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The Cambridge Companion to the Orchestra

Author: Colin James Lawson

Publisher: Cambridge University Press

Published: 2003-04-24

Total Pages: 316

ISBN-13: 9780521001328

This guide to the orchestra and orchestral life is unique in its breadth of coverage. It combinesorchestral history and repertory with a practical bias offering critical thought about the past, present and future of the orchestra. Including topics such as the art of orchestration, scorereading, conducting, international orchestras, recording, as well as consideration of what it means to be an orchestral musician, an educator, or an informed listener, it will be of interest to a wideranging readership of music historians and professional or amateur performers.

The Cambridge Companion to the Symphony

Author: Julian Horton

Publisher: Cambridge University Press

Published: 2013-05-02

Total Pages: 469

ISBN-13: 0521884985

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A comprehensive guide to the historical, analytical and interpretative issues surrounding one of the major genres of Western music.

The Cambridge Companion to Conducting

Author: José Antonio Bowen

Publisher: Cambridge University Press

Published: 2003-11-20

Total Pages: 585

ISBN-13: 1107494788

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In this wide-ranging inside view of the history and practice of conducting, analysis and advice comes directly from working conductors, including Sir Charles Mackerras on opera, Bramwell Tovey on being an Artistic Director, Martyn Brabbins on modern music, Leon Botstein on programming and Vance George on choral conducting, and from those who work closely with conductors: a leading violinist describes working as a soloist with Stokowski, Ormandy and Barbirolli, while Solti and Abbado's studio producer explains orchestral recording, and one of the world's most powerful managers tells all. The book includes advice on how to conduct different types of groups (choral, opera, symphony, early music) and provides a substantial history of conducting as a study of national traditions. It is an unusually honest book about a secretive industry and managers, artistic directors, soloists, players and conductors openly discuss their different perspectives for the first time.

The Cambridge Companion to Ravel

Author: Deborah Mawer

Publisher: Cambridge University Press

Published: 2000-08-24

Total Pages: 316

ISBN-13: 9780521648561

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A comprehensive introduction to the life, music and compositional aesthetic of Maurice Ravel.

The Cambridge Companion to the Concerto

Author: Simon P. Keefe

Publisher: Cambridge University Press

Published: 2005-10-27

Total Pages: 344

ISBN-13: 9780521834834

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A rare volume dedicated entirely to scholarship on the genre of the concerto.

The Cambridge Companion to Liszt

Author: Kenneth Hamilton

Publisher: Cambridge University Press

Published: 2005-09-22

Total Pages: 367

ISBN-13: 1139825755

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This Companion provides an up-to-date view of the music of Franz Liszt, its contemporary context and performance practice, written by some of the leading specialists in the field of nineteenth-century music studies. Although a core of Liszt's piano music has always maintained a firm hold on the repertoire, his output was so vast, influential and multi-faceted that scholarship too has taken some time to assimilate his achievement. This book offers students and music lovers some of the latest views in an accessible form. Katharine Ellis, Alexander Rehding and James Deaville present the biographical and intellectual aspects of Liszt's legacy, Kenneth Hamilton, James Baker and Anna Celenza give a detailed account of Liszt's piano music - including approaches to performance - Monika Hennemann discusses Liszt's Lieder, and Reeves Shulstad and Dolores Pesce survey his orchestral and choral music.

The Cambridge Companion to Brass Instruments

Author: Trevor Herbert

Publisher: Cambridge University Press

Published: 1997-10-13

Total Pages: 366

ISBN-13: 9780521565226

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This Companion covers many diverse aspects of brass instruments and in such detail. It provides an overview of the history of brass instruments, and their technical and musical development. Although the greatest part of the volume is devoted to the western art music tradition, with chapters covering topics from the medieval to the contemporary periods, there are important contributions on the ancient world, non-western music, vernacular and popular traditions and the rise of jazz. Despite the breadth of its narrative, the book is rich in detail, with an extensive glossary and bibliography. The editors are two of the most respected names in the world of brass performance and scholarship, and the list of contributors includes the names of many of the world's most prestigious scholars and performers on brass instruments.

The Cambridge Companion to Haydn

Author: Caryl Clark

Publisher: Cambridge University Press

Published: 2005-11-24

Total Pages: 354

ISBN-13: 1139827227

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This Companion provides an accessible and up-to-date introduction to the musical work and cultural world of Joseph Haydn. Readers will gain an understanding of the changing social, cultural, and political spheres in which Haydn studied, worked, and nurtured his creative talent. Distinguished contributors provide chapters on Haydn and his contemporaries, his working environments in Eisenstadt and Eszterháza, and humor and exoticism in Haydn's oeuvre. Chapters on the reception of his music explore keyboard performance practices, Haydn's posthumous reputation, sound recordings and images of his symphonies. The book also surveys the major genres in which Haydn wrote, including symphonies, string quartets, keyboard sonatas and trios, sacred music, miscellaneous vocal genres, and operas composed for Eszterháza and London.