Automatic

Automatic

Author: Timothy Wientzen

Publisher: JHU Press

Published: 2021-08-31

Total Pages: 269

ISBN-13: 142144089X

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A fascinating study of how behavioral science shaped twentieth-century politics and the modernist literary period. The advent of the twentieth century famously brought about new personal and political freedoms, including radical changes in voting rights and expressions of gender and sexuality. Yet writers and cultural critics shared a sense that modern life reduced citizens to automatons capable of interacting with the world in only the most reflexive ways. In Automatic, Timothy Wientzen asks why modernists were deeply anxious about the role of reflexive behaviors—and the susceptibility of bodies to physical stimuli—in the new political structures of the twentieth century. Engaging with historical thinking about human behaviors that fundamentally changed the nature of political and literary practice, Wientzen demonstrates the ways in which a "politics of reflex" came to shape the intellectual and cultural life of the modernist era. Documenting some of the ways that modernist writers and their contemporaries mapped, harnessed, and intervened in a political sphere dominated by conditioned reflexes, Wientzen reads writers like D. H. Lawrence, Rebecca West, Wyndham Lewis, and Samuel Beckett in conversation with fields that include public relations, physiology, sociology, and vitalism. Ultimately, he justifies a reckoning with some of the most enduring preoccupations of modernist studies. Automatic further emphasizes the role of politics and science in the aesthetic projects of modernist writers. At a moment when political enfranchisement and the mass media promised new modes of freedom, agency, and choice, Wientzen argues that the modernist era was beset by apprehension about the conscription of liberty through the conditioning force of everyday life. Analyzing such thinking through a neglected archive about embodiment and reflex reveals modernists responding to the historically novel conditions of political life in the twentieth century—conditions that have become entrenched in the politics of our own century.


Modernism and the Machinery of Madness

Modernism and the Machinery of Madness

Author: Andrew Gaedtke

Publisher: Cambridge University Press

Published: 2017-10-26

Total Pages: 259

ISBN-13: 1108304664

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Modernism and the Machinery of Madness demonstrates the emergence of a technological form of paranoia within modernist culture which transformed much of the period's experimental fiction. Gaedtke argues that the works of writers such as Samuel Beckett, Anna Kavan, Wyndham Lewis, Mina Loy, Evelyn Waugh, and others respond to the collapse of categorical distinctions between human and machine. Modern British and Irish novels represent a convergence between technological models of the mind and new media that were often regarded as 'thought-influencing machines'. Gaedtke shows that this literary paranoia comes into new focus when read in light of twentieth-century memoirs of mental illness. By thinking across the discourses of experimental fiction, mental illness, psychiatry, cognitive science, and philosophy of mind, this book shows the historical and conceptual sources of this confusion as well as the narrative responses. This book contributes to the fields of modernist studies, disability studies, and medical humanities.


Childermass

Childermass

Author: Wyndham Lewis

Publisher: Calder Publications Limited

Published: 1980

Total Pages: 320

ISBN-13: 9780714501635

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The Modern Movement

The Modern Movement

Author: John Gross

Publisher: University of Chicago Press

Published: 1992

Total Pages: 340

ISBN-13: 9780226309859

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Twelve authors, from W.B. Yeats to Franz Kafka, and how the TLS reacted to their work on its first appearance, and something of how it has come to be viewed in retrospect.


Wyndham Lewis

Wyndham Lewis

Author: Andrzej Gasiorek

Publisher: Edinburgh University Press

Published: 2015-07-06

Total Pages: 239

ISBN-13: 0748685693

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Wyndham Lewis (1882-1957) was one of the most innovative writers and painters of his time. An indefatigable critic of ideology, politics, and culture, Lewis was also one of modernism's key creative artists and a unique twentieth-century thinker. This book offers a scholarly companion to his written work.


Samuel Beckett: Debts and Legacies

Samuel Beckett: Debts and Legacies

Author: Peter Fifield

Publisher: A&C Black

Published: 2013-03-28

Total Pages: 257

ISBN-13: 140818365X

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Published in association with the seminar series of the same name held by the University of Oxford, Samuel Beckett: Debts and Legacies presents the best new scholarship addressing the sources, development and ongoing influence of Samuel Beckett's work. Edited by convenors Dr Peter Fifield and Dr David Addyman, the volume presents ten research essays by leading international scholars ranging across Beckett's work, opening up new avenues of enquiry and association for scholars, students and readers of Beckett's work. Among the subjects covered the volume includes studies of: ·Beckett and the influence of new media 1956-1960 ·the influence of silent film on Beckett's work ·death, loss and Ireland in Beckett's drama - tracing Irish references in Beckett's plays from the 1950s and 1960s, including Endgame, All That Fall, Krapp's Last Tape and Eh Joe ·a consideration of Beckett's theatrical notebooks and annotated copies of his plays which provide a unique insight into his attitude toward the staging of his plays, the ways he himself interpreted his texts and approached theatrical practice. ·the French text of the novel Mercier et Camier, which both biographically and aesthetically appeared at a very significant moment in Beckett's career and indicates a crucial development in his writing ·the matter of tone in Beckett's drama, offering a new reading of the ways in which this elusive property emerges and can be read in the relationship between published text, canon and performance


The Agon of Modernism

The Agon of Modernism

Author: Anne Quéma

Publisher: Bucknell University Press

Published: 1999

Total Pages: 248

ISBN-13: 9780838753927

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"Lewis's political writings present ambiguities: his stated belief in the autonomy of art from life is contradicted by other statements he made and by his critical analyses of writers; and his political writings blur any a priori generic distinction between art and non-art. Given this blurring between art and life, artistic genre and non-artistic genre, Quema claims that Lewis's political texts present characteristics usually attributed to avant-gardism. However, this radicalism has to be balanced against Lewis's conservatism. Thus his political writings can be read as allegories with two pragmatic aims: to organize the life of the polis from an artistic standpoint and to persuade the reader to adhere to authoritarian politics."--BOOK JACKET.