For six-year-old Noah McAllister, May 8, 1954, begins as any other ordinary day in Dawson, Georgia. However, this day is anything but ordinary. Like a bolt of lightning, tragedy is about to strike! No one in town will be left untouched, least of all the McAllister family. As Noah makes the quarter-mile trek home from school, he is unaware that just yards away, hidden behind the solid oaks that line the dirt lane leading to the McAllister farm, someone is watching. At first, lost in a private daydream, he doesnat hear the muffled whimper, or see the melon crate tucked in among the trees. When the sound comes again, he looks up and spies the crate. He rushes excitedly toward it, believing it contains a puppy or kitten. Instead, he finds an abandoned baby. Suddenly, a dark car explodes from behind the trees and careens onto the road. A second later itas gone, leaving behind a trail of dust as the only evidence it had been there at all. And so begins the chain of events that lead to murdera]and the downfall of the McAllister family.
The true crime story of the kidnapping, rape, and murder of a Missouri teen and her family’s journey to justice. In the early hours of March 22, 1989, two friends—career criminals with violent felony convictions—drove around the eastern Kansas City area in a stolen car committing a series of crimes. The weather was mild for late March in Kansas City; the sky was clear, and there was the pale remnant of a Full Moon that bore the dubious name of Death Moon, the last full moon of winter. A little before 7 a.m., fifteen-year-old Ann Harrison walked to the end of her driveway on Kansas City’s east side to wait for the bus to take her to Raytown South High School. Ten minutes later, she disappeared but no one saw what happened. As if waiting for her return, her belongings were still stacked carefully by the side of the road. By the Side of the Road is the true crime story of the kidnapping, rape, and murder of Ann Harrison and the long journey forced upon her family who had to wait nearly three decades to see her killers brought to final justice.
In a novel set in an indefinite, futuristic, post-apocalyptic world, a father and his young son make their way through the ruins of a devastated American landscape, struggling to survive and preserve the last remnants of their own humanity
NEW YORK TIMES BESTSELLER • BOOKER PRIZE NOMINEE • From the beloved Pulitzer Prize–winning author, a sparkling novel about misperception, second chances, and the sometimes elusive power of human connection. Micah Mortimer is a creature of habit. A self-employed tech expert, superintendent of his Baltimore apartment building, cautious to a fault behind the steering wheel, he seems content leading a steady, circumscribed life. But one day his routines are blown apart when his woman friend (he refuses to call anyone in her late thirties a "girlfriend") tells him she's facing eviction, and a teenager shows up at Micah's door claiming to be his son. These surprises, and the ways they throw Micah's meticulously organized life off-kilter, risk changing him forever. An intimate look into the heart and mind of a man who finds those around him just out of reach, and a funny, joyful, deeply compassionate story about seeing the world through new eyes, Redhead by the Side of the Road is a triumph, filled with Anne Tyler's signature wit and gimlet-eyed observation.
Introducing Ishmael Jones - a detective with a difference - in this compelling murder mystery. Ishmael Jones is someone who can’t afford to be noticed, someone who lives under the radar, who drives on the dark side of the road. He’s employed to search out secrets, investigate mysteries and shine a light in dark places. Sometimes he kills people. Invited by his employer, the enigmatic Colonel, to join him and his family for Christmas, Ishmael arrives at the grand but isolated Belcourt Manor in the midst of a blizzard to find that the Colonel has mysteriously disappeared. As he questions his fellow guests, Ishmael concludes that at least one of them – not least Ishmael himself - is harbouring a dangerous secret, and that beneath the veneer of festive cheer lurk passion, jealousy, resentment and betrayal. As a storm sets in, sealing off the Manor from the rest of the world, Ishmael must unmask a ruthless murderer before they strike again.
This book is about a boy whose parents dropped him off on the side of the road. A woman noticed him searching for food one day and took him to lunch. They became friends and she later invited him to live with her.
For more than 40 years, the legendary Oak Ridge Boys (40 million records sold) have been on the road entertaining sold-out audiences with their classic hit songs like "Elvira," "Bobbie Sue," "Thank God for Kids," and many others. As their fans will testify, an Oak Ridge Boys concert is an unforgettable experience. These "on the road" stories, written by tenor Joseph S. Bonsall and spanning the four decades since the present group came together, will bring laughter, insight, and heartfelt appreciation to their fans young and old. You'll read about... The faith shared by all four "Oaks" the backstage goings-on of The Oak Ridge Boys what "the Boys" do on the tour bus stories about special fans they've met down through the years their surprise mega-hit, "Elvira" and how it came about "Join me as I take you on the road with The Oak Ridge Boys. We'll revisit some of our favorite concerts, reminisce about some old friends, and I'll let you in on what happens behind the scenes. Come on along!" Oak Ridge Boy Joseph S. Bonsall
A Black immigrant journeys from the Caribbean to Canada—and through multiple musical personas—in a “deeply moving” memoir “suffused with poetic prose” (Publishers Weekly, starred review). As a clever, willful boy in a tiny village in the tropical forests of Trinidad—raised by his indomitable grandmother, Miss Excelly, and her King James Bible—Antonio Michael Downing is steeped in the legacies of his scattered family, the vibrant culture of the island, and the weight of its colonial history. But after Miss Excelly’s death, everything changes. The eleven-year-old seems to fall asleep in the jungle and wake up in a blizzard: he is sent to live with his devoutly evangelical Aunt Joan in rural Canada, where they are the only Black family in a landscape starkly devoid of the warm lushness of his childhood. Isolated and longing for home, Downing begins a decades-long journey to transform himself through music and performance. A reunion with his birth parents, whom he’s known only through story, closes more doors than it opens. Instead, Downing seeks refuge in increasingly extravagant musical personalities: “Mic Dainjah,” a boisterous punk rapper; “Molasses,” a soul crooner; and, finally, an eccentric dystopian-era pop star clad in leather and gold, “John Orpheus.” In his mid-thirties, increasingly addicted to escapism, attention, and sex, Downing realizes he has become a “Saga Boy”—a Trinidadian playboy archetype—like his father and grandfather before him. When his choices land him in a jail cell, Downing must face who he has become. “Lush language and sensory details make the fascinating events of this memoir pop. An authentic, entertaining, and timely account of a creative immigrant’s experiences.” —Booklist “Downing’s elegant, engaging memoir will have particular significance to readers from the Caribbean diaspora, but it will be understood by any reader who has ever had their world suddenly upended and needed to make it whole again.” —Library Journal “A rich memoir about how far some folks have to travel just to arrive where they began.” —Minneapolis Star Tribune
A Black mother bumps up against the limits of everything she thought she believed—about science and medicine, about motherhood, and about her faith—in search of the truth about her son. "The memoir dedicates important space to the numbing bureaucracy that often accompanies medical visits, particularly as seen through the eyes of a Black woman in the South. Having moved often within White neighborhoods and educational institutions around her home in Charlottesville, Harris is unflinching about her periodic unease in those quarters. . . Harris also brings humor to bear in moments of great adversity."—Karen Iris Tucker, Washington Post One morning, Tophs, Taylor Harris’s round-cheeked, lively twenty-two-month-old, wakes up listless, only lifting his head to gulp down water. She rushes Tophs to the doctor, ignoring the part of herself, trained by years of therapy for generalized anxiety disorder, that tries to whisper that she’s overreacting. But at the hospital, her maternal instincts are confirmed: something is wrong with her boy, and Taylor’s life will never be the same. With every question the doctors answer about Tophs’s increasingly troubling symptoms, more arise, and Taylor dives into the search for a diagnosis. She spends countless hours trying to navigate health and education systems that can be hostile to Black mothers and children; at night she googles, prays, and interrogates her every action. Some days, her sweet, charismatic boy seems just fine; others, he struggles to answer simple questions. A long-awaited appointment with a geneticist ultimately reveals nothing about what’s causing Tophs’s drops in blood sugar, his processing delays—but it does reveal something unexpected about Taylor’s own health. What if her son’s challenges have saved her life? This Boy We Made is a stirring and radiantly written examination of the bond between mother and child, full of hard-won insights about fighting for and finding meaning when nothing goes as expected.
#1 NEW YORK TIMES BESTSELLER More than ONE MILLION copies sold A TODAY Show Read with Jenna Book Club Pick A New York Times Notable Book, and Chosen by Oprah Daily, Time, NPR, The Washington Post, Bill Gates and Barack Obama as a Best Book of the Year “Wise and wildly entertaining . . . permeated with light, wit, youth.” —The New York Times Book Review “A classic that we will read for years to come.” —Jenna Bush Hager, Read with Jenna book club “Fantastic. Set in 1954, Towles uses the story of two brothers to show that our personal journeys are never as linear or predictable as we might hope.” —Bill Gates “A real joyride . . . elegantly constructed and compulsively readable.” —NPR The bestselling author of A Gentleman in Moscow and Rules of Civility and master of absorbing, sophisticated fiction returns with a stylish and propulsive novel set in 1950s America In June, 1954, eighteen-year-old Emmett Watson is driven home to Nebraska by the warden of the juvenile work farm where he has just served fifteen months for involuntary manslaughter. His mother long gone, his father recently deceased, and the family farm foreclosed upon by the bank, Emmett's intention is to pick up his eight-year-old brother, Billy, and head to California where they can start their lives anew. But when the warden drives away, Emmett discovers that two friends from the work farm have hidden themselves in the trunk of the warden's car. Together, they have hatched an altogether different plan for Emmett's future, one that will take them all on a fateful journey in the opposite direction—to the City of New York. Spanning just ten days and told from multiple points of view, Towles's third novel will satisfy fans of his multi-layered literary styling while providing them an array of new and richly imagined settings, characters, and themes. “Once again, I was wowed by Towles’s writing—especially because The Lincoln Highway is so different from A Gentleman in Moscow in terms of setting, plot, and themes. Towles is not a one-trick pony. Like all the best storytellers, he has range. He takes inspiration from famous hero’s journeys, including The Iliad, The Odyssey, Hamlet, Huckleberry Finn, and Of Mice and Men. He seems to be saying that our personal journeys are never as linear or predictable as an interstate highway. But, he suggests, when something (or someone) tries to steer us off course, it is possible to take the wheel.” – Bill Gates
