A compelling examination of one of history's greatest and most controversial mysteries revealing that the recent scientific findings confirms the authenticity of the shroud. 48 pp, photo insert.
"Heller, while a man of science, was nevertheless a devout man (Southern Baptist). He viewed his task concerning The Shroud with great scepticism; there have been far too many hoaxes in the world of religion. The book describes in great detail the events leading up to the team's conviction that the Shroud was genuine; last - not least - being Heller and Adler's verification of "heme" (blood) and the inexplicable "burned image" of the crucified man. Although carbon dating indicates that the image is not 2000 years old and that the cloth is from the Middle Ages, there is not enough evidence to disprove Heller's assertion that the Shroud is indeed genuine"--Amazon.com
The Shroud of Turin is celebrated as one of the holiest and most important relics of Christianity, with millions of pilgrims traveling to see the precious cloth in Italy on the rare occasions it has been displayed. Yet despite its enormous global popularity, the Shroud's authenticity is not without question. To address lingering uncertainties head-on, celebrated Catholic scientist Dr. Gerard Verschuuren explores and synthesizes the various scientific studies conducted on the Shroud —including those analyzing DNA, blood, carbon, pollen, textile, and anatomical issues — as well as its storied history. He then scrutinizes the motives of the individual scientists performing these studies, the assumptions they employed to arrive at their conclusions, and the instances in which they veered into areas outside the competence of the sciences. After this exhaustive and highly satisfying analysis, Dr. Verschuuren reveals the reasons why he believes the Shroud of T
How did a first-century Jew called Jesus manage to spark a new religion? Christianity was born nearly two thousand years ago and has won untold millions of followers. Yet, historians still cannot say how it really began. The Sign finally provides the answer. Traditionally, the birth of Christianity has been explained via the miracle of the Resurrection, but historians have been unable to account for Christianity’s remarkable success without the Resurrection to spark it. If no one really saw the Risen Jesus, how were people convinced that he was their immortal Messiah? Art historian Thomas de Wesselow has spent the last seven years deducing the answer to this puzzle. Reassessing a much-misunderstood historical source and reinterpreting critical biblical passages, de Wesselow shows that the solution has been staring us in the face for more than a century. The Shroud of Turin, widely thought to be a fake, is, in fact, authentic. And it holds the key to the greatest mystery in human history.
Two decades after radiocarbon dating declared the Turin Shroud a mediaeval fake, brand-new historical discoveries strongly suggest that this famous cloth, with its extraordinary photographic imprint, is genuinely Christ's shroud after all. In 1978 in his international bestseller The Turin Shroud Ian Wilson ignited worldwide public debate with his compelling case endorsing the shroud's authenticity. Now, 30 years later, he has completely rewritten and updated his earlier book to provide fresh evidence to support his original argument. Shroud boldly challenges the current post-radiocarbon dating view - that it is a fake. By arguing his case brilliantly and provocatively, Ian Wilson once more throws the matter into the public arena for further debate and controversy.
The Turin Shroud is the most important and studied relic in the world. Many papers on it have recently appeared in important scientific journals. Scientific studies on the relic until today have failed to provide conclusive answers about the identity of the enveloped man and the dynamics regarding the image formation impressed therein. This book not only addresses these issues in a scientific and objective manner but also leads the reader through new search paths. It summarizes the results in a simple manner for the reader to comprehend easily. Many books on the theme have been already published, but none of them contains such a large quantity of scientific news and reports. The most important of them is the following: The result of the 1988 radiocarbon dating is statistically wrong, and three new dating methods demonstrate that the Shroud has an age compatible with the epoch in which Jesus Christ lived in Palestine. A numismatic analysis performed on Byzantine gold coins confirms this result. This book is, therefore, very important with respect to the Turin Shroud.
Two decades after radiocarbon dating declared the Turin Shroud a mediaeval fake, brand-new historical discoveries strongly suggest that this famous cloth, with its extraordinary photographic imprint, is genuinely Christ's shroud after all. In 1978 in his international bestseller The Turin Shroud Ian Wilson ignited worldwide public debate with his compelling case endorsing the shroud's authenticity. Now, 30 years later, he has completely rewritten and updated his earlier book to provide fresh evidence to support his original argument. Shroud boldly challenges the current post-radiocarbon dating view - that it is a fake. By arguing his case brilliantly and provocatively, Ian Wilson once more throws the matter into the public arena for further debate and controversy.
ÊThis is the story of the Sudarium of Oviedo, an ancient bloodstained cloth, believed to have covered the head of Jesus of Nazareth after his crucifixion. The author traces the known history of the linen and presents the up-to-date conclusions of EDICES. The investigative team that has been studying the cloth since 1989, discusses the cultural significance of the crucifixion and blood in the context of first-century Jerusalem. They demonstrate the significance of the famous passage of John 20:5-7, as analyzed by some of the most important Biblical scholars of the world. The book contains twenty pages of color photographs, many of which are from EDICES. These photographs explain visually the bloodstains and wrinkles found on the cloth, how the cloth was used, its comparison with the Shroud of Turin and the historical odyssey from Jerusalem to Spain.