For over half a century, scholars have laboured to show that C. S. Lewis's famed but apparently disorganised Chronicles of Narnia have an underlying symbolic coherence, pointing to such possible unifying themes as the seven sacraments, the seven deadly sins, and the seven books of Spenser's Faerie Queene. None of these explanations has won general acceptance and the structure of Narnia's symbolism has remained a mystery. Michael Ward has finally solved the enigma. In Planet Narnia he demonstrates that medieval cosmology, a subject which fascinated Lewis throughout his life, provides the imaginative key to the seven novels. Drawing on the whole range of Lewis's writings (including previously unpublished drafts of the Chronicles), Ward reveals how the Narnia stories were designed to express the characteristics of the seven medieval planets - - Jupiter, Mars, Sol, Luna, Mercury, Venus, and Saturn - - planets which Lewis described as "spiritual symbols of permanent value" and "especially worthwhile in our own generation". Using these seven symbols, Lewis secretly constructed the Chronicles so that in each book the plot-line, the ornamental details, and, most important, the portrayal of the Christ-figure of Aslan, all serve to communicate the governing planetary personality. The cosmological theme of each Chronicle is what Lewis called 'the kappa element in romance', the atmospheric essence of a story, everywhere present but nowhere explicit. The reader inhabits this atmosphere and thus imaginatively gains connaître knowledge of the spiritual character which the tale was created to embody. Planet Narnia is a ground-breaking study that will provoke a major revaluation not only of the Chronicles, but of Lewis's whole literary and theological outlook. Ward uncovers a much subtler writer and thinker than has previously been recognized, whose central interests were hiddenness, immanence, and knowledge by acquaintance.
First in a new series. "Never a dull moment for our ordinary-girl-turned-demon-fighting-princess Kiranmala in this hilarious, action-packed romp. Also, there is snot. It's, like, everywhere."--Lisa McMann, "New York Times"-bestselling author of The Unwanteds series.
Our hardcover and paperback digest editions of THE CHRONICLES OF NARNIA are now graced with new jacket and cover art by 2-time Caldecott medalist David Wiesner.
The first book in The Chronicles of Narnia is now available in a full-color, unabridged gift edition that includes all of the original Pauline Baynes illustrations.
Prince Caspian must battle the evil Telemarines to protect his right to Narnia's throne and gathers together an army of Talking Beasts to help him in his quest.
Our hardcover and paperback digest editions of THE CHRONICLES OF NARNIA are now graced with new jacket and cover art by 2-time Caldecott medalist David Wiesner.
The Timeless Novel About a Bus Ride from Hell to Heaven In The Great Divorce, C.S. Lewis again employs his formidable talent for fable and allegory. The writer finds himself in Hell boarding a bus bound for Heaven. The amazing opportunity is that anyone who wants to stay in Heaven, can. This is a starting point for an extraordinary meditation upon good and evil, grace and judgment. Lewis’s revolutionary idea is the discovery that the gates of Hell are locked from the inside. Using his extraordinary descriptive powers, Lewis’s The Great Divorce will change the way we think about good and evil.