This is the story of an illegitimate son and the mother who decided to keep him. It is the story, too, of a foster mother who loved children and of her extended family. This extraordinary autobiography recreates the atmosphere of a Sydney suburb around World War I, and subtly explores the changing times.
This book is, along with Inner Grace (OUP 2008), a sequel to Phillip Cary's Augustine and the Invention of the Inner Self (OUP 2000). In this work, Cary argues that Augustine invented the expressionist type of semiotics widely taken for granted in modernity, where words are outward signs giving inadequate expression to what lies within the soul. Augustine uses this new semiotics to explain why the authority of external teaching, including Biblical authority, is useful but temporary, designed to lead to a more permanent Platonist vision granted by the inner teacher, Christ, who is the eternal Wisdom of God. In fact, for Augustine we literally learn nothing from words or other outward signs, which are useful only as admonitions or reminders pointing out the right direction for us to look in order to see for ourselves, with the inner eye of our own mind. Even our knowledge of other people is ultimately a matter of seeing what is in their souls, not putting faith in their words. Cary argues that for Augustine outward signs cannot give us knowledge because all bodily things are fundamentally powerless, incapable of conveying an inner good to the soul. This also leaves no room for a concept of efficacious external means of grace not even the flesh of Christ. The sacraments, which Augustine was the first to describe as outward signs of inner grace, signify what is necessary for salvation but do not confer it. Baptism, for example, is necessary for salvation, but its power is found not in water or word but in the inner unity, charity, and peace of the church. Along with its companion work, Inner Grace, this careful and insightful book breaks new ground in the study of Augustine's theology of grace and sacraments.
"[An] uproarious saga . . . drawing on contemporary accounts, fantastical folk tales, and [Anderson's] own knack for high jinks."—New York Times Book Review "[A] rollicking comic novel."—NPR "M. T. Anderson is one of our greatest and most precious voices."—Lev Grossman, author of The Magicians Trilogy From the award-winning and bestselling author of Feed comes a raucous, slyly funny, and delightfully queer work of historical fantasy, based on a bizarre but true quest to steal the mystical corpse of a long-dead saint The year is 1087, and a pox is sweeping through the Italian city of Bari. When a lowly monk is visited by Saint Nicholas in his dreams, he interprets the vision as a call to serve the sick. But his superiors, and the power brokers they serve, have different plans for the tender-hearted Brother Nicephorus. Enter Tyun, a charismatic treasure hunter renowned for “liberating” holy relics from their tombs. The seven-hundred-year-old bones of Saint Nicholas are rumored to weep a mysterious liquid that can heal the sick, Tyun says. For the humble price of a small fortune, he will steal the bones and deliver them to Bari, curing the plague and restoring glory to the fallen city. And Nicephorus, the “dreamer,” will be his guide. What follows is a heist for the ages, as Nicephorus is swept away on strange tides, and alongside even stranger bedfellows, to commit sacrilegious theft. Based on real historical accounts, Nicked is a swashbuckling saga, a medieval novel noir, a meditation on the miraculous, and a monastic meet-cute, filled with wide-eyed wonder at the world that awaits beyond our own borders.
The Son’s Book of the Father, as Richard Freadman termed it, is a rich field of relational autobiography, offering a unique set of tensions and insights into modes of masculinity, notions of identity and the ethics of representing another’s life in writing one’s own. This study of modern Australian life writing by sons who focus on fathers places an emerging sub-genre within its literary ancestry and its contemporary milieu. Providing compelling readings of Raimond Gaita’s ‘Romulus, My Father’, Peter Rose’s ‘Rose Boys’ and many others, this is the first study of its kind within Australian literature.
William James called his classic work, The Varieties of Religious Experience, 'a study in human nature'. For James, it is a fundamental feature of human nature that we have a conscious and a subconscious mind, and that the subconscious mind is deeply implicated in the religious life, especially in conversion and other experiences of spiritual enlightenment. In The Religious Life, Donald Capps addresses religious melancholy, the div ided self and discordant personality, religious conversion, thesaintly character, and the prayerful consciousness. He contrasts the cases of two clergymen - one deeply troubled, the other exemplary of the spiritual person. Aimed at general readers, Capps' work makes William James, a popular author in his own day, accessible to a modern audience.