Drawing from newly declassified records in Israeli, American, British and United Nations archives, this penetrating book examines the critical two years following the June 1967 Six Day War, dispelling the myth of overall Arab intransigence and arriving at new and unexpected conclusions
It's 1971 in Delhi, India, and Maya Kahtri is about to enter into the time-honored tradition of arranged marriage-a tradition that holds strong against modern ways. But no sooner than Maya's father provides her agreed upon dowry to her fiancé's family does Maya learn that she has just been traded into a deal deeply imbedded into Indian culture-a deal in which Maya is chattel. Maya embarks on a quest to find the root of the cruel customs that have seeped into the families, relationships, and minds of India's people. Going against her prescribed destiny, Maya faces irate backlash as she is hunted by her enemies. But when Indira Gandhi enacts new emergency measures in a forceful attempt to bring a chaotic country further into modernization, Maya finds an ally in her fight. Can Maya change the course of Indian history despite the traditions that are fused so deeply into its identity? Or will she be drawn into India's ancient spells?
THE DARK FANTASY BOOKTOK BLOCKBUSTER! In this dark, fantasy sensation, S. T. Gibson spins the gothic, seductive tale of Dracula's first bride, Constanta. This is my last love letter to you, though some would call it a confession. . . Saved from the brink of death by a mysterious stranger, Constanta is transformed from a medieval peasant into a bride fit for an undying king. But when Dracula draws a cunning aristocrat and a starving artist into his web of passion and deceit, Constanta realizes that her beloved is capable of terrible things. Finding comfort in the arms of her rival consorts, she begins to unravel their husband's dark secrets. With the lives of everyone she loves on the line, Constanta will have to choose between her own freedom and her love for her husband. But bonds forged by blood can only be broken by death. "A dizzying nightmare of a romance that will leave you aching, angry and ultimately hopeful." --Hannah Whitten, New York Times bestselling author of For the Wolf
The essays in this book examine the sociological, legal, cultural and economic implications of dowry. The connection between dowry or bridewealth norms and the status of women, inheritance and its impact on women's empowerment are discussed from the multiple perspectives adopted by different feminist scholars. Feminist interventions have dealt with slippery definitions, concepts in legal formulations and theoretical questions regarding the volition and agency of women in a patriarchal structure. The essays examine the activist position vis-Ã -vis dowry and inheritance: should dowry be boycotted in toto, or only its excesses? Is dowry a form of inheritance? Legal intervention is often seen as the most concrete means to address issues of equity, but the Dowry Prohibition Act of 1984 leaves room for manoeuvre: dowry as a condition of marriage is punishable, but voluntary gifts are excluded from the ambit of the law. More recently, legislative intervention has sought to grant equal inheritance rights to women. Will these developments make for greater gender equity? This book brings together intellectually stimulating analysis and radical activism, in a cogent and comprehensive assessment of an issue and a practice that has preoccupied Indian feminists for the past three decades.
Oldenburg argues that dowry murder is not about dowry per se nor is it rooted in an Indian culture or caste system that encourages violence against women. Rather, dowry murder can be traced directly to the influences of the British colonial era.
A principled decision brings unexpected consequences for a Hmong American woman struggling to reconcile the two cultures--and to be a good daughter while breaking the rules.
Why did a practice that had been considered a duty stop being a duty, or, conversely, why did daughters lose the right they had previously enjoyed of receiving from their parents the wherewithal to contribute to the support of their marriage? Despite the many historical and anthropological studies about dowry, to the best of my knowledge this is the first analysis of its disappearance. My hypothesis at a general level is that the institution of dowry was among the many fetters to the development of capitalism, such as entail, monopolies, and the privileges of the nobility, of churchmen, and of army officers, that disappeared as the influence of industrial capital spread worldwide. Yet entail, monopolies, and privileges were abolished legally, whereas the dowry was not abolished legally, it disappeared in practice. Thus the question remains: what led individual families to change their customs regarding dowry? And they changed remarkably. I found that, in the seventeenth century, practically all propertied families in São Paulo endowed every one of their daughters, favoring them by giving dowries far exceeding the value of what their brothers would inherit later on. By the early nineteenth century, in contrast, long before the custom of dowry had disappeared, less than a third of the propertied families in São Paulo were endowing their daughters, and those who did gave comparatively smaller dowries, with a very different content, while some families endowed only one or two of several daughters. How to explain this transformation in customs? I will argue throughout this book that the practice of dowry altered because of changes in society, the family, and marriage. Since dowry is a transfer of property between family members, changes in the concept of property, in the way property is acquired and held, or in business practices are relevant to an understanding of change in the institution of dowry, as are changes in the function of the family in society, the way it is integrated into production, and how it supports its members. The changes experienced by Brazilian society that help explain the decline and disappearance of the dowry are many of the same transformations that have been observed in more central regions of the Western world. Through a long process that started in the eighteenth century and continued into the early twentieth century, Brazil changed from a hierarchical, ancien régime type of society in which status, family, and patron-client relations were primary to a more individualistic society in which contract and the market increasingly reigned. A society divided vertically into family clans changed gradually into a society divided horizontally into classes. As the state grew stronger, it took over functions previously performed by the family, which in seventeenth-century São Paulo's frontier society had included municipal government and defense. Between the seventeenth and the late nineteenth centuries, a new concept of private property developed. The family changed from being the locus of both production and consumption to being principally the locus of consumption, while "family" and "business" became formally separate. The power of the larger kin declined and the conjugal family became more important, and marriage was transformed from predominantly a property matter to an avowed "love" relationship, the economic underpinnings of which were no longer made explicit. At the same time there was a change from the strong authority of the patriarch over adult sons and daughters to their greater independence, and from arranged marriages to marriages freely chosen by the bride and groom. These transformations took place in Brazil starting in the eighteenth century and continuing throughout the nineteenth century in a gradual and complex manner so that both old and new characteristics often coexisted at a given time, sometimes even within the same family. As these changes occurred, the
The Oxford Handbook of Women and Gender in Medieval Europe provides a comprehensive overview of the gender rules encountered in Europe in the period between approximately 500 and 1500 C.E. The essays collected in this volume speak to interpretative challenges common to all fields of women's and gender history - that is, how best to uncover the experiences of ordinary people from archives formed mainly by and about elite males, and how to combine social histories of lived experiences with cultural histories of gendered discourses and identities. The collection focuses on Western Europe in the Middle Ages but offers some consideration of medieval Islam and Byzantium. The Handbook is structured into seven sections: Christian, Jewish, and Muslim thought; law in theory and practice; domestic life and material culture; labour, land, and economy; bodies and sexualities; gender and holiness; and the interplay of continuity and change throughout the medieval period. It contains material from some of the foremost scholars in this field, and it not only serves as the major reference text in medieval and gender studies, but also provides an agenda for future new research.
In India, one woman is murdered every hour by her husband's family for a dowry. The Burning Bride follows the story of Uma, a newlywed woman. She starts her new life with many dreams. However, her dreams turn into nightmares when her parents are unable to fulfil the dowry demands made by Madhu, her mother-in-law. The heaven she had imagined transforms into a hell, and the worst part is; there appears to be no escape. Violence against women is high in India but the irony is that Indian people worship women in the forms of many goddesses. The most commonly worshipped goddess is Durga who has nine forms. Therefore The Burning Bride is told through nine women's perspectives. The multiple perspectives highlights social, psychological and cultural factors which allow the dowry system to claim so many lives every year. At least 10% of the profits made from the sales of The Burning Bride will support the Asian Circle to fund Oxfam projects to end domestic violence in India.