In 2000, Histoire & Collections released two books by Jean Bouchery on the British Soldier in World War 2. Both books have been enormously successful. This new book, in the same format, will appeal in the same way as its predecessors. There is an unprecedented amount of color artwork depicting uniforms, variants, insignia, badges and equipment used by Canada's soldiers in the Second World War.
The image of farmers and workers called to the colours endures in Canada’s social memory of the First World War. But is the ideal of being a citizen first and a soldier only by necessity as recent as our histories and memories suggest? Militia Myths brings to light a military culture that consistently employed the citizen soldier as its foremost symbol, but was otherwise in a state of profound transition. At the time of Confederation, the defence of Canada itself represented the country’s only real obligation to the British Empire, but by the early twentieth century Canadians were already fighting an imperial war in South Africa. In 1914, they began raising an army to fight on the Western Front. By the end of the First World War, the ideological transition was complete: for better or for worse, the untrained civilian who had answered the call-to-arms in 1914 replaced the long-serving volunteer militiaman of the past as the archetypical Canadian citizen soldier. Militia Myths traces the evolution of a uniquely Canadian amateur military tradition -- one that has had an enormous impact on the country’s experience of the First and Second World Wars. Published in association with the Canadian War Museum.
"Jack Granatstein’s Who Killed the Canadian Military? is more than a history of the decline and rustout of a military that as late as 1966 boasted 3,826 aircraft (including cutting-edge Sea King helicopters) as opposed to today’s 328 aircraft-including those same Sea Kings and CF-18 fighters whose avionics are a generation out of date; the same can be said of the army and navy. Granatstein’s book is a convincing analysis of Canada’s embrace of a delusional foreign policy that equates knee jerk anti-Americanism with sovereignty and forgets that in a Hobbesian world of international relations, “power still comes primarily from the barrel of a gun” and not from Steven Lewis’s speeches about Canadian goodwill, tolerance or humanitarianism."--from amazon.com product desc.
Canadian and Waffen-SS troops of 12. SS-Panzer-Division Hitlerjugend faced one another in a series of bloody battles following the D-Day landings of June 1944. The Canadian units fought in a number of distinguished regiments, while the Hitlerjugend Division were drawn from the ranks of the Hitler Youth organizations. Veteran officers and NCOs were joined by inexperienced teenagers, and clashed with the Canadians repeatedly, notably at Authie, Bretteville and Hill 168. The struggle quickly took on an especially bitter nature, fuelled by the massacre of Canadian prisoners by Hitlerjugend personnel. Employing first-hand accounts and the latest research, as well as specially commissioned artwork and carefully selected archive photographs this absorbing study investigates the origins, ethos, training, fighting techniques and weapons of both sides during the epic struggle for Normandy.
When award-winning journalist Andrew Clark found the file on Harold Joseph Pringle, he uncovered a Canadian tragedy that had lain buried for fifty years. This extraordinary story of the last soldier to be executed by the Canadian military -- likely wrongfully -- gives life to the forgotten casualties of war and brings their honour home at last. Harold Pringle was underage when the Second World War broke out, eager to leave quiet Flinton, Ontario, to serve by his father’s side. But few who volunteered to fight “the good fight” realized what horror lay ahead; soon Pringle found himself in Italy, fighting on the bloody “Hitler Line,” where two-thirds of his company were killed. Shell-shocked, he embarked on a tragic, final course that culminated in a suspect murder conviction. His appeal was reviewed by the highest levels of government, right up to prime minister King. But Private Pringle was put to death -- the only soldier the Canadians executed in the whole of the Second World War. His own countrymen carried out the orders, forbidden to go home before completing this last grotesque assignment, even though the war had ended. The Pringle file was closed and stayed that way for fifty years -- until Andrew Clark uncovered it and began a two-year investigation on Pringle’s life in the army. A Keen Soldier is a true-life military detective story that shows another side of what many consider our proudest military campaign. Andrew Clark examines the fallout of a crisis that disfigured our national conscience and continues to raise questions about the ethics of war. And he does so with eloquence and a deep compassion, not only for his subject but for all wartime soldiers -- even the men who executed Pringle and the officer who gave the order to fire.
In 1917 the soldiers of the Canadian Corps would prove themselves the equal of any fighting on the Western Front, while on the other side of the wire, the men of the Royal Bavarian Army won a distinguished reputation in combat. Employing the latest weapons and pioneering tactics, these two forces would clash in three notable encounters: the Canadian storming of Vimy Ridge, the back-and-forth engagement at Fresnoy and at the sodden, bloody battle of Passchendaele. Featuring carefully chosen archive photographs and specially commissioned artwork, this study assesses these three hard-fought battles in 1917 on the Western Front, and offers a new take on the evolving nature of infantry combat in World War I.
The seeds of irreverent humour that inspired the likes of Wayne and Shuster and Monty Python were sown in the trenches of the First World War, and The Dumbells—concert parties made up of fighting soldiers—were central to this process. Soldiers of Song tells their story. Lucky soldiers who could sing a song, perform a skit, or pass as a “lady,” were taken from the line and put onstage for the benefit of their soldier-audiences. The intent was to bolster morale and thereby help soldiers survive the war. The Dumbells’ popularity was not limited to troop shows along the trenches. The group also managed a run in London’s West End and became the first ever Canadian production to score a hit on Broadway. Touring Canada for some twelve years after the war, the Dumbells became a household name and made more than twenty-five audio recordings. If nationhood was won on the crest of Vimy Ridge, it was the Dumbells who provided the country with its earliest soundtrack. Pioneers of sketch comedy, the Dumbells are as important to the history of Canadian theatre as they are to the cultural history of early-twentieth-century Canada.
In 2007-08, Dr. Ray Wiss, a former infantry officer, served with the Canadian Forces at forward operating bases in Khandahar's Panjwayi valley, the area experiencing the most intense combat in Afghanistan. He spent more time in the combat area than any other Canadian physician, and his successful first book, FOB Doc, was the diary of his time "outside the wire" during that tour of duty. Captain Wiss' experience in Afghanistan convinced him that this conflict was a rare example of a moral war. When asked to return for an even longer tour of duty in the combat zone, he readily agreed. Once again, he kept a diary, writing with passion about the efforts, sacrifices and achievements of those Canadians who served with such distinction. Illustrated with over 100 colour photographs, A Line in the Sand tells us about virtually every kind of soldier fighting in Afghanistan: the bomb technician, the engineer, the combat medic, the "grunt" as well as about the Afghans, from whom we are seemingly so different yet with whom we share so much. It is an impassioned insider's view of the war in Afghanistan and a convincing testament to why it matters.
This book describes the organization, lists the units and illustrates the uniforms and equipment of the four Canadian divisions which earned an elite reputation on the Western Front in 1915-18. Canada's 600,000 troops of whom more than 66,000 died and nearly 150,000 were wounded represented an extraordinary contribution to the British Empire's struggle. On grim battlefields from the Ypres Salient to the Somme, and from their stunning victory at Vimy Ridge to the final triumphant 'Hundred Days' advance of autumn 1918, Canada's soldiers proved themselves to be a remarkable army in their own right, founding a national tradition.
“I am on night duty ... on what is supposed to be the ‘hopeless ward’ so you can imagine, or try to, just what I am doing. I know you cannot really have the faintest idea ...” In Sister Soldiers of the Great War, award-winning author Cynthia Toman recovers the long-lost history of Canada’s first women soldiers – nursing sisters who enlisted as officers with the Canadian Army Medical Corps. These experienced professional nurses left their friends, families, and jobs to enlist in the army. Granted relative rank and equal pay to men, they had a mandate to salvage as many sick and wounded men as possible for return to the front lines. Nothing prepared them for poor living conditions, the scale of casualties, or the type of wounds they encountered, but their letters and diaries reveal that they were determined to soldier on under all circumstances while still “living as well as possible.”
