When a powerful totem of dark magic shows up at the Colt City Natural History Museum, Hitler sends his fearsome Werwolf Korps to collect the piece. Unfortunately for the f�_hrer, Colt City's protector, the Black Beetle, is on the case! From the mind of 2012 **Eisner Award winner** Francesco Francavilla (_Batman: The Black Mirror_). Collects three Dark Horse presents stories from issues #11-#13 Features a brand-new cover, 24 story pages, and bonus sketch material and art!
While investigating a meeting between a pair of powerful mob bosses, the Black Beetle - Colt City's sleuthing sentinel - witnesses an explosion that decimates the city's organized crime community, killing dozens. No one gets away with mass murder when the Black Beetle's on the case. When Colt City cries out for justice, there's one man who will answer! Follow Eisner Award-winning creator Francesco Francavilla's critically acclaimed pulp hero as he searches island prisons, dank sewers, and swanky nightclubs for the mysterious man known as Labyrinto.
While investigating a mysterious mass murder that leveled Colt City's mob bosses, Black Beetle gets wrapped up in a puzzling maze of clues. Could the appearance of a costumed criminal named Labyrinto be related to the destruction of the powerful organized-crime racket? * New series from Eisner Award winner! Francavilla delivers the pulp noir that suits his style perfectly.�Comic Book Resources One of our favorite artists . . . is unleashing one of his own creations on the unsuspecting criminals of Colt City in an all new _Black Beetle_ serial.�iFanboy
The epic conclusion to Black Beetle's first series! Colt City's caped crusader goes head to head with the mysterious villain Labyrinto! Can Black Beetle make it out of this maze of matched wits and matched blows alive?! * An all-new superhero tale from 2012 Eisner Award winner Francesco Francavilla! * Super Noir!
Fictional war narratives often employ haunted battlefields, super-soldiers, time travel, the undead and other imaginative elements of science fiction and fantasy. This encyclopedia catalogs appearances of the strange and the supernatural found in the war stories of film, television, novels, short stories, pulp fiction, comic books and video and role-playing games. Categories explore themes of mythology, science fiction, alternative history, superheroes and "Weird War."
The masked American hero ventures to the Middle East incognito (as Tom Sawyer) to fight Nazis in pursuit of a mysterious object of terrible power—a weapon of unknown origin, older than the pyramids, which could fuel the Thousand Year Reich of Hitler’s dreams. This story originally appeared in Dark Horse Presents #28-32.
In Night Bus, a young woman wearing round glasses finds herself on an adventurous late night bus ride that constantly makes detours through increasingly fantastical landscapes. Meanwhile a young cartoonist returns home after art school and tries his hand at becoming a working artist while watching over his aging grandmother whose memory is deteriorating. Nostalgic leaps take us to an elementary school gymnasium that slowly morphs into a swamp and is raided by a giant catfish. Beetles, salamanders, and bug-eyed fish intrude upon the bus ride of the round-glasses woman as the night stretches on. Night Bus blends autobiography, horror, and fantasy into a vibrantly detailed surreal world that shows a distinct talent surveying his past. Nature infringes upon the man-made world via gigantism and explosive abundance–the images in Night Bus are often unsettling, not aimed to horrify, but to upset the balance of modern life. Zuo Ma is part of a burgeoning Chinese art comics scene that pushes emotion to the forefront of the story while playing with action and dreams. Translated by Orion Martin.
Sometimes achieving big things requires the ability to think small. This simple concept was the driving force that propelled the Volkswagen Beetle to become an avatar of American-style freedom, a household brand, and a global icon. The VW Bug inspired the ad men of Madison Avenue, beguiled Woodstock Nation, and has recently been re-imagined for the hipster generation. And while today it is surely one of the most recognizable cars in the world, few of us know the compelling details of this car’s story. In Thinking Small, journalist and cultural historian Andrea Hiott retraces the improbable journey of this little car that changed the world. Andrea Hiott’s wide-ranging narrative stretches from the factory floors of Weimar Germany to the executive suites of today’s automotive innovators, showing how a succession of artists and engineers shepherded the Beetle to market through periods of privation and war, reconstruction and recovery. Henry Ford’s Model T may have revolutionized the American auto industry, but for years Europe remained a place where only the elite drove cars. That all changed with the advent of the Volkswagen, the product of a Nazi initiative to bring driving to the masses. But Hitler’s concept of “the people’s car” would soon take on new meaning. As Germany rebuilt from the rubble of World War II, a whole generation succumbed to the charms of the world’s most huggable automobile. Indeed, the story of the Volkswagen is a story about people, and Hiott introduces us to the men who believed in it, built it, and sold it: Ferdinand Porsche, the visionary Austrian automobile designer whose futuristic dream of an affordable family vehicle was fatally compromised by his patron Adolf Hitler’s monomaniacal drive toward war; Heinrich Nordhoff, the forward-thinking German industrialist whose management innovations made mass production of the Beetle a reality; and Bill Bernbach, the Jewish American advertising executive whose team of Madison Avenue mavericks dreamed up the legendary ad campaign that transformed the quintessential German compact into an outsize worldwide phenomenon. Thinking Small is the remarkable story of an automobile and an idea. Hatched in an age of darkness, the Beetle emerged into the light of a new era as a symbol of individuality and personal mobility—a triumph not of the will but of the imagination.
