A ledger book of drawings by Lakota Sioux warriors found in 1876 on the Little Bighorn battlefield offers a rare first-person Native American record of events that likely occurred in 1866–1868 during Red Cloud’s War. This color facsimile edition uncovers the origins, ownership, and cultural and historical significance of this unique artifact.
Grinnel lived among the Cheyenne in the latter part of the 19th century. He was a deeply sympathetic observer of Indian life & culture. In this volume Grinnell gathered both Cheyenne & White accounts of the many battles between the two. He carefully explored Cheyenne culture & the way the Cheyenne to the threats on an alien society.
The Wolves of Heaven is a most unusual and challenging work. Published more than half a century after the classic Cheyenne studies of George Bird Grinnell and G. A. Dorsey, it is a singular reinterpretation of the Cheyennes' world view, shamanism, and major cultural features. It is the product of the author's blending of the principles of action anthropology with those of cognitive anthropology, his long field association with the Southern Cheyennes, and his close personal relationship with Edward Red Hat, the Cheyenne Keeper of the Sacred Arrows, who instructed him in Cheyenne religion for more than ten years. Along with important oral testimony, the book makes use of the great volume of works in the ethnography, ethnohistory, prehistory, and linguistics of the northern plains, the Subarctic, and northern Siberia. The core of the book is a reconstruction of the Massaum, the most elusive of Cheyenne tribal ceremonies, extinct since 1927. In a detailed interpretation of the ritual, provided here for the first time, the author defines the Massaum as an earth-giving ceremony. The gift of this ceremony between 500 and 300 B. C. in what is now South Dakota brought about the formation of the Cheyennes as a tribal unit with the right to occupy a large region of the grasslands.
"This book has essentially created a new field of study with a surprising range of insights on the ethnicity, class, gender, and foodways of French speakers of European and African descent adapting to life under British, Spanish, or American political regimes."--Gregory A. Waselkov, author of A Conquering Spirit: Fort Mims and the Redstick War of 1813-1814 "Significant and intriguing. Strengthens the view that French colonists and their descendants are an important part of American heritage and that the worlds they created are significant to our understanding of modern life."--John A. Walthall, editor of French Colonial Archaeology: The Illinois Country and the Western Great Lakes Correcting the notion that French influence in the Americas was confined mostly to Québec and New Orleans, this collection reveals a wide range of vibrant French-speaking communities both during and long after the end of French colonial rule. This volume highlights the complexity of Francophone societies, the persistence of their cultural traditions, and the innovative means they employed to cope with the cultural and environmental demands of living in the New World. Analyzing artifacts including clay pipes, colonoware, and food remains alongside a rich body of historical records, contributors focus on how French descendants impacted North America, the Caribbean, and South America even after 1763. Taken together, the essays argue that communities do not need to be located in French colonies or contain French artifacts to be considered Francophone, and they show that many Francophone groups were composed of a mix of ethnic French, Métis, Native Americans, and African Americans. The contributors emphasize the important roles that French colonists and their descendants have played in New World histories. Elizabeth M. Scott, former associate professor of anthropology at Illinois State University, is the editor of Those of Little Note: Gender, Race, and Class in Historical Archaeology.
Of all the Plains Indian tribes, the Cheyennes were most distinguished for warlike qualities. Few in number, they overcame or held in check most of the peoples who opposed them, and when the westward movement of European civilization began, they made more trouble than all the rest combined. In short, they were preeminently warriors among peoples whose trade was war. As in other prairie tribes, the warriors of the Cheyenne were organized into societies or orders. These societies were fraternal, military, and semi-religious organizations with special privileges, duties, and dress, usually tracing their origin to some mythical culture hero or medicine man. Each society had its own songs and secret ritual, and exacted certain observances and standards of its members -- The Dog Men or Dog Soldiers.
War Dance at Fort Marion tells the powerful story of Kiowa, Cheyenne, Comanche, and Arapaho chiefs and warriors detained as prisoners of war by the U.S. Army. Held from 1875 until 1878 at Fort Marion in Saint Augustine, Florida, they participated in an educational experiment, initiated by Captain Richard Henry Pratt, as an alternative to standard imprisonment. This book, the first complete account of a unique cohort of Native peoples, brings their collective story to life and pays tribute to their individual talents and achievements. Throughout their incarceration, the Plains Indian leaders followed Pratt’s rules and met his educational demands even as they remained true to their own identities. Their actions spoke volumes about the sophistication of their cultural traditions, as they continued to practice Native dances and ceremonies and also illustrated their history and experiences in the now-famous ledger drawing books. Brad D. Lookingbill’s War Dance at Fort Marion draws on numerous primary documents, especially Native American accounts, to reconstruct the war prisoners’ story. The author shows that what began as Pratt’s effort to end the Indians’ resistance to their imposed exile transformed into a new vision to mold them into model citizens in mainstream American society, though this came at the cost of intense personal suffering and loss for the Indians.
The rich religious beliefs and ceremonials of the Pueblo Indians of Arizona and New Mexico were first synthesized and compared by ethnologist Elsie Clews Parsons. Prodigious research and a quarter-century of fieldwork went into her 1939 encyclopedic two-volume work, Pueblo Indian Religion. The author gives an integrated picture of the complex religious and social life in the pueblos, including Zuni, Acoma, Laguna, Taos, Isleta, Sandia, Jemez, Cochiti, Santa Clara, San Felipe, Santa Domingo, San Juan, and the Hopi villages. In volume I she discusses shelter, social structure, land tenure, customs, and popular beliefs. Parsons also describes spirits, cosmic notions, and a wide range of rituals. The cohesion of spiritual and material aspects of Pueblo culture is also apparent in volume II, which presents an extensive body of solstice, installation, initiation, war, weather, curing, kachina, and planting and harvesting ceremonies, as well as games, animal dances, and offerings to the dead. A review of Pueblo ceremonies from town to town considers variations and borrowings. Today, a half century after its original publication, Pueblo Indian Religion remains central to studies of Pueblo religious life.
Classic of American anthropology explores messianic cult behind Indian resistance, from Pontiac to the 1890s. Extremely detailed and thorough. Originally published in 1896 by the Bureau of American Ethnology. 38 plates, 49 other illustrations.
