I first became aware of the town of Two Guns, Arizona in the summer of 2001 while on the tail end of a cross-country road trip. Driving through Arizona with the lovely lady who would later become my wife, we motored along the remains of Route 66, heading for home in California, when she said "that would make a great title for a book." I followed her gaze to a battered road sign, complete with a full patina of desert dust and the requisite bullet holes, and it read "Two Guns" and below it in slightly smaller white lettering "1 mile." I immediately thought of a couple of plot lines for which the title would be perfect, but I didn't think I could get a whole book out of it. Instead, I tried a few times over the years to put it in as the title of a short story, but kept on changing it for the final draft. I didn't want to use it up. Then, after researching the history of Two Guns, I realized that this title contained not just one story, but several. As has been true so many times throughout our nearly 20 years of marriage thus far, she was absolutely right the first time: it had to be a book. Two Guns, 1 Mile is a collection of original short fiction and historical fiction. The titles "Dual," "Sunset (fade to black)," "Extra Terrestrials," and "Two Guns, One Smile" contain only original fictional characters and fictional events. Any resemblance to actual events or persons, living or dead, is entirely coincidental. Other stories, including "Sharp," and "Smoke" contain only original fictional characters, but also include details from real events. For the purpose of the stories, I condensed some of the historical events, omitting details that were not relevant to the plot, but without altering the reported facts. The remaining stories in this collection, including "One Last Round," "The Whore War," "Trading Post," and "Upon the Rock of Our Redeemer" are fictionalized accountings of reported events. In "One Last Round," and "The Whore War," the events play out as described by reported facts, with the exception that Bill Duckin was not reported to have been in Clabberfoot Annie's brothel on the night in question. However, as their times in Canyon Diablo are reported to have overlapped, his presence there, and in the capacity as I described it, would not have been out of the question or out of character for the man. As for "Trading Post" and "Upon the Rock of Our Redeemer," the characters of Earle Cundiff and Adolph Cannon were respectively reported to be the owner of the Canyon Lodge (Two Guns) Trading Post, and a prospector of meteoric diamonds. Their roles within these works are entirely fictional, though my descriptions of them do abide by the generally known facts of their lives. Cundiff was shot and killed by Harry E. (Indian) Miller on March 3, 1926, and Cannon was reported to wander the desert between Winslow and Flagstaff over a period of several decades collecting diamonds that had supposedly been deposited there by the impact at what is now known as Meteor Crater. However, the dialogue and actions of these characters in their stories have no factual basis.Whenever possible, I have tried to keep to the facts of the historical events exactly as they have been reported in multiple sources. However, the stories contained in this book are works of fiction and are meant only to entertain. I hope you enjoy reading them as much as I enjoyed writing them.
A pulp story about cops and thieves and the men that are something in between. Trench has targeted a local bank to rob, and asked Steadman in on the job. Trench figures it's a great way to score -- considering it's a cover for mob money. They'll be thieves ripping off thieves. But what Steadman doesn't know is that Trench is a DEA agent. And what Trench doesn't know is that Steadman's a Naval Intelligence officer. They're both cops! And neither one knows that they're not robbing the mob, they've been set up to steal $50 million from the CIA! A light-hearted crime romp in the vein of Ocean's Thirteen and The Italian Job from comics legend, Steven Grant!
Born in Italy and raised in Brooklyn, Vincenzo Capone left home when he was a teenager. He traveled with a wild-west show and fought in Europe during the Great War where he earned a medal for sharp-shooting. Upon his return, he settled in Nebraska where he went by the name Richard Hart. He married, had children, and worked closely with the local Indian communities. He dressed like the type of cowboy he had seen in silent movies, rode a horse, and wielded two six-shooters at his side, which earned him the name "Two Gun" Hart. When the Volstead Act made alcohol production illegal, Richard joined the ranks of law enforcement and became one of the most successful Prohibition officers in the country. He chased down criminals, busted alcohol stills, and protected the Indian reservations he served, all under an assumed name. But his past caught up with him when his younger brother, Al Capone, became one of the most infamous criminals in the country. They were two siblings on opposite sides of the law, both ambitious and skillful, and both of the same family.
In 1747, while canoeing with his Algonquin friend from Connecticut to attend college in Elizabethtown, New Jersey, Ian reads the letters of his Scottish cousin Gavin Crookshank and learns how he, though a Lowlander and a Covenanter, became entangled in the 1745 Jacobite rebellion from serving as a conscript on the battleship Lion to being recruited as an English spy and finally, participating in the definitive battle of Culloden.
A “well-researched and very readable new biography” (The Wall Street Journal) of “the Thomas Edison of guns,” a visionary inventor who designed the modern handgun and whose awe-inspiring array of firearms helped ensure victory in numerous American wars and holds a crucial place in world history. Few people are aware that John Moses Browning—a tall, humble, cerebral man born in 1855 and raised as a Mormon in the American West—was the mind behind many of the world-changing firearms that dominated more than a century of conflict. He invented the design used in virtually all modern pistols, created the most popular hunting rifles and shotguns, and conceived the machine guns that proved decisive not just in World Wars I and II but nearly every major military action since. Yet few in America knew his name until he was into his sixties. Now, author Nathan Gorenstein brings firearms inventor John Moses Browning to vivid life in this riveting and revealing biography. Embodying the tradition of self-made, self-educated geniuses (like Lincoln and Edison), Browning was able to think in three dimensions (he never used blueprints) and his gifted mind produced everything from the famous Winchester “30-30” hunting rifle to the awesomely effective machine guns used by every American aircraft and infantry unit in World War II. The British credited Browning’s guns with helping to win the Battle of Britain. His inventions illustrate both the good and bad of weapons. Sweeping, lively, and brilliantly told, this fascinating book that “gun collectors and historians of armaments will cherish” (Kirkus Reviews) introduces a little-known legend whose impact on history ranks with that of the Wright Brothers, Thomas Edison, and Henry Ford.
The first of a three-volume series, this book is aimed at young readers interested in guns and shooting but who have no background in firearms and don’t know where to begin. Thoroughly illustrated with drawings and photos, it defines firearms terms, provides hands-on advice about using and maintaining guns, and explains aspects of shooting ranging from historic target matches to military sniping. Through example and anecdote, the book emphasizes safety and proper usage, and everything is presented in easily managed portions that can be read in series or singly—backed up with an index and suggestions for further reading.
From Steve Israel, the Congressman-turned-novelist who writes “in the full-tilt style of Carl Hiaasen” (The Washington Post), a comic tale of the mighty firearm industry, a small Long Island town, and Washington politics: “Congress should pass a law making Big Guns mandatory reading for themselves” (Nelson DeMille). When Chicago’s Mayor Michael Rodriguez starts a national campaign to ban handguns from America’s cities, towns, and villages, Otis Cogsworth, the wealthy chairman and CEO of a huge arms company in Asabogue, Long Island, is worried. In response, he and lobbyist Sunny McCarthy convince an Arkansas congressman to introduce federal legislation mandating that every American must own a firearm. Events soon escalate. Asabogue’s Mayor Lois Leibowitz passes an ordinance to ban guns in the town—right in Otis Cogsworth’s backyard. Otis retaliates by orchestrating a recall election against Lois and Jack Steele, a rich town resident, runs against her. Even though the election is for the mayor of a small village on Long Island, Steele brings in the big guns of American politics to defeat Lois. Soon, thousands of pro-gun and anti-gun partisans descend on Asabogue, and the bucolic town becomes a tinderbox. Meanwhile, Washington politicians in both parties are caught between a mighty gun lobby and the absurdity of requiring that every American, with waivers for children under age four, carry a gun. What ensues is a discomfiting, hilarious indictment of the state of American politics. “New York congressman-turned-novelist Steve Israel delivers a second brilliant political satire” (Booklist, starred review). “An entertaining satire” (Kirkus Reviews, starred review), Big Guns is “a wonderfully irreverent satire about the fractured and fractious American political and lobbying system…a rollicking comedic trip” (Publishers Weekly).
The Silent Guns of Two Octobers uses new as well as previously under-appreciated documentary evidence to link the Cuban Missile Crisis to the Checkpoint Charlie tank standoff to achieve the impossible—craft a new, thoughtful, original analysis of a political showdown everyone thought they knew everything about. Ultimately the book concludes that much of the Cold War rhetoric the leaders employed was mere posturing; in reality neither had any intention of starting a nuclear war. Theodore Voorhees reexamines Khrushchev’s and Kennedy’s leadership, decision, and rhetoric in light of the new documentary evidence available. Voorhees examines the impact of John F. Kennedy's domestic political concerns about his upcoming first midterm elections on his handling of the Cuban Missile Crisis through his use of back-channel dealings with Khrushchev during the lead-up to the crisis and in the closing days when the two leaders managed to reach a settlement.