Acclaimed author and music critic Sean Murphy's new poetry collection is a searing and timely take on American culture that finds perspective on the present by interrogating our past. The Blackened Blues offers a powerful glimpse into the human psyche, exploring the minds of artists and visionaries, addicts and trauma survivors, searching (as we all are) for "some way to live." We leave this book with a heavy dose of truth, but also of the kind of beauty that makes such truth bearable.
A black musician arrested by Nazis in 1930s Germany endures the horrors of the Dachau death camp in this harrowing novel based on historical fact A self-proclaimed “gay negro” from New Orleans, Clifford Pepperidge made his name in the smoky nightclubs of Harlem in the 1920s, playing piano alongside Bessie Smith, Duke Ellington, and other jazz greats. A decade later, he thrills crowds nightly in the cabarets of Weimar Berlin. But dark days are on the horizon as the Nazi Party rises to power. Arrested by Hitler’s Gestapo during a roundup of homosexuals, Clifford finds himself placed in “protective custody” and transported to a concentration camp. Stripped of his dignity and his identity, and plunged into a nightmare of forced labor, starvation, and abuse, he seeks escape in his music. When a camp SS officer and jazz aficionado recognizes Clifford, the gentle musician learns just how far a desperate man will go in order to survive. Shining a light on a little-known aspect of the Holocaust, Clifford’s Blues is a disturbing portrait of a dark era in world history and a poignant celebration of the resilience of the human spirit and the power of music.
A fast-moving, action-packed story . . . Sarah Beauhall is half girl, half warrior, and all attitude.--Louise Marley, author of "The Singers of Nevya."
Levi Black delivers in Black Goat Blues, the Lovecraft-inspired sequel to the dark fantasy Red Right Hand, which Jonathan Maberry calls "A perfect blend of old-school horror and modern storytelling sorcery." In Red Right Hand, Charlie Tristan Moore was thrust into a nightmarish world of lurking Lovecraftian horrors when The Man In Black, a diabolical Elder God, chose her as his unwilling Acolyte. Discovering her own power, Charlie ultimately defied The Man In Black, but at a cost. Now armed with a magic coat made from the skin of a flayed angel, Charlie is out to destroy The Man In Black and save her boyfriend Daniel—and she doesn’t care how many bloodthirsty gods and monsters get in her way...
Leading scholars in the fields of philosophy and the sciences of the mind have contributed to this newest volume in the prestigious Pittsburgh-Konstanz series. Among the problem areas discussed are folk psychology, meanings as conceptual structures, functional and qualitative properties of colors, the role of conscious mental states, representation and mental content, the impact of connectionism on the philosophy of the mind, and supervenience, emergence, and realization. Most of the essays are followed by commentaries that reflect ongoing debates in the philosophy of the mind and often develop a counterpoint to the claims of the essayists.
Winner of the 2004 C. Hugh Holman Award from the Society for the Study of Southern Literature. Seems Like Murder Here offers a revealing new account of the blues tradition. Far from mere laments about lost loves and hard times, the blues emerge in this provocative study as vital responses to spectacle lynchings and the violent realities of African American life in the Jim Crow South. With brilliant interpretations of both classic songs and literary works, from the autobiographies of W. C. Handy, David Honeyboy Edwards, and B. B. King to the poetry of Langston Hughes and the novels of Zora Neale Hurston, Seems Like Murder Here will transform our understanding of the blues and its enduring power.
Can there be a science of consciousness? This issue has been the focus of three landmark conferences sponsored by the University of Arizona in Tucson. The first two conferences and books have become touchstones for the field. This volume presents a selection of invited papers from the third conference. Can there be a science of consciousness? This issue has been the focus of three landmark conferences sponsored by the University of Arizona in Tucson. The first two conferences and books have become touchstones for the field. This volume presents a selection of invited papers from the third conference. It showcases recent progress in this maturing field by researchers from philosophy, neuroscience, cognitive psychology, phenomenology, and physics. It is divided into nine sections: the explanatory gap, color, neural correlates of consciousness, vision, emotion, the evolution and function of consciousness, physical reality, the timing of conscious experience, and phenomenology. Each section is preceded by an overview and commentary by the editors. Contributors Dick J. Bierman, Jeffrey Burgdorf, A. Graham Cairns-Smith, William H. Calvin, Christian de Quincey, Frank H. Durgin, Vittorio Gallese, Elizabeth L. Glisky, Melvyn A. Goodale, Richard L. Gregory, Scott Hagan, C. Larry Hardin, C. A. Heywood, Masayuki Hirafuji, Nicholas Humphrey, Harry T. Hunt, Piet Hut, Alfred W. Kaszniak, Robert W. Kentridge, Stanley A. Klein, Charles D. Laughlin, Joseph Levine, Lianggang Lou, Shimon Malin, A. David Milner, Steven Mithen, Martine Nida-Rumelin, Stephen Palmer, Jaak Panksepp, Dean Radin, Steven Z. Rapcsak, Sheryl L. Reminger, Antti Revonsuo, Gregg H. Rosenberg, Yves Rossetti, Jeffrey M. Schwartz, Jonathan Shear, Galen Strawson, Robert Van Gulick, Frances Vaughan, Franz X. Vollenweider, B. Alan Wallace, Douglas F. Watt, Larry Weiskrantz, Fred A. Wolf, Kunio Yasue, Arthur Zajonc
After extinction? Politics. Monsters. Murder. The alien Absolute eradicated Earth’s native life, replacing a fraction of it with alien duplicates. Kevin remembers the life of a police officer, but must find a new life in the bizarrely warped landscape of northern Michigan. But even astonishingly resilient alien flesh breaks down, with enough effort. Or enough electricity. Absolute eradicated humanity. But his copies brought the worst parts of humanity with them…
