My name is Anna. Im 31 years old with a degree in literature and a life story that is both completely ordinary and a little bit unusual Former cashier Anna Sam offers an insiders peek at what really goes on behind the register. In the wise and witty voice of the college-educated, underpaid retail worker, Sam comments on everything from ill-cut uniforms, to drunken customers, to Express Lane tricks. Filled with hilarious and hair-raising observations, Checkout Girl is a great gift for anyone who has ever been, or had an encounter with, a supermarket cashier.
The author has spent 6 months working undercover at a major supermarket chain and in that time has seen pretty much everything there is to see. From the boring and mundane to the ridiculous and absurd. All human life is here.
A NEW YORK TIMES 10 BEST BOOKS OF THE YEAR AND A NEW YORKER "ESSENTIAL READ" NAMED A BEST BOOK OF THE YEAR BY THE NEW YORKER AND VOGUE “Bennett writes like no one else. She is a rare talent, and Checkout 19 is a masterful novel.” –Karl Ove Knausgaard From the author of the “dazzling. . . . and daring” Pond (O magazine), the adventures of a young woman discovering her own genius, through the people she meets–and dreams up–along the way. In a working-class town in a county west of London, a schoolgirl scribbles stories in the back pages of her exercise book, intoxicated by the first sparks of her imagination. As she grows, everything and everyone she encounters become fuel for a burning talent. The large Russian man in the ancient maroon car who careens around the grocery store where she works as a checkout clerk, and slips her a copy of Beyond Good and Evil. The growing heaps of other books in which she loses–and finds–herself. Even the derailing of a friendship, in a devastating violation. The thrill of learning to conjure characters and scenarios in her head is matched by the exhilaration of forging her own way in the world, the two kinds of ingenuity kindling to a brilliant conflagration. Exceeding the extraordinary promise of Bennett’s mold-shattering debut, Checkout 19 is a radical affirmation of the power of the imagination and the magic escape those who master it open to us all.
When a young woman is attacked walking home from her local supermarket, Bea Jordan, a smart but unfulfilled checkout girl, is determined to investigate. Colleagues and customers become suspects, secrets are uncovered. While fear stalks the town, Bea finds an unlikely ally in Ant, the seemingly gormless new trainee, but risks losing the people she loves most as death comes close to home.
Most people have been conditioned to believe that business communication must be clear, rational, and objective, with no place for emotion or subjective thinking. Yet the most powerful, persuasive communication has a human element... often delivered simply and personally through the telling of stories. This book shows readers how to use personal stories to get their ideas across and create meaningful connections between themselves and their audience. Moving beyond the usual speech-openers or ice-breakers, the book gives readers a process for finding, developing, and using their own stories, including how to: * gain people's trust * use six different kinds of stories * shift from everyday thinking into story thinking * help shape group decisions and actions. Filled with enlightening anecdotes, this practical guide gives readers the tools they need to persuade, inspire, and influence others through the power of story. CEO Refresher The Best Books of 2007
The poems in The Broken Face explore a sacramental, imaginative vision within contexts of crime, perception, memory and love. In this collection, Russell Thornton returns to the vital themes of intimacy and family, loss, fear and hope, bringing to each poem the essential quality of a myth or incantation. Reverent and revealing, within those familiar relationships he ushers in a connection with something transcendent: “A man has come floundering late in the night / to stand alone at the shore of a sleeping infant’s face.” The poems capture life at the periphery, whether describing homelessness or incarceration, or even the universal experiences of aging and mortality, love and fear of love, all of which bring the speaker into a detached yet energized state of watching and waiting: “the door that was my grandfather into our passing lives / will arrive at a house where each of us is his own door / that opens on our first selves, fundamental together.” With intense lyricism, Thornton displays a mastery of craft so complete as to be nearly invisible. While stunningly beautiful, his imagery is also in such complete service to the deeper emotional resonance of each poem that it feels inevitable, and contributes to making the collection deeply moving.
The Final Conclusion to Ren and Della’s Story. “What do you do when you write down all your secrets? No…that’s not enough. What do you do when you write down all your secrets and the one person who should never read them does? I’ll tell you what you do. You hope.” REN Ren didn’t know the meaning of love until he took Della for his own. To begin with, he hated her, but as the months bled into years, he learned the opposite of hate, dedicating his life to giving her everything. Every sacrifice, every gift, he gave wholeheartedly. But then love turned to lust and ruined everything. DELLA I was stupid to write down my secrets, but I’d been stupid before, so it was nothing new. I couldn’t blame him, hate him, fix him. I tried to move on without him. But no matter what I did, I couldn’t seem to delete the secrets I’d written. Until something happened. Until he came back and read my stupid secrets. And nothing was the same after that.
The external lives of Clark, a high school guidance counselor, and Charlotte, a bookkeeper, are utterly ordinary, but their interior lives are as bold and complex as abstract paintings colored by imagined possibilities, childhood joys and, more darkly, by deeply buried fears. When Clark rescues a young boy from drowning, a chain of events-some comic, some harrowing-is set in motion, revealing the fault lines of the couple's marriage and individual psyches. Amity Gaige is a consummate stylist. Her every sentence contains a tiny world-marrying striking images to deep, soulful ideas in perfectly concise fashion./DIV
Ji Strangeway’s RED AS BLUE beckons LGBTQ youths and GenXers to beautifully come of age again with this prosey hybrid graphic novel. 15-year-old June Lusparian is an outcast caught between worlds. Half Mexican and half Armenian, June hovers on the border of adulthood, searching the streets of Paradise and the halls of Paradise High for signs of redemption – symptoms of life. She longs to carve open her own space to find a beating heart in a barren world. Only her secret gift for music offers a hint of hope. When she falls for blonde, cool girl Beverly, captain of the Spirit Girls cheer squad, June hopes she may, at last, have found that one true thing. But as their nascent romance grows, June learns true connection requires more than a bond of pain and the ache of desire. Paradise is more than an idea, more than a town. And forgiveness never falls from heaven of its own accord. Set in a fictional desert town in 1980s Colorado, RED AS BLUE is a moment of eternal tension on the verge of explosion. With a unique, genre-bending style that is sometimes lyrical, sometimes sharp as a razor’s edge, and always engaging; Ji Strangeway paints word-pictures of the volatile world between worlds in which June struggles to find relevance and worth at Paradise High. But June’s Paradise is on life-support, barely breathing. Will death be the only answer?
