THE BOOK OF JAZZ - A Guide to the Entire Field

THE BOOK OF JAZZ - A Guide to the Entire Field

Author: Leonard Feather

Publisher: Edizioni Savine

Published: 2017-02-07

Total Pages: 384

ISBN-13: 8899914044

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ORIGINAL DESCRIPTION (1957) - Jazz at last has matured to a full-fledged art, not only in this country, hut throughout the world as well. What has been known as an American folk music is now becoming an international form of expression, with artists in all countries constantly exchanging ideas and expanding the limits of their medium. No longer is it possible for the well-informed person, the person interested in the latest developments in the art world, to relegate jazz to the realm of simple, untutored, dance-hall music. Leonard Feather, author of the famous Encyclopedia of Jazz series, has written this hook for the widest possible audience—from the newcomer to the field who asks the basic, most-difficult-to-answer question, “What is jazz?,” to the jazz musician himself (one of whom recently asked, “Who is Bessie Smith?”). Here is a guide to jazz in all its phases: its nature, its sources, instruments, sounds, performers-and the future of jazz.A large part of the book consists of chapters devoted to the story of the role played by each instrument and its major performers. Each history begins with a non-technical discussion of the instrument itself: its function, its range, how it was first used and how it is now used in jazz. It goes on to tell about the artists themselves and how they developed the instrument, their special contribution and their relative importance in the entire world of jazz. From this unique approach emerges a clear and fascinating picture of jazz.The section titled “The Anatomy of Improvisation" presents for the first time actual musical illustrations of the jazz improvisations of 15 of the great soloists from Louis Armstrong and Benny Goodman to Art Tatum, Lester Young and Dizzy Gillespie. Each solo is studied in detail and with a clarity as enlightening to the listener as to the musician. These solos lead into a unique analysis of the nature of jazz —its harmony, rhythm and structure—and show how it has evolved from the music of the earliest days through ragtime, swing and hop to the latest innovations.In chapters devoted to the origins of jazz, the new evidence is bound to gain the attention of the entire jazz world. Drawing on conversations with musicians from various parts of the country, this section sheds new light on the particular places where jazz was first played. By exploring the sources, it reveals why jazz had its beginnings in the United States and what musical influences and social forces combined to produce this music.In a chapter entitled “Jazz and Bace,” the whole story of racial discrimination in jazz is presented in unprecedented detail. It tells of the early segregation in bands, of the gradual breaking down of the color barriers first by the musicians themselves and then by the public, and of the problems still to be resolved.To this illuminating guide, Leonard Feather brings his many years of experience in the jazz field both as critic and musician. For the person who has long sought a true guide to the enthralling world of jazz; for the student, the fan and the musician to whom jazz is an exciting territory, THE BOOK OF JAZZ provides the much-needed succinct story of this important new art form of the twentieth century.


Jazz

Jazz

Author: Eddie S. Meadows

Publisher: Routledge

Published: 2013-10-23

Total Pages: 782

ISBN-13: 1136776028

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Jazz: Research and Pedagogy is the third edition of an annotated bibliography to books, recordings, videos, and websites in the field of jazz. Since the publication of the 2nd edition in 1995, the quantity and quality of books on jazz research, performance, and teaching materials have increased. Although the 1995 book was the most comprehensive annotated jazz bibliography published to that date, several books on research, performance, and teaching materials were omitted. In addition, given the proliferation of new books in all jazz areas since 1995, the need for a new, comprehensive, and annotated reference book on jazz is apparent. Multiply indexed, this book will serve as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared in the field over the last decade.


The OKRs Field Book

The OKRs Field Book

Author: Ben Lamorte

Publisher: John Wiley & Sons

Published: 2022-03-09

Total Pages: 199

ISBN-13: 1119816424

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Take your OKRs coaching skills to the next level with this practical handbook. In The OKRs Field Book: A Step-by-Step Guide for Objectives and Key Results Coaches, Ben Lamorte, a seasoned coach and management science expert, provides a structured approach for implementing objectives and key results. This book provides tips and tools that enable you to coach your OKRs clients with confidence. Lamorte analyzes foundational questions that must be answered prior to deploying OKRs and the roles required to sustain an OKRs program. Packed with excerpts from actual OKRs coaching sessions, this step-by-step guide shines a light on the OKRs coaching process. You learn how to help your client refine key results that look like tasks into key results that reflect measurable outcomes. In addition to sample training workshop agendas and coaching emails, Lamorte introduces the first comprehensive list of OKRs coaching questions. The field book covers how to: Structure an OKRs coaching engagement using a three-phased approach. Avoid common pitfalls such as cascading OKRs based on the org chart. Ensure your client asks the right questions at each step of the OKRs cycle. Perfect for external coaches and business mentors looking for a repeatable structure to help their clients succeed with OKRs, The OKRs Field Book is also an indispensable resource for internal coaches looking to support their organization’s OKRs program.


The Penguin Jazz Guide

The Penguin Jazz Guide

Author: Brian Morton

Publisher: Penguin UK

Published: 2010-11-04

Total Pages: 1113

ISBN-13: 0141959002

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The Penguin Guide to Jazz Recordings is firmly established as the world's leading guide to recorded jazz, a mine of fascinating information and a source of insightful - often wittily trenchant - criticism. This is something rather different: Brian Morton (who taught American history at UEA) has picked out the 1000 best recordings that all jazz fans should have and shows how they tell the history of the music and with it the history of the twentieth century. He has completely revised his and Richard Cook's entries and reassessed each artist's entry for this book. The result is an endlessly browsable companion that will prove required reading for aficionados and jazz novices alike. 'It's the kind of book that you'll yank off the shelf to look up a quick fact and still be reading two hours later' Fortune 'Part jazz history, part jazz Karma Sutra with Cook and Morton as the knowledgeable, urbane, wise and witty guides ... This is one of the great books of recorded jazz; the other guides don't come close' Irish Times


Ethnomusicology

Ethnomusicology

Author: Helen Myers

Publisher: W. W. Norton & Company

Published: 1993

Total Pages: 578

ISBN-13: 9780393033786

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Complementing Ethnomusicology: An Introduction, this volume of studies, written by world-acknowledged authorities, places the subject of ethnomusicology in historical and geographical perspective. Part I deals with the intellectual trends that contributed to the birth of the discipline in the period before World War II. Organized by national schools of scholarship, the influence of 19th-century anthropological theories on the new field of "comparative musicology" is described. In the second half of the book, regional experts provide detailed reviews by geographical areas of the current state of ethnomusicological research.


Thinking in Jazz

Thinking in Jazz

Author: Paul F. Berliner

Publisher: University of Chicago Press

Published: 2009-10-05

Total Pages: 904

ISBN-13: 0226044521

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A landmark in jazz studies, Thinking in Jazz reveals as never before how musicians, both individually and collectively, learn to improvise. Chronicling leading musicians from their first encounters with jazz to the development of a unique improvisatory voice, Paul Berliner documents the lifetime of preparation that lies behind the skilled improviser's every idea. The product of more than fifteen years of immersion in the jazz world, Thinking in Jazz combines participant observation with detailed musicological analysis, the author's experience as a jazz trumpeter, interpretations of published material by scholars and performers, and, above all, original data from interviews with more than fifty professional musicians: bassists George Duvivier and Rufus Reid; drummers Max Roach, Ronald Shannon Jackson, and Akira Tana; guitarist Emily Remler; pianists Tommy Flanagan and Barry Harris; saxophonists Lou Donaldson, Lee Konitz, and James Moody; trombonist Curtis Fuller; trumpeters Doc Cheatham, Art Farmer, Wynton Marsalis, and Red Rodney; vocalists Carmen Lundy and Vea Williams; and others. Together, the interviews provide insight into the production of jazz by great artists like Betty Carter, Miles Davis, Dizzy Gillespie, Coleman Hawkins, and Charlie Parker. Thinking in Jazz overflows with musical examples from the 1920s to the present, including original transcriptions (keyed to commercial recordings) of collective improvisations by Miles Davis's and John Coltrane's groups. These transcriptions provide additional insight into the structure and creativity of jazz improvisation and represent a remarkable resource for jazz musicians as well as students and educators. Berliner explores the alternative ways—aural, visual, kinetic, verbal, emotional, theoretical, associative—in which these performers conceptualize their music and describes the delicate interplay of soloist and ensemble in collective improvisation. Berliner's skillful integration of data concerning musical development, the rigorous practice and thought artists devote to jazz outside of performance, and the complexities of composing in the moment leads to a new understanding of jazz improvisation as a language, an aesthetic, and a tradition. This unprecedented journey to the heart of the jazz tradition will fascinate and enlighten musicians, musicologists, and jazz fans alike.


Popular Music

Popular Music

Author: Roman Iwaschkin

Publisher: Routledge

Published: 2016-04-14

Total Pages: 675

ISBN-13: 1317223454

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This is a comprehensive guide to popular music literature, first published in 1986. Its main focus is on American and British works, but it includes significant works from other countries, making it truly international in scope.