The Cartographic Eye is about the mythologies of land exploration, and about space and the colonial enterprise in particular. An innovative investigation of the presumptions, aesthetics and politics of Australian explorers' texts, it concentrates on the period 1820-1880. Simon Ryan looks at the journals of John Oxley, Thomas Mitchell, Charles Sturt and Ludwig Leichhardt and shows that they are not the simple, unadorned observations the authors would have us believe, but are complex networks of tropes. The Cartographic Eye scrutinises and undermines the scientific and literary methodology of exploration. Its insightful analysis of the tendencies of colonialism will make a major contribution to 'new historicist' interrogations of colonialism. It will be a crucial text for readers in Australian literary and cultural studies, and for those interested in colonial discourse and postcolonial theory.
"Cosgrove's analysis traces a pattern of associations between global images and the formation of Western identities, paying tribute to the richly complex cosmographic tradition out of which today's geographical imagination has emerged."--BOOK JACKET.
In this book, Claire Reddleman introduces her theoretical innovation "cartographic abstraction" – a material modality of thought and experience that is produced through cartographic techniques of depiction. Reddleman closely engages with selected artworks (by contemporary artists such as Joyce Kozloff, Layla Curtis, and Bill Fontana) and theories in each chapter. Reconfiguring the Foucauldian underpinning of critical cartography towards a materialist theory of abstraction, cartographic viewpoints are theorised as concrete abstractions. This research is positioned at the intersection of art theory, critical cartography and materialist philosophy.
Created for map lovers by map lovers, this rich book explores the intriguing stories behind maps across history and illuminates how the art of cartography thrives today. In this visually stunning book, award-winning journalists Betsy Mason and Greg Miller--authors of the National Geographic cartography blog "All Over the Map"--explore the intriguing stories behind maps from a wide variety of cultures, civilizations, and time periods. Based on interviews with scores of leading cartographers, curators, historians, and scholars, this is a remarkable selection of fascinating and unusual maps. This diverse compendium includes ancient maps of dragon-filled seas, elaborate graphics picturing unseen concepts and forces from inside Earth to outer space, devious maps created by spies, and maps from pop culture such as the schematics to the Death Star and a map of Westeros from Game of Thrones. If your brain craves maps--and Mason and Miller would say it does, whether you know it or not--this eye-opening visual feast will inspire and delight.
Few recent writers have been as interested in the cross-over between texts and visual art as Italo Calvino (1923-85). Involved for most of his life in the publishing industry, he took as much interest in the visual as in the textual aspects of his own and other writers' books. In this volume twenty international Calvino experts, including Barenghi, Battistini, Belpoliti, Hofstadter, Ricci, Scarpa and others, consider the many facets of the interplay between the visual and textual in Calvinos works, from the use of colours in his fiction to the influence of cartoons, from the graphic qualities of the book covers themselves to the significance of photography and landscape in his fiction and non-fiction. The volume is appropriately illustrated with images evoked by Calvino's major texts.
Chronicling the British pursuit of the legendary El Dorado, Masters of All They Surveyed tells the fascinating story of geography, cartography, and scientific exploration in Britain's unique South American colony, Guyana. How did nineteenth-century Europeans turn areas they called terra incognita into bounded colonial territories? How did a tender-footed gentleman, predisposed to seasickness (and unable to swim), make his way up churning rivers into thick jungle, arid savanna, and forbidding mountain ranges, survive for the better part of a decade, and emerge with a map? What did that map mean? In answering these questions, D. Graham Burnett brings to light the work of several such explorers, particularly Sir Robert H. Schomburgk, the man who claimed to be the first to reach the site of Ralegh's El Dorado. Commissioned by the Royal Geographical Society and later by the British Crown, Schomburgk explored and mapped regions in modern Brazil, Venezuela, and Guyana, always in close contact with Amerindian communities. Drawing heavily on the maps, reports, and letters that Schomburgk sent back to England, and especially on the luxuriant images of survey landmarks in his Twelve Views in the Interior of Guiana (reproduced in color in this book), Burnett shows how a vast network of traverse surveys, illustrations, and travel narratives not only laid out the official boundaries of British Guiana but also marked out a symbolic landscape that fired the British imperial imagination. Engagingly written and beautifully illustrated, Masters of All They Surveyed will interest anyone who wants to understand the histories of colonialism and science.
This book is addressed to students and professionals, and it is aimed to cover as much as possible the broader region of topographic mapping as it has evolved into a modern field called geospatial information science and technology. More emphasis is placed on using scientific methods and tools materialized in algorithms and software to produce practical results. For this reason, beyond the written material, there are also many educational and professional software programs written by the first author to help comprehend the individual methodologies developed. The Target of this book is to provide the people who work in fields of applications of topographic mapping (environment, geology, geography, cartography, engineering, geotechnical, agriculture, forestry, geointelligence, etc.) a source of knowledge for the broader region so that to help them in facing relevant problems as well as in preparing contracts and specifications for such type of work assigned to professionals and evaluating such contracting results. It also aims to be a reference for theory and practice for professionals in Topographic Mapping. This book applies a didactics method where, with a relatively small effort, someone can digest a large volume of simple or complicated knowledge material at a desirable scientific depth within a relatively short time interval. The objective that educated people must be "smarter than the machine" and not treat the machine as a "black box" being "button pushers" has been achieved through the first author's experience in the USA and Greece, with relative success by adopting this didactics technique. There are 14 chapters, including Reference systems and Projections, Topographic instruments and Geometry of coordinates, Conventional construction of a topographic map, Design and reproduction of a thematic map, Digital Topographic mapping - GIS, Digital Terrain Models (DTM / DEM), GPS/GNSS, methods of Photogrammetry, Remote Sensing, new technologies LIDAR, IFSAR, Augmented reality, Mapping with UAS/UAV/Drones, the method of Least Squares adjustment, and Description of educational software accompanying the text.
Introduction to Part II - Kären Wigen -- Mapping the City -- 13. Characteristics of Premodern Urban Space - Tamai Tetsuo -- 14. Evolving Cartography of an Ancient Capital - Uesugi Kazuhiro -- 15. Historical Landscapes of Osaka - Uesugi Kazuhiro -- 16. The Urban Landscape of Early Edo in an East Asian Context - Tamai Tetsuo -- 17. Spatial Visions of Status - Ronald P. Toby -- 18. The Social Landscape of Edo - Paul Waley -- 19. What Is a Street? - Mary Elizabeth Berry -- Sacred Sites and Cosmic Visions -- 20. Locating Japan in a Buddhist World - D. Max Moerman
Hunting for Empire offers a fresh cultural history of sport and imperialism. Greg Gillespie integrates critical perspectives from cultural studies, literary criticism, and cultural geography to analyze the themes of authorship, sport, science, and nature. In doing so he produces a unique theoretical lens through which to study nineteenth-century British big-game hunting and exploration narratives from the western interior of Rupert's Land. Sharply written and evocatively illustrated, Hunting for Empire will appeal to students and scholars of culture, sport, geography, and history, and to general readers interested in stories of hunting, empire, and the Canadian wilderness.
