The Gateway has been closed on the wreckage of a dead past, and the millions of survivors have a new world to explore. Civilization must be completely rebuilt under the authority of Methraton, marking the dawn of a new order. Will Wismerhill at last be free to choose his destiny? Or will he succumb to the perils of the future and the shadows of yesteryear who wish his downfall?
This work is a complete English translation of the Latin Etymologies of Isidore, Bishop of Seville (c.560–636). Isidore compiled the work between c.615 and the early 630s and it takes the form of an encyclopedia, arranged by subject matter. It contains much lore of the late classical world beginning with the Seven Liberal Arts, including Rhetoric, and touches on thousands of topics ranging from the names of God, the terminology of the Law, the technologies of fabrics, ships and agriculture to the names of cities and rivers, the theatrical arts, and cooking utensils. Isidore provides etymologies for most of the terms he explains, finding in the causes of words the underlying key to their meaning. This book offers a highly readable translation of the twenty books of the Etymologies, one of the most widely known texts for a thousand years from Isidore's time.
Mehr als 400 Jahre lang erlitten schwarzafrikanische Männer, Frauen und Kinder während des transatlantischen Sklavenhandels schlimmste Formen der Versklavung und Erniedrigung durch Katholiken und das westliche Christentum. Damals wie heute glaubte niemand an die tiefe Verwicklung der Kirche und des Papsttums in den schwarzafrikanischen Holocaust. Trotz jüngster Behauptungen des päpstlichen Officiums in Rom, wonach die Päpste jegliche Form von Sklaverei verurteilten, so auch im Falle der Versklavung von Schwarzafrikanern, verweisen neuere Studien innerhalb dieses Forschungsfeldes auf das Gegenteil. Die Kirche und die Päpste nahmen vielmehr zentrale Rollen in diesem schlimmsten Verbrechen gegen die Schwarzafrikaner seit Beginn der schriftlichen Dokumentation ein. Mithilfe zahlreicher päpstlicher Bullen aus den Geheimarchiven des Vatikans und einer Vielzahl an königlichen Dokumenten aus dem portugiesischen Nationalarchiv in Lissabon, strebt der vorliegende Band eine kritische und analytische Untersuchung dieses Aspekts des transatlantischen Sklavenhandels an, der über so viele Jahre von den westlichen Historikern und Gelehrten verschleiert wurde. For over 400 years, Black African men, women and children suffered the worst type of enslavement and humiliation from the hands of Catholics and other Western Christians during the transatlantic slave trade. Before now, no one could ever believe that the Popes of the Church were deeply involved in this Holocaust against Black African people. Despite the claims made by the hallowed papal office in Rome in recent years that the Popes condemned the enslavement of peoples wherever it existed including that of Black Africans, recent researches in these fields of study have proved the contrary to be true. The Church and her Popes were rather among the major “role players” in this worst crime against Black Africans in recorded history. With the help of a considerable number of papal Bulls from the Vatican Secret Archives and a great amount of Royal documents from the Portuguese National Archives in Lisbon, the present book is aiming to undertake a critical and analytical inquiry of this aspect of the transatlantic slavery that has been kept in the dark for so many years by the Western historians and scholars. The results of this studious but fruitful academic inquiry are laid bare in this notable work of the 21st century. Pius Onyemechi Adiele is a Catholic priest of Ahiara Diocese Mbaise and an alumnus of Seat of Wisdom Seminary Owerri and Bigard Memorial Seminary Enugu in Nigeria. He obtained his licentiate in Theology from the famous University of Münster and his doctoral degree in Church History from the renowned University of Tübingen in Germany. At present, he is a research fellow in the areas of African Church History and Enslavement of peoples as well as the pastor in charge of the merged parishes of Lauchheim, Westhausen, Lippach, Röttingen and Hülen in Germany.
This book represents the first multidisciplinary scientific work on a deep volcanic maar lake in comparison with other similar temperate lakes. The syntheses of the main characteristics of Lake Pavin are, for the first time, set in a firmer footing comparative approach, encompassing regional, national, European and international aquatic science contexts. It is a unique lake because of its permanently anoxic monimolimnion, and furthermore, because of its small surface area, its substantially low human influence, and by the fact that it does not have a river inflow. The book reflects the scientific research done on the general limnology, history, origin, volcanology and geological environment as well as on the geochemistry and biogeochemical cycles. Other chapters focus on the biology and microbial ecology whereas the sedimentology and paleolimnology are also given attention. This volume will be of special interest to researchers and advanced students, primarily in the fields of limnology, biogeochemistry, and aquatic ecology.
In this volume, Stanisław Rosik focuses on the meaning and significance of Old Slavic religion as presented in three German chronicles (the works of Thietmar of Merseburg, Adam of Bremen, Helmold of Bosau) written during the time of the Christianization of the Western Slavs. The source analyses show the ways the chroniclers understood, explained and represented pre-Christian beliefs and cults, which were interpreted as elements of a foreign, “barbarian”, culture and were evaluated from the perspective of Church doctrine. In this study, individual features of the three authors are discussed– including the issue of the credibility of their information on Old Slavic religion– and broader conclusions on medieval thought are also presented.
The development of European thought as we know it from the dawn of history down to the Dark Ages is marked by the successive secularization and de-secularization of knowledge. From the beginning Greek secular science can be seen painfully disengaging itself from superstition. For some centuries it succeeded in maintaining its separate existence and made wonderful advances; then it was obliged to give way before a new and stronger set of superstitions which may be roughly called Oriental. In the following centuries all those branches of thought which had separated themselves from superstition again returned completely to its cover; knowledge was completely de-secularized, the final influence in this process being the victory of Neoplatonized Christianity. The sciences disappeared as living realities, their names and a few lifeless and scattered fragments being all that remained. They did not reappear as realities until the medieval period ended. This process of de-secularization was marked by two leading characteristics; on the one hand, by the loss of that contact with physical reality through systematic observation which alone had given life to Greek natural science, and on the other, by a concentration of attention upon what were believed to be the superior realities of the spiritual world. The consideration of these latter became so intense, so detailed and systematic, that there was little energy left among thinking men for anything else.
Written during the second half of the 12th century, the Historia Norwegie presents a lively and Christianised account of Norwegian history, particularly of the 10th century.
It has become widely accepted among musicologists that medieval music is most profitably studied from interdisciplinary perspectives that situate it within broad cultural contexts. The origins of this consensus lie in a decisive reorientation of the field that began approximately four decades ago. For much of the twentieth century, research on medieval music had focused on the discovery and evaluation of musical and theoretical sources. The 1970s and 1980s, by contrast, witnessed calls for broader methodologies and more fully contextual approaches that in turn anticipated the emergence of the so-called 'New Musicology'. The fifteen essays in the present collection explore three interrelated areas of inquiry that proved particularly significant: the liturgy, sources (musical and archival), and musical symbolism. In so doing, these essays not only acknowledge past achievements but also illustrate how this broad, interdisciplinary approach remains a source for scholarly innovation.
In The Sons of God in Genesis 6:1–4, Jaap Doedens offers an overview of the history of exegesis of the enigmatic text about the ‘sons of God’, the ‘daughters of men’, and the ‘giants’. First, he analyzes the text of Gen 6:1–4. Subsequently, he tracks the different exegetical proposals from the earliest exegesis until those of modern times. He further provides the reader with an evaluation of the meaning of the expression ‘sons of God’ in the Old Testament and the Ancient Near East. In the last chapter, he concentrates on the message and function of Gen 6:1–4. This volume comprehensively gathers ancient and modern exegetical attempts, providing the means for an ongoing dialogue about this essentially complex and elusive passage.
1415: The jewel in the French crown, Katherine de Valois, is waiting under lock and key for King Henry V. While he's been slaughtering her kinsmen in Agincourt, Katherine has been praying for marriage to save her from her misery. But the brutal King is one of war. It is her crown he wants not her innocent love. For Katherine, a pawn in a ruthless political game, England is a lion's den of greed, avarice and mistrust. And when the magnificent King leaves her widowed at twenty–one she is a prize ripe for the taking. Her heart is on her sleeve, her young son the future monarch, and her hand in marriage worth a kingdom. This is a deadly game; one the Dowager Queen must learn fast. The players – Duke of Gloucester, Edmund Beaufort and Owen Tudor – are circling. Who will have her? Who will stop her? Who will ruin her?
