This Novella is set in a Buddhist monastery at the foothills of the Khangchendzonga mountains in north east India. The inspiration for this work comes from an exquisite painting of the same name, ‘The Bodhisattva’s Tusks’ by Abanindronath Tagore, in which a meditating prince has draped his flowing locks of hair over the ivory tusks of an elephant. The book deals with characters who From New Zealand to New Delhi and beyond, the characters travel the metaphoric distance from being too comfortable with themselves to feeling a great level of personal and emotional turmoil and then finally arrive at the gates to self knowledge.come to this monastery for their slice of personal truth, and each one’s moment of reckoning inevitably arrives.
The present work consists of seven chapters that deal with the Bodhisattva doctrine as expounded in the principal Buddhist Sanskrit Literature. Chapter 1 describes the nature of the Bodhisattva doctrine with particular stress on the distinct chatacteristics of arhat, Bodhisattva and sravaka. Chapter II recounts the different factors including the influence Persian religio-cult, Greek art and Christian ethics that contributed to the rise and growth of the Boddhisattva doctrine. Chapter III expounds the production of the thought of Enlightenment for the welfare and liberation of all creatures. Chapters IV describes thirty-seven practices and principles conducive to the attainment of Enlightenment. Chapter V expalins the ten perfections that lead to welfare, rebirth, serenity, spiritual cultivation, and supreme knowledge. Chapter VI states different stages of spiritual progress in the aspirant`s long journey to the goal of final emancipation and Chapter VII relates the events of the Gautama Buddha`s past lives as Bodhisattva. The book contains comprehensive notes and references besides a general index appended at the end. It is written in a very lucid style that speaks of the writer`s scholarly acumen and mastry of literary art.
Buddhism is often the religion that teachers have the least confidence in teaching despite being the sixth largest religion in the UK and being commonly regarded as one of the six major religions to be taught in schools throughout the country. This book explores the beliefs and practices of Buddhism as a lived religion in the UK. This book engages with Buddhist beliefs and practices and provides students and teachers with the confidence to address misconceptions and recognise the importance of beliefs in the lives of believers, in a way that will enable readers to go forward with confidence. Aspects of Buddhism explored include the concepts that form the central beliefs of Buddhism, and then the expression of these beliefs in worship, daily life, and the ethics of Buddhists in the modern day. Each chapter includes authentic voices of believers today and provides opportunities for the reader to consider the concepts and how they can be respected and taught and in the classroom. The book forms part of the Teaching Religions and Worldviews series of guides, each one designed to build teachers' confidence and expertise in teaching a different religion or worldview in the classroom..
Head, Eyes, Flesh, and Blood is the first comprehensive study of a central narrative theme in premodern South Asian Buddhist literature: the Buddha's bodily self-sacrifice during his previous lives as a bodhisattva. Conducting close readings of stories from Sanskrit, Pali, Chinese, and Tibetan literature written between the third century BCE and the late medieval period, Reiko Ohnuma argues that this theme has had a major impact on the development of Buddhist philosophy and culture. Whether he takes the form of king, prince, ascetic, elephant, hare, serpent, or god, the bodhisattva repeatedly gives his body or parts of his flesh to others. He leaps into fires, drowns himself in the ocean, rips out his tusks, gouges out his eyes, and lets mosquitoes drink from his blood, always out of selflessness and compassion and to achieve the highest state of Buddhahood. Ohnuma places these stories into a discrete subgenre of South Asian Buddhist literature and approaches them like case studies, analyzing their plots, characterizations, and rhetoric. She then relates the theme of the Buddha's bodily self-sacrifice to major conceptual discourses in the history of Buddhism and South Asian religions, such as the categories of the gift, the body (both ordinary and extraordinary), kingship, sacrifice, ritual offering, and death. Head, Eyes, Flesh, and Blood reveals a very sophisticated and influential perception of the body in South Asian Buddhist literature and highlights the way in which these stories have provided an important cultural resource for Buddhists. Combined with her rich and careful translations of classic texts, Ohnuma introduces a whole new understanding of a vital concept in Buddhists studies.
