The Cambridge Companion to Seventeenth-Century Opera

The Cambridge Companion to Seventeenth-Century Opera

Author: Jacqueline Waeber

Publisher: Cambridge University Press

Published: 2022-12-22

Total Pages: 723

ISBN-13: 1108915914

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The Cambridge Companion to Seventeenth-Century Opera is a much-needed introduction to one of the most defining areas of Western music history - the birth of opera and its developments during the first century of its existence. From opera's Italian foundations to its growth through Europe and the Americas, the volume charts the changing landscape – on stage and beyond – which shaped the way opera was produced and received. With a range from opera's sixteenth-century antecedents to the threshold of the eighteenth century, this path breaking book is broad enough to function as a comprehensive introduction, yet sufficiently detailed to offer valuable insights into most of early opera's many facets; it guides the reader towards authoritative written and musical sources appropriate for further study. It will be of interest to a wide audience, including undergraduate and graduate students in universities and equivalent institutions, and amateur and professional musicians.


The Cambridge Companion to Opera Studies

The Cambridge Companion to Opera Studies

Author: Nicholas Till

Publisher: Cambridge University Press

Published: 2012-10-18

Total Pages: 365

ISBN-13: 0521855616

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The first comprehensive attempt to map the current field of opera studies by leading scholars in the discipline.


The Cambridge Companion to Eighteenth-Century Opera

The Cambridge Companion to Eighteenth-Century Opera

Author: Anthony R. DelDonna

Publisher: Cambridge University Press

Published: 2009-06-25

Total Pages: 343

ISBN-13: 0521873584

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The perfect accompaniment to courses on eighteenth-century opera for both students and teachers, this Companion is a definitive reference resource.


The Cambridge Companion to Monteverdi

The Cambridge Companion to Monteverdi

Author: John Whenham

Publisher: Cambridge University Press

Published: 2007-12-13

Total Pages: 480

ISBN-13: 1139828223

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Claudio Monteverdi is one of the most important figures of 'early' music, a composer whose music speaks powerfully and directly to modern audiences. This book, first published in 2007, provides an authoritative treatment of Monteverdi and his music, complementing Paolo Fabbri's standard biography of the composer. Written by leading specialists in the field, it is aimed at students, performers and music-lovers in general and adds significantly to our understanding of Monteverdi's music, his life, and the contexts in which he worked. Chapters offering overviews of his output of sacred, secular and dramatic music are complemented by 'intermedi', in which contributors examine individual works, or sections of works in detail. The book draws extensively on Monteverdi's letters and includes a select discography/videography and a complete list of Monteverdi's works together with an index of first lines and titles.


Dance and Drama in French Baroque Opera

Dance and Drama in French Baroque Opera

Author: Rebecca Harris-Warrick

Publisher: Cambridge University Press

Published: 2016-10-27

Total Pages: 505

ISBN-13: 1107137896

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Examines the evolving practices in music, librettos, choreographed dance, and staging throughout the history of French Baroque opera.


The Cambridge Companion to Ballet

The Cambridge Companion to Ballet

Author: Marion Kant

Publisher: Cambridge University Press

Published: 2007-06-07

Total Pages: 406

ISBN-13: 9780521539869

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A collection of essays by international writers on the evolution of ballet.


The Cambridge Companion to Tango

The Cambridge Companion to Tango

Author: Kristin Wendland

Publisher: Cambridge University Press

Published: 2024-03-28

Total Pages: 415

ISBN-13: 1108982328

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Tango music rapidly became a global phenomenon as early as the beginning of the twentieth century, with about 30% of gramophone records made between 1903 and 1910 devoted to it. Its popularity declined between the 1950s and the 1980s but has since risen to new heights. This Companion offers twenty chapters from varying perspectives around music, dance, poetry, and interdisciplinary studies, including numerous visual and audio illustrations in print and on the accompanying webpages. Its multidisciplinary approach demonstrates how different disciplines intersect through performative, historical, ethnographic, sociological, political, and anthropological perspectives. These thematic continuities illuminate diverse international perspectives and highlight how the art form flourished in Argentina, Uruguay and abroad, while tracing its international and cultural impact over the last century. This book is an innovative resource for scholars and students of tango music, particularly those seeking a diverse international perspective on the subject.