritan drive for achievement and civic service but in Philadelphia a Quaker preference for toleration and moderation, all too often leading to acquiescence and stagnation. Romney is undoubtedly the best fictional portrayal of "Gilded Age" Philadelphia, brilliantly capturing Wister's vision of old-money, aristocratic society gasping its last before the onrushing vulgarity of the nouveaux riches. It is a novel of manners that does for Philadelphia what Edith Wharton and John Marquand have done for New York and Boston.
This carefully crafted ebook: "OWEN WISTER Ultimate Collection: Historical Novels, Western Classics, Adventure & Romance Stories (Including Non-Fiction Historical Works)" is formatted for your eReader with a functional and detailed table of contents. Owen Wister (1860-1938) was an American writer and "father" of western fiction. When he started writing, he naturally inclined towards fiction set on the western frontier. Wister's most famous work remains the novel The Virginian, set in the Wild West. It describes the life of a cowboy who is a natural aristocrat, set against a highly mythologized version of the Johnson County War and taking the side of the large land owners. The Virginian paved the way for many more westerns by such authors as Zane Grey, Louis L'Amour, and several others. It is also widely regarded as being the first cowboy novel. Table of Contents: The Dragon of Wantley Lin McLean The Virginian: A Horseman of the Plains Philosophy 4: A Story of Harvard University Lady Baltimore Padre Ignacio: or, the Song of Temptation Red Man and White Little Big Horn Medicine Specimen Jones The Serenade At Siskiyuo The General's Bluff Salvation Gap The Second Missouri Compromise La Tinaja Bonita A Pilgrim on the Gila The Jimmyjohn Boss A Kinsman of Red Cloud Sharon's Choice Napoleon Shave-Tail Twenty Minutes for Refreshments The Promised Land Hank's Woman Mother How Doth the Simple Spelling Bee Non-Fiction: Musk-Ox, Bison, Sheep and Goat The Pentecost of Calamity A Straight Deal; Or, The Ancient Grudge
There’s “western,” and then there’s “Western”—and where history becomes myth is an evocative question, one of several questions posed by Josh Garrett-Davis in What Is a Western? Region, Genre, Imagination. Part cultural criticism, part history, and wholly entertaining, this series of essays on specific films, books, music, and other cultural texts brings a fresh perspective to long-studied topics. Under Garrett-Davis’s careful observation, cultural objects such as films and literature, art and artifacts, and icons and oddities occupy the terrain of where the West as region meets the Western genre. One crucial through line in the collection is the relationship of regional “western” works to genre “Western” works, and the ways those two categories cannot be cleanly distinguished—most work about the West is tinted by the Western genre, and Westerns depend on the region for their status and power. Garrett-Davis also seeks to answer the question “What is a Western now?” To do so, he brings the Western into dialogue with other frameworks of the “imagined West” such as Indigenous perspectives, the borderlands, and environmental thinking. The book’s mosaic of subject matter includes new perspectives on the classic musical film Oklahoma!, a consideration of Native activism at Standing Rock, and surprises like Pee-wee’s Big Adventure and Dr. Seuss’s The Lorax. The book is influenced by the borderlands theory of Gloria Anzaldúa and the work of the indie rock band Calexico, as well as the author’s own discipline of western cultural history. Richly illustrated, primarily from the collection of the Autry Museum of the American West, Josh Garrett-Davis’s work is as visually interesting as it is enlightening, asking readers to consider the American West in new ways.
The classic novel of post-Civil War Charleston life, a portrayal of the process of healing the wounds of war through reconciliation between Northerners and Southerners on a personal, not political, level. Southern Classics Series.
Although the origins of the western are as old as colonial westward expansion, it was Owen Wister?s novel The Virginian, published in 1902, that established most of the now-familiar conventions of the genre. On the heels of the classic western?s centennial, this collection of essays both re-examines the text of The Virginian and uses Wister?s novel as a lens for studying what the next century of western writing and reading will bring. The contributors address Wister?s life and travels, the novel?s influence on and handling of gender and race issues, and its illustrations and various retellings on stage, film, and television as points of departure for speculations about the ?new West??as indeed Wister himself does at the end of the novel. ø The contributors reconsider the novel?s textual complexity and investigate The Virginian's role in American literary and cultural history. Together their essays represent a new western literary studies, comparable to the new western history.
Owen Wister's 'OWEN WISTER Ultimate Collection' is a comprehensive anthology showcasing his mastery in historical novels, Western classics, adventure, and romance stories, along with non-fiction historical works. Wister's literary style is characterized by vivid descriptions, well-developed characters, and a keen sense of storytelling that immerses readers in the American frontier. His works capture the essence of the Wild West era and offer a glimpse into the challenges and triumphs of the time, making it a valuable contribution to the Western genre and American literature as a whole. As a descendant of a prominent Pennsylvania family, Owen Wister drew inspiration from his experiences in the American West and his passion for preserving the spirit of the frontier. His background in law and his travels in the Western United States equipped him with the knowledge and insights that are reflected in his writing. Wister's dedication to portraying the West with authenticity and respect is evident in the detailed settings and engaging characters depicted in his works. I highly recommend 'OWEN WISTER Ultimate Collection' to readers who enjoy historical fiction, Western classics, and adventure stories. Wister's timeless tales and historical insights offer a captivating exploration of the American frontier that is sure to delight and educate readers of all ages.
