This book examines the unresolved tensions in Milton's writings, as he grapples with the paradox of freedom in a universe ruled by an all-powerful God.
Features in-depth studies on a vast array of key passages in both the Old and the New Testaments that relate to God's foreknowledge and responds to current debates on this issue, drawing out implications of biblical teaching for the practical matters of Christian worship, prayer, guidance, and more. Original.
A Study Guide for Walter Raleigh's "The Nymph's Reply to the Shepherd," excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.
Three and a half centuries after Paradise Lost and Paradise Regain’d were written, do Milton’s epic poems still resonate with contemporary concerns? In Milton’s Leveller God, David Williams advances a progressive and democratic interpretation of Milton’s epics to show they are more relevant than ever. Exploring two blind spots in the critical tradition – the failure to read Milton’s poetry as drama and to recognize his depictions of heaven’s political and social evolution – Williams reads Milton’s “great argument” as a rejection of social hierarchy and of patriarchal government that is more attuned to the radical political thought developed by the Levellers during the English Revolution. He traces echoes between Milton’s texts and thousands of pages of Leveller writings that advocated for popular rule, extended suffrage, and religious tolerance, arguing that Milton’s God is still the unacknowledged ground of popular sovereignty. Williams demonstrates that Milton’s Leveller sympathies, expressed in his early prose, conflicted with his official duties for Oliver Cromwell’s government in the 1650s, but his association with the journalist Marchamont Nedham later freed him to imagine an egalitarian republic. In a work that connects the great epic poet in new ways to the politics of his time and our own, Milton’s Leveller God shows how the political landscape of Milton’s work fundamentally unsettles ancient hierarchies of soul and body, man and woman, reason and will, and ruler and ruled.
THE writer of this work proposes to present in three volumes, in English, an outline of a three year course of Dogmatic Theology, such as is offered to students for the priesthood in Catholic Seminaries. No attempt is made to give more than the merest outline; but it is hoped that it will satisfy the needs of some who are not professional students, especially by showing the nature of the questions dealt with in each Treatise, and their proportionate importance, as indicated by the space allowed to them. Aeterna Press
A revolutionary figure throughout his career, Dante Gabriel Rossetti’s work provides a distinctly revolutionary lens through which the Victorian period can be viewed. Suggesting that Rossetti’s work should be approached through his poetry, Brian Donnelly argues that it is both inscribed by and inscribes the development of verbal as well as visual culture in the Victorian era. In his discussions of modernity, aestheticism, and material culture, he identifies Rossetti as a central figure who helped define the terms through which we approach the cultural productions of this period. Donnelly begins by articulating a method for reading Rossetti’s poetry that highlights the intertextual relations within and between the poetry and paintings. His interpretations of such poems as the 'Mary’s Girlhood' sonnets, the sonnet sequence The House of Life, and 'The Orchard-Pit' in relationship to paintings such as The Girlhood of Mary Virgin and Ecce Ancilla Domini! shed light on Victorian ideals of femininity, on consumer culture, and on the role of gender hierarchies in Victorian culture. Situating Rossetti’s poetry as the key to all of his work, Donnelly also makes a case for its centrality in its representation of the dominant discourses of the late Victorian period: faith, sex, consumption, death, and the nature of representation itself.
This work provides an interpretive history of Russia from earliest times to today, recounting the story of Russia's past. It discusses Russia's strengths and weaknesses as a civilization, and the challenges posed by the contemporary effort to remake Russia.