Harris Malouf, a killer with an erased official past, is visited by someone who could not be alive. In Aarhus, police officer Jens Erik cannot forget the body of a black man recovered from the sea some years ago. On an abandoned oil rig in the North Sea, Michelle, a young Caribbean woman, realizes that the man she has followed to this job is not what he claims to be. Set in the post-pandemic world around 2030, but moving back in time to cover all of the 21st century, The Body by the Shore is a novel about reason and emotion, love and despair, greed and hope. When all the narrative strands come together, a world of great terror and beauty is revealed.
A killer is at work in the commuter belt. DCI Gillard needs answers, fast... Promising architect Peter Young is shot dead at his desk. DCI Craig Gillard is quickly on the scene, looking at what appears to be a brutal and highly professional hit. Two weeks later, on the Lincolnshire coast, another body is found on a windswept beach. The man cannot be identified, but sports a curious brand, burned into his neck. Gillard is plunged into a case without answers, finding himself up against dark and mysterious forces. This time lives are on the line, children's lives - and his own. Written at breakneck pace with a jaw-dropping twist you won’t see coming, The Body on the Shore is perfect for fans of Robert Bryndza and Mark Billingham.
So persuasive are Yoon's powers of invention that I went searching for his Solla Island somewhere off the mainland of South Korea not realizing that it exists only in this breathtaking collection of eight interlinked stories...Yoon's writing results in a fully formed, deftly executed debut. The lost lives, while heartbreaking, prove illuminating in Yoon's made-up world, so convincing and real. To read is truly to believe. San Francisco Chronicle ''Paul Yoon writes stories the way Faberg made eggs; with untold craftsmanship, artistry, and delicacy. Again and again another layer of intricacy is revealed, proving that something as small as a story can be as satisfying and moving as a Russian novel. Ann Patchett ''These are lovely stories, rendered with a Chekhovian elegance. They span from post - World War II to the new millennium, with characters of different ethnicities, yet each story has a timelessness and relevance that's haunting and unforgettable. Yoon is a sparkling new writer to welcome and celebrate. Don Lee ''these are splendid stories, at once lyrical and plain-spoken and full of unusual realities. Once the Shore is a kind of fantastic Korean gazetteer that tours us confidently through unpredictable incidents and often startling conversations. Paul Yoon's writing is erotic, haunting, original and worldly. Howard Norman Spanning over half a century from the years just before the Korean War to the present the eight stories in this collection reveal an intricate and unforgettable portrait of a single island in the South Pacific. Novelistic in scope, daring in its varied environments, Once the Shore introduces a remarkable new voice in international fiction.
A mother and her two daughters spend a summer grappling with heartbreak, young love, and the weight of secrets in this “deeply felt family saga” (Entertainment Weekly) hailed as “one of the best beach reads of all time” (Today). Brian and Margot Dunne live year-round in Seaside, just steps away from the bustling boardwalk, with their daughters Liz and Evy. The Dunnes run a real estate company, making their living by quickly turning over rental houses for tourists. But the family’s future becomes precarious when Brian develops a brain tumor, transforming into an erratic version of himself. Amidst the chaos and new caretaking responsibilities, Liz still seeks out summer adventure and flirting with a guy she should know better than to pursue. Her younger sister Evy works in a candy shop, falls in love with her friend Olivia, and secretly adopts the persona of a middle-aged mom in an online support group, where she discovers her own mother’s vulnerable confessions. Meanwhile, Margot faces an impossible choice driven by grief, impulse, and the ways that small-town life has shaped her. Falling apart is not an option, but she can always pack up and leave the beach behind. “An emotional family drama...with endearing characters and deep insights” (Glamour), The Shore is a heartbreaking yet ultimately uplifting novel infused with humor about finding sisterhood, friendship, and love in a time of crisis. This big-hearted novel examines the grit and hustle of running a small business in a tourist town, the ways we connect with strangers when our families can’t give us everything we need, and the comfort found in embracing the pleasures of youth while coping with unimaginable loss.
NATIONAL BESTSELLER • From the New York Times bestselling author of The Wind-Up Bird Chronicle and one of the world’s greatest storytellers comes "an insistently metaphysical mind-bender” (The New Yorker) about a teenager on the run and an aging simpleton. Now with a new introduction by the author. Here we meet 15-year-old runaway Kafka Tamura and the elderly Nakata, who is drawn to Kafka for reasons that he cannot fathom. As their paths converge, acclaimed author Haruki Murakami enfolds readers in a world where cats talk, fish fall from the sky, and spirits slip out of their bodies to make love or commit murder, in what is a truly remarkable journey. “As powerful as The Wind-Up Bird Chronicle.... Reading Murakami ... is a striking experience in consciousness expansion.” —The Chicago Tribune
A GQ Best Book of the Month • A New York Post Must-Read Book • A Flavorwire Book of the Week • A New York Daily News Can't-Put-Down Novel “[Parish] has got chops, and a feel for dialogue, and is a talent in the making.” —Bill Buford, The Wall Street Journal “Read this book in a beach chair. . . . [A] worldy and propulsive debut.”—GQ An exhilarating novel of reinvention, friendship, and ambition—from the Jersey Shore to St. Andrews in Scotland Tom Alison has it all within his reach. He’s smart, handsome, and about to graduate from a prestigious East Coast boarding school. After that it’s off to the Ivy League and then a job on Wall Street, alongside the power brokers he’s been watching from a distance as the working-class son of a single mom. And then the very life his mother worked so hard to escape catches up with him when he gets busted selling drugs. Lucky for Tom, there are places for boys and girls with ruined reputations. First, he returns to his roots on the Jersey Shore, reconnecting with a hard-living crew and cementing a bond with his new friend Clare Savage—the son of a recently disgraced financier. The two boys spend their summer surfing and partying. When fall arrives, they head to St. Andrews University in Scotland, a haven for Americans in need of a second chance and a favorite of the British ruling class. Tom and Clare escape to Scotland together, but it’s Tom who discovers a world shaped by even more powerful forces of greed and ambition than the one he left behind. Sucked into a maelstrom of sex, drugs, and status, Tom learns what it takes to break the rules—and how we can be broken by them. Driven by a cast of young men and women living in an age of riotous prosperity, Down the Shore is an unflinching and unforgettable story of youth steeped in excess. Stan Parish has crafted a gripping novel that masterfully captures the lives of fallen financiers and the people they bring down with them—and reminds us that not even an ocean can separate us from our family, our friends, or our past.
Nebula and Hugo award-winning author David Brin continues his bestselling Uplift series in this second novel of a bold new trilogy. Imaginative, inventive, and filled with Brin's trademark mix of adventure, passion, and wit, Infinity's Shore carries us further than ever before into the heart of the most beloved and extraordinary science fiction sagas ever written. For the fugitive settlers of Jijo, it is truly the beginning of the end. As starships fill the skies, the threat of genocide hangs over the planet that once peacefully sheltered six bands of sapient beings. Now the human settlers of Jijo and their alien neighbors must make heroic--and terrifying--choices. A scientist must rally believers for a cause he never shared. And four youngsters find that what started as a simple adventure--imitating exploits in Earthling books by Verne and Twain--leads them to the dark abyss of mystery. Meanwhile, the Streaker, with her fugitive dolphin crew, arrives at last on Jijo in a desperate search for refuge. Yet what the crew finds instead is a secret hidden since the galaxies first spawned intelligence--a secret that could mean salvation for the planet and its inhabitants...or their ultimate annihilation.
From the New York Times bestselling author of MEXICAN GOTHIC and GODS OF JADE AND SHADOW, Silvia Moreno-Garcia, comes the 2021 International Latino Book Award medal-winning UNTAMED SHORE, a coming-of-age story set in Mexico which quickly turns dark when a young woman meets three enigmatic tourists. Baja California, 1979. Viridiana spends her days watching the dead sharks piled beside the seashore, as the fishermen pull their nets. There is nothing else to do, nothing else to watch, under the harsh sun. She’s bored. Terribly bored. Yet her head is filled with dreams of Hollywood films, of romance, of a future beyond the drab town where her only option is to marry and have children. Three wealthy American tourists arrive for the summer, and Viridiana is magnetized. She immediately becomes entwined in the glamorous foreigners’ lives. They offer excitement, and perhaps an escape from the promise of a humdrum future. When one of them dies, Viridiana lies to protect her friends. Soon enough, someone’s asking questions, and Viridiana has some of her own about the identity of her new acquaintances. Sharks may be dangerous, but there are worse predators nearby, ready to devour a naïve young woman who is quickly being tangled in a web of deceit.
"A master storyteller." — New York Times Book Review On Night's Shore brings us deep into the troubled psyche of Edgar Allan Poe and the power struggle between the sleazy underbelly and the business elite of nineteenth-century New York City. Standing on the grimy banks of the Hudson River, street urchin Augie Dubbins spots a young woman toss her baby into the water, then jump in herself. As the only witness to the tragedy, Augie sees an opportunity to make a few pennies recounting the events, and in doing so encounters a struggling young journalist named Edgar Allan Poe, a poet and newspaper hack whose penchant for saying the wrong thing at the wrong time has earned him more than a few enemies. When the unlikely duo discover the body of yet another young woman shortly after, they become entrapped in a mire of murder, greed, and power that stretches from the Five Points slums to the gleaming heights of Fifth Avenue. Additional Praise for On Night's Shore: "A riveting tale of murder and betrayal... On Night's Shore drips with descriptive power." — New York Post
This groundbreaking study of a little-explored branch of American literature both chronicles and reinterprets the variety of patterns found within Hawaii’s pastoral and heroic literary traditions, and is unprecedented in its scope and theme. As a literary history, it covers two centuries of Hawaii’s culture since the arrival of Captain James Cookin 1778. Its approach is multicultural, representing the spectrum of native Hawaiian, colonial, tourist, and polyethnic local literatures. Explicit historical, social, political, and linguistic context of Hawaii, as well as literary theory, inform Stephen Sumida’s analyses and explications of texts, which in turn reinterpret the nonfictional contexts themselves. These “texts” include poems, song lyrics, novels and short fiction, drama and oral traditions that epitomize cultural milieus and sensibilities. Hawaii’s rich literary tradition begins with ancient Polynesian chant and encompasses the compelling novels of O.A. Bushnell, Shelley Ota, Kazuo Miyamoto, Milton Marayama, and John Dominis Holt; the stories of Patsy Saiki and Darrell Lum; the dramas of Aldyth Morris; the poetry of Cathy Song, Erick Chock, Jody Manabe, Wing Tek Lum, and others of the contemporary “Bamboo Ridge” group; Hawaiian songs and poetry, or mele; and works written by visitors from outside the islands, such as the journals of Captain Cook and the prose fiction of Herman Melville, James Fenimore Cooper, Mark Twain, and James Michener. Sumida discusses the renewed enthusiasm for native Hawaiian culture and the controversies over Hawaii’s vernacular pidgins and creoles. His achievement in developing a functional and accessible critical and intellectual framework for analyzing this diverse material is remarkable, and his engaging and perceptive analysis of these works invites the reader to explore further in the literature itself and to reconsider the present and future direction of Hawaii’s writers.
