The Bible on the Shakespearean Stage

The Bible on the Shakespearean Stage

Author: Thomas Fulton

Publisher: Cambridge University Press

Published: 2018-04-26

Total Pages: 321

ISBN-13: 1108624421

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The Bible was everywhere in Shakespeare's England. Through sermons, catechisms, treatises, artwork, literature and, of course, biblical reading itself, the stories and language of the Bible pervaded popular and elite culture. In recent years, scholars have demonstrated how thoroughly biblical allusions saturate Shakespearean plays. But Shakespeare's audiences were not simply well versed in the Bible's content - they were also steeped in the practices and methods of biblical interpretation. Reformation and counter-reformation debate focused not just on the biblical text, but - crucially - on how to read the text. The Bible on the Shakespearean Stage is the first volume to integrate the study of Shakespeare's plays with the vital history of Reformation practices of biblical interpretation. Bringing together the foremost international scholars in the field of 'Shakespeare and the Bible', these essays explore Shakespeare's engagement with scriptural interpretation in the tragedies, histories, comedies, and romances.


The Bible on the Shakespearean Stage

The Bible on the Shakespearean Stage

Author: Thomas Chandler Fulton

Publisher: Cambridge University Press

Published: 2018-04-26

Total Pages: 321

ISBN-13: 1107194237

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The first volume to consider how the context of early modern biblical interpretation shaped Shakespeare's plays.


The Shakespearean Stage from Scriptural and Moral Point of View

The Shakespearean Stage from Scriptural and Moral Point of View

Author: James Rees

Publisher: Kessinger Publishing

Published: 2005-12

Total Pages: 48

ISBN-13: 9781425357658

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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.


SHAKESPEARE & THE BIBLE

SHAKESPEARE & THE BIBLE

Author: James 1802-1885 Rees

Publisher: Wentworth Press

Published: 2016-08-27

Total Pages: 196

ISBN-13: 9781371214418

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


The Bible in Shakespeare

The Bible in Shakespeare

Author: Hannibal Hamlin

Publisher:

Published: 2013-08-29

Total Pages: 397

ISBN-13: 0199677611

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The Bible in Shakespeare is a critical study of the links between the two great pillars of English culture, the Bible and the works of Shakespeare.


The Dynamics of Inheritance on the Shakespearean Stage

The Dynamics of Inheritance on the Shakespearean Stage

Author: Michelle M. Dowd

Publisher: Cambridge University Press

Published: 2015-05-19

Total Pages: 305

ISBN-13: 1316300749

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Early modern England's system of patrilineal inheritance, in which the eldest son inherited his father's estate and title, was one of the most significant forces affecting social order in the period. Demonstrating that early modern theatre played a unique and vital role in shaping how inheritance was understood, Michelle M. Dowd explores some of the common contingencies that troubled this system: marriage and remarriage, misbehaving male heirs, and families with only daughters. Shakespearean drama helped question and reimagine inheritance practices, making room for new formulations of gendered authority, family structure, and wealth transfer. Through close readings of canonical and non-canonical plays by Shakespeare, Webster, Jonson, and others, Dowd pays particular attention to the significance of space in early modern inheritance and the historical relationship between dramatic form and the patrilineal economy. Her book will interest researchers and students of early modern drama, Shakespeare, gender studies, and socio-economic history.


Shakespeare and the Bible: To Which Is Added Prayers on the Stage, Proper and Improper; Shakespeare's Use of the Sacred Name of Deity; The Stage

Shakespeare and the Bible: To Which Is Added Prayers on the Stage, Proper and Improper; Shakespeare's Use of the Sacred Name of Deity; The Stage

Author: James Rees

Publisher: Forgotten Books

Published: 2018-04-22

Total Pages: 192

ISBN-13: 9781331498001

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Excerpt from Shakespeare and the Bible: To Which Is Added Prayers on the Stage, Proper and Improper; Shakespeare's Use of the Sacred Name of Deity; The Stage Viewed From a Scriptural and Moral Point; The Old Mysteries and Moralities Precursors of the English Stage Where, all unrivalled, all alone, Bold Shakespeare sat, and look'd creation through, The minstrel monarch of the worlds he drew P That throne is cold that lyre in death unstrung, On whose proud note delighted wonder hung, Yet old oblivion, as in wrath he sweeps, One spot shall spare - the grave where Shakespeare sleeps. Rulers and ruled in common gloom may lie, But Nature's laureate bards shall never die, Art's chiselled boast, and glory's trophied shore, Must live in numbers, or can live no more. While sculptured Jove some nameless waste may claim, Still rolls th' Olympic car in Pindar's fame; Troy's doubtful walls, in ashes passed away, Yet frown on Greece in Homer's deathless lay Rome slowly sinking in her crumbling fanes, Stands all immortal in her Maro's strains So, too, yon giant empress of the isles, On whose broad sway the sun forever smiles, TO Time's unsparing rage one day must bend, And all her triumphs in her Shakespeare end. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


The Hand on the Shakespearean Stage

The Hand on the Shakespearean Stage

Author: Farah Karim Cooper

Publisher: Bloomsbury Publishing

Published: 2016-04-21

Total Pages: 324

ISBN-13: 1474234283

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This ground-breaking new book uncovers the way Shakespeare draws upon the available literature and visual representations of the hand to inform his drama. Providing an analysis of gesture, touch, skill and dismemberment in a range of Shakespeare's works, it shows how the hand was perceived in Shakespeare's time as an indicator of human agency, emotion, social and personal identity. It demonstrates how the hand and its activities are described and embedded in Shakespeare's texts and about its role on the Shakespearean stage: as part of the actor's body, in the language as metaphor, and as a morbid stage-prop. Understanding the cultural signifiers that lie behind the early modern understanding of the hand and gesture, opens up new and sometimes disturbing ways of reading and seeing Shakespeare's plays.