As every detective novel addict knows, there's no greater high than figuring out "whodunit" before the final revelation, resulting in the kind of intellectual satisfaction a shot of bourbon can never offer. Dove takes this reader/writer play to a new level by critically assessing the genre through the principles of Reader Response Theory, outlining the detective story as a special case of reading governed by rules and a specialized formula that traces its genealogy back to Poe's The Murders in the Rue Morgue. Paper edition (unseen), $18.95. Annotation copyrighted by Book News, Inc., Portland, OR
Wayne Allen Sallee has been writing the pain, and writing through the pain for decades. His work has found its way onto the pages of hundreds of magazines, multiple volumes of "The Year's Best Horror," onto award ballots and into the dark recesses of readers minds. His work is raw. His stories draw vivid, stark images and even darker pieces from the back doors of the imagination. This is volume II of his complete works. The stories in this volume include: Augusta Boulevard, Sunday Night Because He Can Golden Days and Purple Nights: The Streets of Isola Heartless It Was Only a Dream Never Come Lopez We Crawl Stylish: THe AMerican DReam vs. The Derby Geeks Roustabout The American Dream Meets The Couch Potato The Pink Twist Inn For You, the Living Orifices, Because Orient Are Girly-Girl Bumpy Face Blind and Blue Every Mother's Son The Pain Detail Skull Rainbow Skin of My Birthright See Dick Learn Resurrecting Warhol (For Another Fifteen Minutes) Carrion Luggage Only the Dead Know Graceland
Mystery and detective novels are popular fictional genres within Western literature. As such, they provide a wealth of information about popular art and culture. When the genre develops within various cultures, it adopts, and proceeds to dominate, native expressions and imagery. American mystery and detective novels appeared in the late nineteenth century. This reference provides a selective guide to the important criticism of American mystery and detective novels and presents general features of the genre and its historical development over the past two centuries. Critical approaches covered in the volume include story as game, images, myth criticism, formalism and structuralism, psychonalysis, Marxism and more. Comparisons with related genres, such as gothic, suspense, gangster, and postmodern novels, illustrate similarities and differences important to the understanding of the unique components of mystery and detective fiction. The guide is divided into five major sections: a brief history, related genres, criticism, authors, and reference. This organization accounts for the literary history and types of novels stemming from the mystery and detective genre. A chronology provides a helpful overview of the development and transformation of the genre.
Others concentrate more on analysis of the subject novel itself, indicating more briefly how that book relates to those which follow it. Some discuss such questions as what exactly is the first novel in some rather complex series and in several cases more than one initiating book is discussed. No attempt has been made to include consideration of a representative sample of the various types of detective series, but a variety of authors is covered, ranging from such classics as Agatha Christie, Rex Stout, and Dorothy L. Sayers, to more recent authors like James McClure, Joseph Hansen, and Colin Dexter.
100 American Crime Writers features discussion and analysis of the lives of crime writers and their key works, examining the developments in American crime writing from the Golden Age to hardboiled detective fiction. This study is essential to scholars and an ideal introduction to crime fiction for anyone who enjoys this fascinating genre.
One of the most prolific crime writers of the last century, Evan Hunter published more than 120 novels from 1952 to 2005 under a variety of pseudonymns. He also wrote several teleplays and screenplays, including Alfred Hitchcock's The Birds, and the 1954 novel The Blackboard Jungle. When the Mystery Writers of America named Hunter a Grand Master, he gave the designation to his alter ego, Ed McBain, best known for his long-running police procedural series about the detectives of the 87th Precinct. This comprehensive companion provides detailed information about all of Evan Hunter's/Ed McBain's works, characters, and recurring themes. From police detective and crime stories to dramatic novels and films, this reference celebrates the vast body of literature of this versatile writer.
Speech-act theory is the interdisciplinary study of the wide range of things we do with words. Originally stemming from the influential work of twentieth-century philosophers, including J. L. Austin and Paul Grice, recent years have seen a resurgence of work on the topic. On one hand, a new generation of linguists, philosophers, and cognitive scientists have made impressive progress toward reverse-engineering the psychological underpinnings that allow us to do so much with language. Meanwhile, speech-act theory has been used to enrich our understanding of pressing social issues that include freedom of speech, racial slurs, and the duplicity of political discourse. This volume presents fourteen new essays by many of the philosophers and linguists who have led this resurgence. The topics span a methodological range that includes formal semantics and pragmatics, foundational issues about the nature of linguistic representation, and work on a variety of forms of indirect and/or uncooperative speech that occupies the intersection of the philosophy of language, ethics, and political philosophy. Several of the contributions demonstrate the benefits of integrating the methodologies and perspectives of these literatures. The essays are framed by a comprehensive introductory survey of the contemporary literature written by the editors.
Contains informal interviews with 13 significant figures in the development of the field of popular culture studies. The interviews explore the academic revolution inaugurated in the late 1960s and early 1970s in the fields of the humanities and social sciences with the founding and subsequent influence of the Popular Culture Association and American Culture Association and the interviewees' thoughts about the changes. Annotation copyrighted by Book News, Inc., Portland, OR