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The Arab world's greatest folk stories re-imagined by the acclaimed Lebanese novelist Hanan al-Shaykh, published to coincide with the world tour of a magnificent musical and theatrical production directed by Tim Supple
7. Nur Al-Din Ali and the Damsel Anis Al-Jalis 8. Tale of Ghanim Bin Ayyub, The Distraught, The Thrall O' Love a. Tale of the First Eunuch, Bukhayt b. Tale of the Second Eunuch, Kafur 9. Tale of King Omar Bin Al-Nu'uman and His Sons Sharrkan and Zau Al-Makan a. Tale of Taj Al-Muluk and the Princess Dunya aa. Tale of Aziz and Azizah O my father, what justice am I to do to her?" "I enjoin thee, O my son, not to take another wife or concubine to share with her, nor sell her." "O my father! I swear to thee that verily I will not do her injustice in either way." Having sworn to that effect Nur al-Din went in to the damsel and abode with her a whole year, whilst Allah Almighty caused the King to forget the matter of the maiden; and Al-Mu'in, though the affair came to his ears, dared not divulge it by reason of the high favour in which his rival stood with the Sultan. At the end of the year Al-Fazl went one day to the public baths; and, as he came out whilst he was still sweating, the air struck him[FN20] and he caught a cold which turned to a fever; then he took to his bed. His malady gained ground and restlessness was longsome upon him and weakness bound him like a chain.
Full of mischief, valor, ribaldry, and romance, The Arabian Nights has enthralled readers for centuries. These are the tales that saved the life of Shahrazad, whose husband, the king, executed each of his wives after a single night of marriage. Beginning an enchanting story each evening, Shahrazad always withheld the ending: A thousand and one nights later, her life was spared forever. This volume reproduces the 1932 Modern Library edition, for which Bennett A. Cerf chose the most famous and representative stories from Sir Richard F. Burton's multivolume translation, and includes Burton's extensive and acclaimed explanatory notes. These tales, including Alaeddin; or, the Wonderful Lamp, Sinbad the Seaman and Sinbad the Landsman, and Ali Baba and the Forty Thieves, have entered into the popular imagination, demonstrating that Shahrazad's spell remains unbroken.
One of the world's great folk story-cycles adapted for the stage by leading theatre maker Tim Supple, from the stories written by the seminal Lebanese novelist Hanan al-Shaykh. This unique edition will unlock the ancient tales for a new generation of readers and performers. Written by Arabic writers from tales gathered in India, Persia and across the great Arab Empire, the One Thousand and One Nights are the never-ending stories told by Shahrazad night after night, under sentence of death, to the king Shahrayar who has vowed to marry a virgin every night and kill her in the morning. Shahrazad prolongs her life by keeping the King engrossed in a web of stories that never ends - a fascinating kaleidoscope of life, love and destiny. The tales that unfold are erotic, violent, supernatural and endlessly surprising. The web of tales woven by Shahrazad were exoticised and bowdlerised in the West under the title of the Arabian Nights. This adaptation unearths the true character of One Thousand and One Nights as it is in the oldest Arabic manuscripts. In turns erotic, brutal, witty, poetic and complex, the tales tell of love and marriage, power and punishment, rich and poor, and the endless trials and uncertainties of fate. The great cities and thriving trade routes of the Islamic world provide the setting for these stories that employ supernatural mystery and intense realism to portray the deep and endless drama of human experience.