This guide centres on those items in the British Museum that are related to the history recorded in the Bible. You will be introduced to rulers, empires and cultures that, without the careful work of many scholars, would have been lost for ever. In this guide you have all that you need to make your tour both enjoyable and relevant. The past is brought to light in front of you.
The links between archaeology and the Bible have fascinated generations of scholars who seek documentation of events narrated in the Bible. The British Museum's collections include numerous inscriptions, pictorial reliefs and other objects which provide such evidence. For this book the author has selected seventy-two such 'documents, ' mainly from Western Asia, with some examples included from Greece, Egypt and Asia Minor, dating from the period of the patriarchs to the New Testament times, c. 2000 BC to c. AD 100. He transliterates and translates extracts from the ancient texts, which include cuneiform, Aramaic and Hebrew, and discusses the contribution they make to our knowledge of the culture and history of biblical times.
"Lost Treasures of the Bible contains photographs and detailed descriptions of more than one hundred biblically significant archaeological objects housed in over twenty-five museums worldwide. Clyde Fant and Mitchell Reddish's selection of artifacts - many of them relatively unknown - illuminates the history, culture, and practices of the biblical world as a whole. Each entry also explains that particular object's relevance for understanding the Bible and locates the artifact not only at its museum site but also by its specific identification number, which is particularly valuable for smaller and lesser-known objects - true "lost treasures.""--BOOK JACKET.
An unofficial tour of the ancient Near Eastern exhibits at the British Museum which relate to the Bible. Includes floor plans of the Museum which would allow the reader to follow the tour and find the items discussed in the text.
A burned and broken wall embedded with arrows and sling stones tells of a city taken by storm. A scribbled message on a piece of pottery reveals the urgency of the hour. Palace inscriptions and clay tablets in a royal archive reflect a well-organized central government. Inscribed silverware, jewelry, and household items illustrate the domestic life of the inhabitants. Archaeology throws dramatic light on the biblical record. The evidence will surprise and inform you as you turn over the soil of history from the pages of your Bible. The witness of the trowel authenticates and illuminates the people and events, lifting them from the pages of the Book and setting them in the context of time and place. Join us on an exciting journey with this evidence from the past.
The recent translation of a Babylonian tablet launches a groundbreaking investigation into one of the most famous stories in the world, challenging the way we look at ancient history. Since the Victorian period, it has been understood that the story of Noah, iconic in the Book of Genesis, and a central motif in Judaism, Christianity and Islam, derives from a much older story that existed centuries before in ancient Babylon. But the relationship between the Babylonian and biblical traditions was shrouded in mystery. Then, in 2009, Irving Finkel, a curator at the British Museum and a world authority on ancient Mesopotamia, found himself playing detective when a member of the public arrived at the museum with an intriguing cuneiform tablet from a family collection. Not only did the tablet reveal a new version of the Babylonian Flood Story; the ancient poet described the size and completely unexpected shape of the ark, and gave detailed boat building specifications. Decoding this ancient message wedge by cuneiform wedge, Dr. Finkel discovered where the Babylonians believed the ark came to rest and developed a new explanation of how the old story ultimately found its way into the Bible. In The Ark Before Noah, Dr. Finkel takes us on an adventurous voyage of discovery, opening the door to an enthralling world of ancient voices and new meanings.
The Slave Bible was published in 1807. It was commissioned on behalf of the Society for the Conversion of Negro Slaves in England. The Bible was to be used by missionaries and slave owners to teach slaves about the Christian faith and to evangelize slaves. The Bible was used to teach some slaves to read, but the goal first and foremost was to tend to the spiritual needs of the slaves in the way the missionaries and slave owners saw fit.
With contributions from leading scholars and detailed catalog entries that interpret the spells and painted scenes, this fascinating and important work affords a greater understanding of ancient Egyptian belief systems and poignantly reveals the hopes and fears about the world beyond death.
Walk into any European museum today and you will see the curated spoils of Empire. They sit behind plate glass: dignified, tastefully lit. Accompanying pieces of card offer a name, date and place of origin. They do not mention that the objectsare all stolen. Few artefacts embody this history of rapacious and extractive colonialism better than the Benin Bronzes - a collection of thousands of brass plaques and carved ivory tusks depicting the history of the Royal Court of the Obas of BeninCity, Nigeria. Pillaged during a British naval attack in 1897, the loot was passed on to Queen Victoria, the British Museum and countless private collections. The story of the Benin Bronzes sits at the heart of a heated debate about cultural restitution, repatriation and the decolonisation of museums. In The Brutish Museums, Dan Hicks makes a powerful case for the urgent return of such objects, as part of a wider project of addressing the outstanding debt of colonialism.
