The Blood of Cuba is the true-to-life story of an innocent peasant boy, Cesar Mérez, growing up in post-revolutionary Cuba and his meteoric rise to the rank of colonel in the Cuban military. It chronicles the transformation Cesar undergoes due to the human brutality he witnesses while fighting for socialist causes in the mountains of Venezuela and the jungles of Angola. Eventually, through a twist of fate, he is exiled to the United States where his life is changed forever. At the same time, the story parallels three days in the troubled life of his unknown American half-brother, Dr. Thomas Savage. Tom is a physician living in Pennsylvania, who struggles with his inner demons and everyday family problems. Interwoven throughout the story are the lusts and loves of the two men. The reader will grow to both love and hate each of the brothers. Ultimately, after living divergent lives, fate brings the brothers together and, out of survival, they are forced to try and destroy each other.
Photographer Richard Sharum travelled across Cuba to document the lives of isolated farmers, or 'Campesinos, ' and their wider communities at a time of national transition. The histories of these communities have formed the backbone of Cuba, and yet they are rarely depicted in photographic representations of the country. Sharum began researching Campesino communities in late 2015 and his resulting black and white photographs depict the intertwined relationship of people and the land they depend on.
A big, panoramic story of the new America, as told by our master chronicler of the way we live now. As a police launch speeds across Miami's Biscayne Bay -- with officer Nestor Camacho on board -- Tom Wolfe is off and running. Into the feverous landscape of the city, he introduces the Cuban mayor, the black police chief, a wanna-go-muckraking young journalist and his Yale-marinated editor; an Anglo sex-addiction psychiatrist and his Latina nurse by day, loin lock by night-until lately, the love of Nestor's life; a refined, and oh-so-light-skinned young woman from Haiti and her Creole-spouting, black-gang-banger-stylin' little brother; a billionaire porn addict, crack dealers in the 'hoods, "de-skilled" conceptual artists at the Miami Art Basel Fair, "spectators" at the annual Biscayne Bay regatta looking only for that night's orgy, yenta-heavy ex-New Yorkers at an "Active Adult" condo, and a nest of shady Russians. Based on the same sort of detailed, on-scene, high-energy reporting that powered Tom Wolfe's previous bestselling novels, Back to Blood is another brilliant, spot-on, scrupulous, and often hilarious reckoning with our times.
“Portrays the vitality and dynamism of indigenous actors in what is arguably one of the most foundational and central zones in the making of modern world history: the Caribbean.”—Maximilian C. Forte, author of Ruins of Absence, Presence of Caribs “Brings together historical analysis and the compelling stories of individuals and families that labored in the island economies of the Caribbean.”—Cynthia Radding, coeditor of Borderlands in World History, 1700–1914 During the colonial period, thousands of North American native peoples traveled to Cuba independently as traders, diplomats, missionary candidates, immigrants, or refugees; others were forcibly transported as captives, slaves, indentured laborers, or prisoners of war. Over the half millennium after Spanish contact, Cuba also served as the principal destination and residence of peoples as diverse as the Yucatec Mayas of Mexico; the Calusa, Timucua, Creek, and Seminole peoples of Florida; and the Apache and Puebloan cultures of the northern provinces of New Spain. Many settled in pueblos or villages in Cuba that endured and evolved into the nineteenth century as urban centers, later populated by indigenous and immigrant Amerindian descendants and even their mestizo, or mixed-blood, progeny. In this first comprehensive history of the Amerindian diaspora in Cuba, Jason Yaremko presents the dynamics of indigenous movements and migrations from several regions of North America from the sixteenth through nineteenth centuries. In addition to detailing the various motives influencing aboriginal migratory processes, Yaremko uses these case studies to argue that Amerindians—whether voluntary or involuntary migrants—become diasporic through common experiences of dispossession, displacement, and alienation within Cuban colonial society. Yet, far from being merely passive victims acted upon, he argues that indigenous peoples were cognizant agents still capable of exercising power and influence to act in the interests of their communities. His narrative of their multifaceted and dynamic experiences of survival, adaptation, resistance, and negotiation within Cuban colonial society adds deeply to the history of transculturation in Cuba, and to our understanding of indigenous peoples, migration, and diaspora in the wider Caribbean world.
The book makes accessible a selection of speeches and television appearances by Fidel Castro during the first two years of the Cuban Revolution. Readers can trace the evolution of this legendary leader’s radical political thought and analyze his extraordinary capacity for overcoming adverse political and ideological circumstances in a constant movement towards a socialist ideal. The work is organized chronologically with introductory presentations prepared by Cuban experts José Bell, Tania Caram and Delia Luisa López and includes a glossary and bibliography. The methodology of this work is original and includes material from 1959 not previously published elsewhere.
Exploring the cultural politics of Cuba's epic military engagement in the Angolan civil war, this book narrates the transformation of Cuban national identity from Latin African to Caribbean through the experience of internationalism in Angola.
