The Chorus of Drama in the Fourth Century BCE
The Chorus of Drama in the Fourth Century BCE

Author: Lucy C. M. M. Jackson

Publisher: Oxford University Press

Published: 2019-11-26

Total Pages: 346

ISBN-13: 0192582895

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The Chorus of Drama in the Fourth Century BCE seeks to upend conventional thinking about the development of drama from the fifth to the fourth centuries and to provide a new way of talking and thinking about the choruses of drama after the deaths of Euripides and Sophocles. Set in the context of a theatre industry extending far beyond the confines of the City Dionysia and the city of Athens, the identity of choral performers and the significance of their contribution to the shape and meaning of drama in the later Classical period (c.400-323) as a whole is an intriguing and under-explored area of enquiry. This volume draws together the fourth-century historical, material, dramatic, literary, and philosophical sources that attest to the activity and quality of dramatic choruses and, having considered the positive evidence for dramatic choral activity, provides a radical rethinking of two oft-cited yet ill-understood phenomena that have traditionally supported the idea that the chorus of drama 'declined' in the fourth century: the inscription of χοŕο*u~ με ́ λο*s in papyri and manuscripts in place of fully written-out choral odes, and Aristotle's invocation of embolima (Poetics 1456a25-32). It also explores the important role of influential fourth-century authors such as Plato, Demosthenes, and Xenophon, as well as artistic representations of choruses on fourth-century monuments, in shaping later scholars' understanding of the dramatic chorus throughout the Classical period, reaching conclusions that have significant implications for the broader story we wish to tell about Attic drama and its most enigmatic and fundamental element, the chorus.

The Chorus of Drama in the Fourth Century BCE
The Chorus of Drama in the Fourth Century BCE

Author: Lucy C. M. M. Jackson

Publisher:

Published: 2019-11-26

Total Pages: 303

ISBN-13: 0198844530

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The Chorus of Drama in the Fourth Century BCE seeks to upend conventional thinking about the development of drama from the fifth to the fourth centuries and to provide a new way of talking and thinking about the choruses of drama after the deaths of Euripides and Sophocles. Set in the contextof a theatre industry extending far beyond the confines of the City Dionysia and the city of Athens, the identity of choral performers and the significance of their contribution to the shape and meaning of drama in the later Classical period (c.400-323) as a whole is an intriguing and under-exploredarea of enquiry. This volume draws together the fourth-century historical, material, dramatic, literary, and philosophical sources that attest to the activity and quality of dramatic choruses and, having considered the positive evidence for dramatic choral activity, provides a radical rethinking oftwo oft-cited yet ill-understood phenomena that have traditionally supported the idea that the chorus of drama "declined" in the fourth century: the inscription of CHoroy~ me'los in papyri and manuscripts in place of fully written-out choral odes, and Aristotle's invocation of embolima (Poetics1456a25-32). It also explores the important role of influential fourth-century authors such as Plato, Demosthenes, and Xenophon, as well as artistic representations of choruses on fourth-century monuments, in shaping later scholars' understanding of the dramatic chorus throughout the Classicalperiod, reaching conclusions that have significant implications for the broader story we wish to tell about Attic drama and its most enigmatic and fundamental element, the chorus.

Greek Theatre in the Fourth Century BC
Greek Theatre in the Fourth Century BC

Author: Eric Csapo

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2014-06-18

Total Pages: 590

ISBN-13: 311033755X

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Age-old scholarly dogma holds that the death of serious theatre went hand-in-hand with the 'death' of the city-state and that the fourth century BC ushered in an era of theatrical mediocrity offering shallow entertainment to a depoliticised citizenry. The traditional view of fourth-century culture is encouraged and sustained by the absence of dramatic texts in anything more than fragments. Until recently, little attention was paid to an enormous array of non-literary evidence attesting, not only the sustained vibrancy of theatrical culture, but a huge expansion of theatre throughout (and even beyond) the Greek world. Epigraphic, historiographic, iconographic and archaeological evidence indicates that the fourth century BC was an age of exponential growth in theatre. It saw: the construction of permanent stone theatres across and beyond the Mediterranean world; the addition of theatrical events to existing festivals; the creation of entirely new contexts for drama; and vast investment, both public and private, in all areas of what was rapidly becoming a major 'industry'. This is the first book to explore all the evidence for fourth century ancient theatre: its architecture, drama, dissemination, staging, reception, politics, social impact, finance and memorialisation.

Greek Tragedy After the Fifth Century
Greek Tragedy After the Fifth Century

Author: Vayos Liapis

Publisher: Cambridge University Press

Published: 2019

Total Pages: 431

ISBN-13: 1107038553

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What happened to Greek tragedy after the death of Euripides? This book provides some answers, and a broad historical overview.

The Athenian Ephebeia in the Fourth Century BCE
The Athenian Ephebeia in the Fourth Century BCE

Author: John L. Friend

Publisher: BRILL

Published: 2019-09-16

Total Pages: 325

ISBN-13: 9004402055

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Based on the comprehensive study of the epigraphic and literary evidence, this book challenges the almost universally-held assumptions of modern scholarship on the date of origin, the function, and the purpose of the Athenian ephebeia. It offers a detailed reconstruction of the institution, which in the fourth century BCE was a state-organized and -funded system of mandatory national service for ephebes, citizens in their nineteenth and twentieth years, consisting of garrison duty, military training, and civic education. It concludes that the contribution of the ephebeia was vital for the security of Attica and that the ephebes’ non-military activities were moulded by social, economic, and religious influences which reflect the preoccupations of Lycurgus’ administration in the 330s and 320s BCE.

Epiphanies and Dreams in Greek Polytheism
Epiphanies and Dreams in Greek Polytheism

Author: Michael Lipka

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2021-12-06

Total Pages: 386

ISBN-13: 3110639165

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While modern students of Greek religion are alert to the occasion-boundedness of epiphanies and divinatory dreams in Greek polytheism, they are curiously indifferent to the generic parameters of the relevant textual representations on which they build their argument. Instead, generic questions are normally left to the literary critic, who in turn is less interested in religion. To evaluate the relation of epiphanies and divinatory dreams to Greek polytheism, the book investigates relevant representations through all major textual genres in pagan antiquity. The evidence of the investigated genres suggests that the ‘epiphany-mindedness’ of the Greeks, postulated by most modern critics, is largely an academic chimaera, a late-comer of Christianizing 19th-century-scholarship. It is primarily founded on a misinterpretation of Homer’s notorious anthropomorphism (in the Iliad and Odyssey but also in the Homeric Hymns). This anthropomorphism, which is keenly absorbed by Greek drama and figural art, has very little to do with the religious lifeworld experience of the ancient Greeks, as it appears in other genres. By contrast, throughout all textual genres investigated here, divinatory dreams are represented as an ordinary and real part of the ancient Greeks' lifeworld experience.

World History Encyclopedia [21 volumes]
World History Encyclopedia [21 volumes]

Author: Alfred J. Andrea Ph.D.

Publisher: Bloomsbury Publishing USA

Published: 2011-03-23

Total Pages: 8025

ISBN-13: 1851099301

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An unprecedented undertaking by academics reflecting an extraordinary vision of world history, this landmark multivolume encyclopedia focuses on specific themes of human development across cultures era by era, providing the most in-depth, expansive presentation available of the development of humanity from a global perspective. Well-known and widely respected historians worked together to create and guide the project in order to offer the most up-to-date visions available. A monumental undertaking. A stunning academic achievement. ABC-CLIO's World History Encyclopedia is the first comprehensive work to take a large-scale thematic look at the human species worldwide. Comprised of 21 volumes covering 9 eras, an introductory volume, and an index, it charts the extraordinary journey of humankind, revealing crucial connections among civilizations in different regions through the ages. Within each era, the encyclopedia highlights pivotal interactions and exchanges among cultures within eight broad thematic categories: population and environment, society and culture, migration and travel, politics and statecraft, economics and trade, conflict and cooperation, thought and religion, science and technology. Aligned to national history standards and packed with images, primary resources, current citations, and extensive teaching and learning support, the World History Encyclopedia gives students, educators, researchers, and interested general readers a means of navigating the broad sweep of history unlike any ever published.

Reconstructing Satyr Drama
Reconstructing Satyr Drama

Author: Andreas P. Antonopoulos

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2021-07-05

Total Pages: 967

ISBN-13: 311072524X

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The origins of satyr drama, and particularly the reliability of the account in Aristotle, remains contested, and several of this volume’s contributions try to make sense of the early relationship of satyr drama to dithyramb and attempt to place satyr drama in the pre-Classical performance space and traditions. What is not contested is the relationship of satyr drama to tragedy as a required cap to the Attic trilogy. Here, however, how Aeschylus, Sophocles, and Euripides (to whom one complete play and the preponderance of the surviving fragments belong) envisioned the relationship of satyr drama to tragedy in plot, structure, setting, stage action and language is a complex subject tackled by several contributors. The playful satyr chorus and the drunken senility of Silenos have always suggested some links to comedy and later to Atellan farce and phlyax. Those links are best examined through language, passages in later Greek and Roman writers, and in art. The purpose of this volume is probe as many themes and connections of satyr drama with other literary genres, as well as other art forms, putting satyr drama on stage from the sixth century BC through the second century AD. The editors and contributors suggest solutions to some of the controversies, but the volume shows as much that the field of study is vibrant and deserves fuller attention.

A Cultural History of Theatre in Antiquity
A Cultural History of Theatre in Antiquity

Author: Martin Revermann

Publisher: Bloomsbury Publishing

Published: 2019-08-08

Total Pages: 273

ISBN-13: 1350135291

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Theatre was at the very heart of culture in Graeco-Roman civilizations and its influence permeated across social and class boundaries. The theatrical genres of tragedy, comedy, satyr play, mime and pantomime operate in Antiquity alongside the conception of theatre as both an entertainment for the masses and a vehicle for intellectual, political and artistic expression. Drawing together contributions from scholars in Classics and Theatre Studies, this volume uniquely examines the Greek and Roman cultural spheres in conjunction with one another rather than in isolation. Each chapter takes a different theme as its focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.