The late Dwight Conquergood’s research has inspired an entire generation of scholars invested in performance as a meaningful paradigm to understand human interaction, especially between structures of power and the disenfranchised. Conquergood’s research laid the groundwork for others to engage issues of ethics in ethnographic research, performance as a meaningful paradigm for ethnography, and case studies that demonstrated the dissolution of theory/practice binaries.Cultural Struggles is the first gathering of Conquergood’s work in a single volume, tracing the evolution of one scholar’s thinking across a career of scholarship, teaching, and activism, and also the first collection of its kind to bring together theory, method, and complete case studies. The collection begins with an illuminating introduction by E. Patrick Johnson and ends with commentary by other scholars (Micaela di Leonardo, Judith Hamera, Shannon Jackson, D. Soyini Madison, Lisa Merrill, Della Pollock, and Joseph Roach), engaging aspects of Conquergood’s work and providing insight into how that work has withstood the test of time, as scholars still draw on his research to inform their current interests and methods.
This book is the first work that comprehensively presents the accounts of Lia Eden, a former flower arranger who claims to have received divine messages from the Archangel Gabriel and founded the divine Eden Kingdom in her house in Jakarta. This book places Lia Eden’s prophetic trajectory in the context of diverse Indonesian spiritual and religious traditions, by which hundreds of others also claimed to have been commanded by God to lead people and to establish religious groups. This book offers a fresh approach towards the rich Indonesian religious and spiritual traditions with particular attention to the accounts of the emergence of indigenous prophets who founded some popular religions. It presents the history of prophetic tradition which remains alive in Indonesian society from the colonial to reform period. It also explores the ways in which these prophets rebelled against two hegemonies: colonial power in the past and Islamic orthodoxy in the present. The discussion of this book focuses on Lia Eden including her biography, claims to prophethood and divinity, the development of her group Eden Kingdom, her challenge to Islamic orthodoxy under the banner of the MUI (Indonesian Ulama Council), her persecution by radical groups, her experiences in court trials and imprisonment, and public responses to her emergence. The discussion also covers other themes currently drawing public attention in Indonesia, such as pluralism, religious freedom, tolerance, discrimination against minorities, and secularisation.
This dissertation demonstrates that the surprising iconography of human images in the archaeological assemblages of the Levantine Neolithic indicates that they were gods. An analysis of the iconography of the human-like artifacts of my data reveals genital shapes used metaphorically to portray androgynous images as well as elements of therianthropic imagery and red pigment. This iconography meets the predictions of the evolutionary anthropological hypothesis, the 'Female Cosmetic Coalition model' (FCC), which describes the first supernatural symbols as fused male: female, human: animal and red, and predicts that the iconography of early gods would bear this same symbolic syntax, y thesis shows that the material images of the Natufian and Neolithic in the Levant fit this model closely, confirming their identity as gods. The hunter-gatherer socio-economic structure established by the strategies of the FCC was expressed as the first social contract, by which humans lived for thousands of years. The FCC model provides an underlying unchanging syntax in the face of changing political-economy and sexual politics. I interpret my data as revealing a process of male ritual elites increasingly appropriating this syntax, incorporating it in a new social contract. At the end of the last Ice Age, I predict that in the Near East male elites competedto circumvent the onerous burden of the first social contract, to appropriate female ritual power and to establish hierarchical religion legitimizing a new social contract between humans and supernatural beings. This new contract bound gods and humans in a partnership of exchange. I suggest that this process can be identified in the increasingly elaborate ritual activity using costly signalling theory. This work contributes to the decipherment of the iconography of this assemblage of human images, and proposes a model for the origins of religion and social differentiation in the Levant.
The Book Offers An Account Of The Tamils Society, Economy, Religious Beliefs, Educational Mechanisms, Arts And Cultural Expressions (During 1707-1947). It Also Discusses The Profound Influence Of Colonial Rule In The Tradition-Bound Tamilian Society.
"Reality does not comply with our narrations of it. And that is most certainly the case with the narrations produced in academia. An anthropologist in Bahia, Brazil, fears to become possessed by the spirits he had come to study; falls madly in love withan 'informant'; finds himself baffled by the sayings of a clairvoyant; and has to come to grips with the murder of one of his best friends. Unsettling events that do not belong to the orderly world of scientific research, yet leave their imprint on the way the anthropologist comes to understand the world. REflecting on his long research experience with the spirit possession cult Candomblâe, the author shows, in a probing manner, how definitions of reality always require the exclusion of certain perceptions, experiences and insights. And yet, this 'rest-of-what-is' turns out to be an inexhaustible source of amazement, seduction and renewal." --P [4] of cover.
Epigraphic Evidence is an accessible guide to the responsible use of Greek and Latin inscriptions as sources for ancient history. It introduces the types of historical information supplied by inscriptional texts and the methods with which they can be used. It outlines the limitations as well as the advantages of the different types of evidence covered. Epigraphic Evidence includes a general introduction, a guide to the arrangement of the standard corpora inscriptions and individual chapters on local languages and native cultures, epitaphs and the ancient economy amongst others.