"Dreams of the Centaur" brings to light for the first time in fiction the tragic enslavement of the Yaqui Indians by Porfirio Diaz's regime at the turn of the last century. Through the lives of the Ducals--a Mexican family who has created a ranch out of the desert--this "Western saga brimming with the heart and soul of Mexico . . . is an extraordinarily rich novel" ("West Coast Review of Books").
The Centaur centres on Terence O’Malley, a journalist of mystical temperament who is at odds with the pace and materialism of the modern world, and instead countenances a sense of kinship with the universe. This mystical novel weaves a fascinating tale while, at the same time, making a passionate plea for a lifestyle that is closer to nature.
In this study of the relationship between men and their horses in seventeenth- and eighteenth-century England, Monica Mattfeld explores the experience of horsemanship and how it defined one’s gendered and political positions within society. Men of the period used horses to transform themselves, via the image of the centaur, into something other—something powerful, awe-inspiring, and mythical. Focusing on the manuals, memoirs, satires, images, and ephemera produced by some of the period’s most influential equestrians, Mattfeld examines how the concepts and practices of horse husbandry evolved in relation to social, cultural, and political life. She looks closely at the role of horses in the world of Thomas Hobbes and William Cavendish; the changes in human social behavior and horse handling ushered in by elite riding houses such as Angelo’s Academy and Mr. Carter’s; and the public perception of equestrian endeavors, from performances at places such as Astley’s Amphitheatre to the satire of Henry William Bunbury. Throughout, Mattfeld shows how horses aided the performance of idealized masculinity among communities of riders, in turn influencing how men were perceived in regard to status, reputation, and gender. Drawing on human-animal studies, gender studies, and historical studies, Becoming Centaur offers a new account of masculinity that reaches beyond anthropocentrism to consider the role of animals in shaping man.
Richard D. Spalding was ready to fly with the Centaurs, Buffalo Bill's old outfit, as part of D Troop, 3rd Squadron, 4th Cavalry, 25th Infantry Division. The Cobra--an AH-IG helicopter armed with rockets and machine guns and cannon--was the first U.S. Army helicopter designed as an attack helicopter, and Spalding soon found himself pitched into a fierce new kind of aerial warfare.