Hob, the friendly spirit who lives under the stairs and protects the house, must do battle with a variety of evil beings trying to take control of his family's home.
Hob, the friendly spirit who lives under the stairs and protects the house, must do battle with a variety of evil beings trying to take control of his family's home.
Five episodes featuring Hob, a goblin, and the family he lives with and protects, though only the children can see him. In this book Hob tries to outwit the wicked-eyed Boggart, figure out who took Boy's soccer boots, keep the Black Hole away from the toes of Girl's socks, tame the mysterious Black Dog, and keep Sad from spoiling the family's Christmas.
Two sisters run away from their abusive stepfather and settle in an abandoned house in West Texas, only to find that they are not alone but share the premises with the mysterious and helpful Hobkin.
“Big ideas that just might save the world”—The Guardian The founder of the international Transition Towns movement asks why true creative, positive thinking is in decline, asserts that it's more important now than ever, and suggests ways our communities can revive and reclaim it. In these times of deep division and deeper despair, if there is a consensus about anything in the world, it is that the future is going to be awful. There is an epidemic of loneliness, an epidemic of anxiety, a mental health crisis of vast proportions, especially among young people. There’s a rise in extremist movements and governments. Catastrophic climate change. Biodiversity loss. Food insecurity. The fracturing of ecosystems and communities beyond, it seems, repair. The future—to say nothing of the present—looks grim. But as Transition movement cofounder Rob Hopkins tells us, there is plenty of evidence that things can change, and cultures can change, rapidly, dramatically, and unexpectedly—for the better. He has seen it happen around the world and in his own town of Totnes, England, where the community is becoming its own housing developer, energy company, enterprise incubator, and local food network—with cascading benefits to the community that extend far beyond the projects themselves. We do have the capability to effect dramatic change, Hopkins argues, but we’re failing because we’ve largely allowed our most critical tool to languish: human imagination. As defined by social reformer John Dewey, imagination is the ability to look at things as if they could be otherwise. The ability, that is, to ask What if? And if there was ever a time when we needed that ability, it is now. Imagination is central to empathy, to creating better lives, to envisioning and then enacting a positive future. Yet imagination is also demonstrably in decline at precisely the moment when we need it most. In this passionate exploration, Hopkins asks why imagination is in decline, and what we must do to revive and reclaim it. Once we do, there is no end to what we might accomplish. From What Is to What If is a call to action to reclaim and unleash our collective imagination, told through the stories of individuals and communities around the world who are doing it now, as we speak, and witnessing often rapid and dramatic change for the better.
Absentee owners. Single-minded concern for the bottom line. Friction between workers and management. Hostile takeovers at the hands of avaricious and unaccountable multinational interests. The story of America's industrial decline is all too familiar - and yet, somehow, still hard to fathom. Jamie Sayen spent years interviewing residents of Groveton, New Hampshire, about the century-long saga of their company town. The community's paper mill had been its economic engine since the early twentieth century. Purchased and revived by local owners in the postwar decades, the mill merged with Diamond International in 1968. It fell victim to Anglo-French financier James Goldsmith's hostile takeover in 1982, then suffered through a series of owners with no roots in the community until its eventual demise in 2007. Drawing on conversations with scores of former mill workers, Sayen reconstructs the mill's human history: the smells of pulp and wood, the injuries and deaths, the struggles of women for equal pay and fair treatment, and the devastating impact of global capitalism on a small New England town. This is a heartbreaking story of the decimation of industrial America.
DIVDIVAfter a family tragedy, a man chases consolation—or is it oblivion?—by traveling through some seedy locales of place and spirit/divDIV Early on in Hob Broun’s second novel, the mother of the unnamed narrator, a failed actress, commits suicide by putting her head through a television. That fact, together with our hero’s desire for his ex-girlfriend’s older sister, prompts a radical departure as he quits his job cataloging old television shows and sets off on a westward journey. Pursuing solace in unlikely places, he embarks on a string of just-as-unlikely romances, including ones with a motel maid and an archaeology professor. But can anything distract him from the painful emptiness within? In the desert, finally free of society, a self-reckoning awaits./divDIV Bracing in its vision, Inner Tube is a fearless and often bitingly funny novel about what happens when our civilized veneers are shed./div/div
I’m Sam Quinn, the newly married werewolf book nerd owner of the Slaughtered Lamb Bookstore and Bar. Clive and I are on our honeymoon. Paris is lovely, though the mummy in the Louvre inching toward me is a bit off-putting. Although Clive doesn’t sense anything, I can’t shake the feeling I’m being watched. Even after we cross the English Channel to begin our search for Aldith—the woman who’s been plotting against Clive since the beginning—the prickling unease persists. Clive and I are separated, rather forcefully, and I’m left to find my way alone in a foreign country, evading not only Aldith’s large web of hench-vamps, but vicious fae creatures disloyal to their queen. Gloriana says there’s a poison in the human realm that’s seeping into Faerie, and I may have found the source. I knew this was going to be a working vacation, but battling vampires on one front and the fae on another is a lot, especially in a country steeped in magic. As a side note, I need to get word to Benvair. I think I’ve found the dragon she’s looking for. Gloriana is threatening to set her warriors against the human realm, but I may have a way to placate her. Aldith is a different story. There’s no reasoning with rabid vengeance. She’ll need to be put out of our misery permanently if Clive and I have any hope of a long, happy life together. Heck, I’d settle for a few quiet weeks.
Twelve-year-old Kaya must harness the power of story magic--ignoring her society's bias against female magic wielders and her own internalized fear that her magic will cause bad luck--to save her brother and find herself.